| | Vogelstimmen Und Wassersinfonie Soundtrack CD
Vogelstimmen Und Wassersinfonie Soundtrack Music Vogelstimmen Und Wassersinfonie Soundtrack Songs | 1. | Vogelstimmen & Wasserfallsinfonie |
| 2. | [Untitled] |
| 3. | [Untitled] |
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Vogelstimmen Und Wassersinfonie Soundtrack Review
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For anyone hasn't watched episodes of the Disney animated series PHINEAS AND FERB, it's highly recommended. It is a Saturday morning cartoon comedy that stars two irrepressibly inventive, multi-talented mischievous nerd geniuses (who happen to be stepbrothers), their vain, hyperactive, scheming sister Candace, and their pet platypus that happens to be a secret agent fighting an evil scientist. The plots are standard, and sometimes so are the jokes, but the characters aren't. One of the show's highpoints is the music, from Bowling For Soup's theme song "Today Is Gonna Be a Great Day" (who can argue with a power pop punk song with a killer hook that states, "This could possibly be the best day ever and tomorrow could be a million and six times better..."?) ...
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This collector's edition contains 4 additional tracks plus a bonus interview disc with director Quentin Tarantino.
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In this recording we set out to compose music that supports the text and evokes the ancient roots of Ovid’s tales while keeping a modern sensibility. The instruments used for Book Two are a variety of ethnic instruments in non-standard tunings. These instruments are stretched and transformed through a delay processing network and combined with FM synthesis and material generated with feedback networks. Selections 8 and 9 from Book Eight use an archaic hexatonic scale attributed to Terpander of Lesbos, circa 700 BCE. The ratios used in this scale are: 1/1, 11/10, 11/9, 11/8, 11/7, 11/6. It has a serviceable 5th in the 11/8, but no third, putting it outside the realm of western Triadic harmony. The scale is quite singable, however, and generally minor in quality that is quite appropriate to Ovid. The instruments here are the Australian didgeridoo in C, the violin, gongs and FM synthesis tuned to the hexatonic scale. Feedback is again used for atmosphere._________________________________________________________________________________Credits:Chris Turner: Spoken voice, auto harp, bamboo flute, shawms, gongs, jews harp.David Brown: Recordings and production, didgeridu, feedback networks, percussion, synthesizers.Rachel Maloney: Fiddle,psaltery, gongs, jews harp, percussion____________________________________________________________________________________Bios:David BrownFirst attracted by the atmospheric sounds in Art Rock bands such as Yes and King Crimson, David studied music at the University of Iowa and soon discovered the music of Karlheinz Stockhausen, John Cage and Iannis Xenakis. He became particularly interested in Musique Concrète which uses recordings of natural sounds as source material for compositions. His considerable travel around the United States and work in recording studios opened his ears to the musicality in all sounds and in 1985 he moved to Oakland, California to study at the Center for Contemporary Music at Mills College. There he studied composition and Saxophone with Antony Braxton. His interest in telling stories with ...
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Forgive the Fallen is a regional hard rock band that hails from Baltimore, MD with a strong fan base in the Baltimore/DC/Virginia area. The band has shared the stage with many popular local/regional acts as well as National Recording Artists: Within Temptation, HELLYEAH, Otep, Bloodsimple, the Dear and Departed, Biohazard, Stemm and Crazy Anglos.Instead of trying to sound like someone else, the band takes the approach of taking the best from their influences and melding it into their own sound. The music can be heavy with screams one minute, then a soft acoustic melody the next. ...
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