| | Stuart Rosh American Vernacular CD Stuart Rosh Discography of CDs
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Our Price: $14.69  CDFor Sale Usually ships in 1-2 days
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Recording information: CA; Nashville, TN.
Personnel: Stuart Rosh (vocals); Rick Gordon (guitar); John Heinrich (lap steel guitar, saxophone); Matt Combs, Shad Cobb (violin); Jim Hoke (clarinet, saxophone); Neal Rosengarden, Steven Herrman (trumpet); Bill Huber (trombone, tuba); Ronnie Godfrey (keyboards); Pat McInerney (drums); Kathy Burkly (percussion); Kim Morrison, Vickie Carrico, Britt Savage (background vocals).
American Vernacular Music Stuart Rosh American Vernacular Songs | 1. | Eat at Home |
| 2. | Black Cherries |
| 3. | Extra Read All About It |
| 4. | Hard to Understand |
| 5. | Little Egypt |
| 6. | Schadenfreude |
| 7. | Something Upstairs |
| 8. | Loneliness & Gin |
| 9. | Fine Wine |
| 10. | Beats the Hell out of Me |
| 11. | My Beautiful Ideal |
| 12. | You Take Me |
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American Vernacular Review
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Purchase American Vernacular CD To buy, Click on price to add to cart | Houston Person Mellow CD (2009)
American Vernacular
 $13.59  
Not all mellow, Houston Person's tribute to the softer side of jazz has its moments based on the laid-back timbre of his soul rather than a program consisting of only ballads. The tenor sax he wields certainly reflects the tradition established by Ben Webster in its soul-drenched tone, but is not as vocally pronounced or vibrato driven. The quite capable pianist John DiMartino is the one whose more enunciated notions are harnessed, while tasteful guitar by the underrated James Chirillo ring out in acceptance of Person's embraceable hues. A program of standards and two blues jams, Person rounds into shape this quintet of true professional to render themes that are harder to play slow than fast. The slower material includes the regretful, throaty ballad "Too Late Now," the totally restrained "To Each His Own," a poignant "Two Different Worlds," and the deep, mature take of "God Bless The Child". Ever cognizant of blue ...
| | Diana Krall Quiet Nights CD (2009)
American Vernacular
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Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally "Corcovado"), both penned by the legendary Antonio Carlos Jobim. QUIET NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends ...
| | Al Jarreau This Time CD (1980)
American Vernacular
$6.15  
Al Jarreau finally found success in the U.S. after 1975's We Got By. The later albums that followed ,like 1977's live Look to the Rainbow and 1978's All Fly Home found him attaining the all-important cult status and accolades from the jazz community. Those facts made his switch to pop/R&B on This Time even more surprising. For This Time, Jarreau is paired with producer Jay Graydon. Despite his jazz credentials, This Time does prove that this style is where Jarreau truly prospers. The jittery "Never Give It Up" and the melodic and pensive "Gimme What You Got" have a crisp and refined L.A. sound, and Jarreau gives the songs weight with his methodical yet playful ...
| | Jeff Hamilton Symbiosis CD (2009)
American Vernacular
$12.59 
Jeff Hamilton's recordings have always been focused as straight-ahead and mainstream as your typical superhighway, with occasional time for rest stops, gassing up, and sleepovers. While always a good listen, Hamilton and his non-stop rotation of up-and-coming pianists and bassists never really pushed the envelope, staying the course set by his mentor, the late, great bassist Ray Brown, and other California-based coolsters. With Symbiosis, though, there's a change in the weather with the addition of extraordinary young talent in pianist Tamir Hendelman and bassist Christoph Luty. This is not at all to say that Hamilton's music had no fire, guts, or glory, but the difference in internal energy heard on this recording is noticeable. Hamilton is also playing brushes for the most part, instead of sticks, and he proves the finest exponent of that style of jazz performance ...
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