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Ladybug Transistor - Can't Wait Another Day CD Cover Art
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Ladybug Transistor Can't Wait Another Day CD

 Ladybug Transistor Discography of CDs

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The Ladybug Transistor: Kyle Forester (acoustic guitar); Alicia Vanden Heuvel (organ); Julia Rydholm (bass guitar); Alasdair MacLean (unknown instrument); Frida Eklund, Alasdair Mclean, Annie Cunningham, Cheryl Huber, Lindsay Gilmour (background vocals); San Fadyl, Kellie Sutherland, Gus Franklin, Isobel Knowles, Suzanne Nienaber, Gary Olson , Jens Lekman, Margaret White, Roy Nathanson, Heather McIntosh , Jeff Baron, Ben Crum, Amy Cimini.
Personnel: Gary Olson (vocals, 12-string guitar, trumpet, claves); Alicia Vanden Heuvel (vocals, organ); Ben Crum (guitar, acoustic guitar, electric guitar); Kyle Forester (guitar, acoustic guitar, saxophone, piano, Fender Rhodes piano, organ, Wurlitzer organ, background vocals); Alasdair MacLean (guitar, electric guitar, background vocals); Jeff Baron (acoustic guitar, electric guitar); Kevin Barker (acoustic guitar); Margaret White (violin); Amy Cimini (viola); Heather McIntosh (cello); Roy Nathanson (saxophone); Isobel Knowles (trumpet); Gus Franklin (trombone); San Fadyl (drums); Kellie Sutherland, Suzanne Nienaber, Lindsay Gilmour, Cheryl Huber, Frida Eklund, Jens Lekman, Julia Rydholm (background vocals).
Recording information: Marlborough Farms, Brooklyn, NY.
Photographers: Gary Olson ; Lizeth Santos; Vårin Andersen; Frida Eklund; Andrew Hinderaker.
Six albums into their career, the Ladybug Transistor have matured from callow indie youths infatuated with the chamber pop style of the post-PET SOUNDS 1960s to a mature, well-rounded band creating music that belongs in the same tradition. Singer and primary songwriter Gary Olson's tunes have increased not only in complexity but in emotional impact: "I'm Not Mad Enough" and "This Old Chase" are among the band's finest songs. The expanded lineup, augmenting the original group with a new guitarist and keyboardist, also helps CAN'T WAIT ANOTHER DAY considerably, adding more depth to the arrangements. Alongside the Clientele and Lambchop, the Ladybug Transistor are updating and continuing the chamber pop style in fine form.
Can't Wait Another Day, the Ladybug Transistor's sixth album, finds them back in their home studio, Marlborough Farms, after a jaunt to Arizona for their previous release. Gone are the wide, dusty expanses of 2003's Ladybug Transistor in favor of the idyllic suburban sounds Gary Olson and Bill Wells have consistently conjured during Ladybug's long career. Gone too is Sasha Bell, who opted out of the band in favor of a full-time commitment to the Essex Green. Her songwriting, keys, and vocals are missed, but the band drafted in some fine singers to fill her shoes (Alicia Vanden Heuvel of the Aislers Set, Frida Eklund of Alma) and also added Great Lakes member Kyle Forester on all manner of keyboards. Olson also brought in guitarist Ben Crum (also from Great Lakes), as longtime Ladybug Jeff Baron's involvement in the band has lessened, too. So, those are the changes to the scorecard; the real question is, does the record suffer for the lack of old blood and influx of new? The simple answer is no, mostly because Gary Olson hasn't changed. He still possesses the finest baritone warble in indie rock, writes (with the help of his bandmates) unfailingly catchy pop tunes and perfectly pitched melancholy ballads, and produces records that sound like a cross between the Left Banke and Buckingham-led Fleetwood Mac. He also has a knack for picking covers -- in the past their version of Jan & Dean's "Like a Summer Rain," here Trader Horne's "Here Comes the Rain" and Samara Lubelski's "Broken Links," both of which perfectly complement the group's originals. Speaking of which, the songs on Can't Wait are among the best the band has recorded; maybe it's the new lineup or the return to their home studio, but something seems to have spurred the band to give its sound a boost of energy and imagination. They sound a bit more like a rock band and less like a chamber pop ensemble on songs like "In-Between" and "California Stopover,Uncut (p.99) - 3 stars out of 5 -- "[A] surprisingly mature collection, all playful guitar lines and smooth saxophones."
Magnet (p.100) - "There's a laid-back, lived-in feel on CAN'T WAIT ANOTHER DAY that could only come with familiarity....[It] has a consistent, radiant aesthetic."
Q (Magazine) (p.121) - 3 stars out of 5 -- "[The album] sees strings and brass adding lushness to songs of heartache."
Can't Wait Another Day Music


Detailed Can't Wait Another Day Music Information



List Price $14.98 (You save $2.79)
Category Rock/Pop Albums, Rock CDs
Label Merge
Orig Year 2007
All Time Sales Rank   96664  
CD Universe Part number 7431652
Catalog number 50292
Discs 1
Release Date Jun 05, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer Gary Olson; Gary Olson
Engineer Gary Olson; Bill Wells
Recording Time 40 minutes
Personnel Alasdair MacLean - unknown instrument
Heather McIntosh - cello
Roy Nathanson - saxophone
Kevin Barker - acoustic guitar
Gary Olson - keyboards
Jeff Baron - acoustic guitar, electric guitar
Julia Rydholm - bass guitar
San Fadyl - drums
Alasdair Mclean
Alicia Vanden Heuvel - organ

List all 23 contributors
Ladybug Transistor Can't Wait Another Day Songs


Ladybug Transistor Can't Wait Another Day Album Track Listing



1.Always on the Telephone
2.I'm Not Mad Enough
3.Here Comes the Rain
4.Terry
5.This Old Chase
6.For No Other
7.Three Days from Now
8.In-Between
9.So Blind
10.Broken Links
11.California Stopover
12.Lord, Don't Pass Me By
Can't Wait Another Day Music


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Welcome to Chris Audren’s musical world ... a few words about him, by himself ... : So, I\'m a Composer-Musician (and Singer) from Brittany (the western, Celtic and formerly independent part of France...) ; music is a whole to me (my interest as a music lover and as a creator is creative excellence, over \"labels\" or \"styles\" classification ; it can be found in a very catchy inventive pop song as much as in a long and complex progressive suite ...) and my creativity follows this trend ; fertile (...too much...sometimes...) and very eclectic, even if my \"style\" is often quite recognizable. Anyway, my two main fields of influences developed in the lands of Celtic music (my culture...) and Progressive music... The artist who initially inspired me the most ...
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