| | Pitbull Boatlift CD Pitbull Discography of CDs
 (8 Customer Reviews)
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Personnel: Dawin Lapache (guitar, guitars, bass guitar); Steven Cruz (guitars); Eddie "Scarlito" Perez (piano, keyboards); Adam Gomez Aka Pikuchu, LaMarquis Mark Jefferson (bass guitar); Raulito (bongos); Danny Guira, Jose Martinez Aka Jumanji Guira (guiro); Toby Love, Leroy S. Romans, Juan Chavis Aka Juan Ya, Juan DeJesus Aka John Q., Julissa, Rafael Martínez (background vocals); Andrea Venezuela (vocals); Craig Love (guitar); Detroit Nix (keyboards); Ryan Deaunovich, Ping "A. Fuegoski" Montana (bongos); Young Rico Scott, Reather Bryant, Harold Jones (percussion); Yahaira Vargas, Miguel DeJesus, Jonathan "JaShell" Gelabert (background vocals).
Additional personnel: Young Boss, Toby Love, Yung Berg, Jason Derulo, Don Omar, Fabo, Frankie J, Aim, Lil Jon, Trick Daddy, Trina, Twista, Jim Jones , Cubo, Lloyd, Ken-Y, Casely.
Audio Mixers: Albert Castillo; Jonathon "Lil' Jon" Smith; Andros Rodriguez; Keith Bizz; Eddie "Scarlito" Perez; Ray Seay; Leslie Brathwaite.
Recording information: 11th Street Studio, Atlanta, GA; Al Burna Studios; Circle House Studios, Miami, FL; ColliPark Studios; DJ Ideal Studios; Four Star Recording Studios, Miami, FL; IRS Studios; King Of Crunk Studios, Los Angeles, CA; Panic Room Studios, Miami, FL; S Line Studios, Atlanta, GA; Studios At The Palms; The Cave, Decatur, GA; The Little Big Room, Houston, TX.
Photographer: Vincent Edmond Louis.
Before Pitbull's THE BOATLIFT was even released it spawned two popular singles in the form of the smooth R&B ballad "Secret Admirer" and the spare, dancefloor-packing club smash "Go Girl." The latter track is more indicative of the vibe on THE BOATLIFT, which finds Pitbull drawing on both Miami and Dirty South sounds, with a fair dose of reggaeton here and there, to make a potent hardcore hip-hop cocktail. Lil Jon, Don Omar, Twista, and others make guest appearances on this high-energy party album.
On his 2007 effort The Boatlift, Pitbull's love of club tracks and anthemic party tunes is once again tempered by some serious material, and once again the album's title references the early-'80s mass exodus of Cuban people from their homeland. This is the same formula that was used for his 2006 album, El Mariel, but here the measurements are off, with too much attention being paid to production and hooks while talent and personality get short shrift. Tracks like the appropriately titled "The Anthem" and "Sticky Icky," with Lil Jon and Jim Jones, are infectious, the exciting "Midnight" features Euro-trance keyboards and singer Casely as a worthy Justin Timberlake replacement, plus there's a handful of those Latin rap meets crunk numbers that are so identifiable as Pitbull's. These deep Miami tracks are complemented by some street level interludes and freestyles that are rich with wit, but The Boatlift dies on the slow tracks with "Secret Admirer" being too sugary to take and "My Life" dropping embarrassing bombs like "sometimes I feel/all I can give you is sex/I'm sorry." Get past these plaintive and uninspired tales of how heartbreaking the jet-set lifestyle is and you're left with enough gloss and polish to consider The Boatlift a fun floor-filler, but just not up to Pitbull's usual standards. ~ David JeffriesVibe (p.86) - "THE BOATLIFT solidifies Pitbull's position as one of the most diverse party MC's around." Boatlift Music Review Average Rating: (3.9 out of 5 stars)   List All Reviews Funny album!
The beats are crazy and Pitbull is funny as hell! Definitly worth your money, check it out! Florida takin ova!!
