| | Fiorillo,Marcella Vol. 1-Piano Works By Argentine Composers CD - Import Fiorillo, Marcella CDS
Fiorillo,Marcella Vol. 1-Piano Works By Argentine Composers Music | List Price | $17.99 (You save $0.90) | | Label | Phantom | | CD Universe Part number | 7432873 | | Catalog number | 661773 | | Discs | 1 | | Release Date | May 08, 2007 |
Fiorillo,Marcella Vol. 1-Piano Works By Argentine Composers Review
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Festival of Carols features Robert Shaw performing a variety of holiday favorites. Featured songs include the album-opening "Medley," "It Came Upon a Midnight Clear," "O Come, O Come, Emmanuel," and "Shepherd's Carol," in addition to 11 others. Those who ...
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This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, ...
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With its lush arrangements, songs sung in Spanish, Italian, and English, and the quartet members' gorgeous voices, THE PROMISE may not pack many surprises, but that won't come as a disappointment to devoted fans. Songs include "Amazing Grace," Abba's "The Winner Takes It All," and the Holly Johnson and Trevor Horn classic "The Power of Love," make this effort another dazzling showcase for the voices of Il Divo.
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Helen Beedle is a classical pianist, and has a Master's degree from New England Conservatory. But the musical "feeling" on this CD isn't really classical: it's AMERICANA - music that America was hearing 140 years ago that you don't hear a lot of today. And it has its own special feeling.Big News! The hit HBO series "BIG LOVE" licensed music from “When the Galop was the Rage” for its final dramatic episode of the 2006 season. The song “Lorena” is spotlighted in the episode and receives significant airplay. This translates into "Big Love" for Helen Beedle's discography.National Park bookstores, the Smithsonian Institution and museums all over the country carry "When the Galop was the Rage". And it has received wonderful reviews from many media sources. Helen has been featured on PBS radio stations and performed on many festivals and music series, including the Spoleto Festival of music, art and dance in Charleston, SC.Jonathan Beedle, ...
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Track Listing of songs: Work;
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