Submitted by T-DoGG (Norway) 
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sweet beats
these beats are amazing. pitbull has always got something sweet, and here it is. check it out it is worth it
Submitted by lil scrawny (canada)
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Its just another club banger. he's not the best cuban rapper. it's most def. cuban link. it has wayyyyyy too many features. he could make this album hot by himself. It does have some hot beats. Lyricswise the only hot tracks are the intro, interlude, and outro (sadly). I give it two stars for the beats.
Submitted by Big X (Illville, NJ, USA)
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 Señor 305
This is by far Pibull's dopest album with the club bangin beats and with such featuring artists such as Jim Jones,Twista,and Lloyd this album is worth havin in your car, house, anywhere u got a system
Submitted by G'mo {559} (Lindsay, CA, USA)
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Best Cuban
The album sounds good. The Anthem must be produced by Pitbull and Lil'Jon thereself, it's the best song on the album.
Peace
Submitted by man11ac (Hoorn (Noord Holland))
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Purchase Boatlift CD To buy, Click on price to add to cart | Pretty Ricky Bluestars CD (2005)
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| | T I T.I. vs. T.I.P. CD (2007)
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It seems like T.I. hasn't gotten any rest since he hit it big with his sophomore release--2003's TRAP MUZIK. With an impressive array of LPs, mixtapes, countless guest spots, and enough industry legwork on his Grand Hustle label in the meantime, the self-proclaimed "King of the South" has been steadily putting in work.
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| | Meet The Lounge-O-Leers CD (2000)
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FROM: TheaterMania.comOct 17, 2000Lounging With the Lounge-O-LeersBy: Michael PortantiereMeet the Lounge-O-Leers(Emenar Records)What can I say that hasn't already been said? The Lounge-O-Leers are to rock and roll what Anna Russell was to classical music, and what Jonathan and Darlene Edwards were to the great American songbook. In the fine tradition of those musical pranksters, the Lounge-O-Leers - aka Ricky Ritzel and Aaron "Hot Rod" Morishita - lift intentionally bad music to the level of art. Never has such an awful album been so thoroughly enjoyable.Perhaps the world's most frightening club act, though it's a close contest, the Lounge-O-Leers traffic in what their press materials describe as "planned medio-crity." They are (in)famous for their appearances at such New York hot-spots as Fez, Judy's Chelsea, the Emerald, and - how perfect is this? - Hannah's Lava Lounge. "They are to ...
| | Dennis Bovell Decibel 1976-1983 CD (2003) (Import) United Kingdom
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Dennis Bovell's influence on '70s U.K. music goes far beyond his punk-related production liaisons, or his role as Linton Kwesi Johnson's producer/bandleader with Dennis Bovell and Dub Band. He was central to the development of British reggae as a distinct sound, both with his group Matumbi, and as a producer, and the kind of dub and instrumental excursions on Decibel: More Cuts From Dennis Bovell 1976-1983 laid the foundation for Adrian Maxwell Sherwood and Mad Professor to emerge in the '80s.
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Personnel: Snoop Dogg (rap vocals); Marlon Williams (guitar, guitars); Larrenz, Terrance Martin (keyboards); Uncle Chuck (bass instrument).
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Recording information: My Momma House; The Cathedral, Hollywood, CA; The Crippin Kitchen, Hollywood, CA.
Fresh off the triumphant success of one of the tightest albums of his career, big Snoop Dogg returns with a collaborative effort that showcases the hottest artists on his own label, Doggystyle Records. THE BIG SQUEEZE also displays Snoop's overlooked talents with beats. As he explains it on the intro, "I wanted to produce this whole (*ahem*) record from start to finish and I wanted to put out all the (*ahem*) artists that I'm (*ahem*) workin' wit. Ya dig?" Over 15 tracks, the Dogg shows and proves himself behind the boards under the alias "Niggaracci," putting together a hard-banging West Coast sound highly influenced by Dr. Dre (lucky for Snoop, he was mentored by one of the best), with traces of the bouncier pop that Snoop has been known to delve into with the likes of Timbaland and the Neptunes. On the whole, THE BIG SQUEEZE is a gangsta party featuring many of the same Cali mainstays who made strong showings on THE BLUE CARPET TREATMENT such as Tha Dogg Pound, Bad Lucc, Western Union, Damani, ...
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