| | Claude Williamson Fabulous CD - Import Claude Williamson Discography of CDs
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. Claude Williamson Fabulous Songs | 1. | Witchcraft |
| 2. | Foggy Day |
| 3. | Young at Heart |
| 4. | You Make Me Feel So Young |
| 5. | Nancy |
| 6. | Lady Is a Tramp |
| 7. | Anything Goes |
| 8. | All the Way |
| 9. | You Can't Take That Away from Me |
| 10. | While We Were Young |
| 11. | Let There Be Love |
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Fabulous Review
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The free-spirited members of Sidonie must have dropped one too many tabs of acid. Let it Flow is at first standard, neo-psychedelic, summer-of-love rock with the conventional tracks "Love" and "Cry." However, things get a little strange. In addition to the expected sitar and mid-eastern influence, the Spanish trio attempts to expand the mind by bringing in synthesizers and experimenting with just about anything else available to them. A kaleidoscopic, slightly corny version of Madonna's ...
| | Amanda Carl On What You Love CD (2006)
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Like writing, painting, sculpting or any artistic talent, harbingers for musical ability and promise can usually be traced back to a trigger or flashpoint in early childhood. Such is the case with music, performance and Amanda Carl. Indelible images of creative genesis are not often forgotten, and Carl recalls standing on tabletops, imagining them as soothing stages, where she felt innocently at ease to perform. Carl's musical aptitude may in part stem from the fact that her father, Tom, was perpetually playing songs on the guitar for her and her family when she was still a small child. As she grew older, her interest in music did not abate; it only grew stronger. Also during this period, Carl began writing poetry and simple melodies, with her father always cataloging them as if they were part of an ancient collection. After purchasing Lisa Loeb's Firecracker when she was nine years old, Carl was struck by the complex lyrics and harmonies, even at such a young age. Loeb's songs hit a deep chord in Carl, stoking the embers of some deep and hidden artistic fire that would blaze passionately one day. In the intervening years, Carl frequently sought solace in the guitar and keyboard, and began an early catharsis while starting to show the hints that true musical talent was ready to break out of simple songwriting. Carl's interest in performing and her connection as a singer-songwriter with deeply personal and evocative lyrics continued to bloom as she entered high school. Carl was quietly captivated by the work of artists like John Mayer, Jason Mraz and Alanis Morissete, enlightened to the extraordinary effect music could have on a person's life. Their music left her hungry for more work like theirs, sparking her toward the idea that she too wanted to use music to touch other's lives, just as she had been touched. Also during this period Carl began performing in the world of musical theater and in talent shows, giving her confidence in her abilities and assuring her the stage would always be a place where she would feel at home. Songwriting began to flow more naturally through Carl's veins, as the complex and raw emotions she was experiencing simply growing up transformed into quality material with palpable urgency. After recording her songs on a four-track recorder with her father in their basement, and bolstered by her vocal training under the tutelage of famous Broadway actresses and singers Julie Schmidt, Ann Van Cleave and Beth Leavel, Carl was encouraged to professionally record her material. After her co-manager Bob Press connected her with longtime musician and producer Phil Garland, Carl's songs took on an entirely new and incredibly layered dimension. After working ardently with Garland, Carl's songs became imbued with a textured, penetrating acoustic-rock feel, and became her first album, On What You Love. Backed-up by a six-part band whom Carl has been playing with since November, 2005, Carl played to a standing-room-only crowd at the club Vertigo in Nyack, ...
| | Jaki Byard Sunshine Of My Soul - Live At The Keystone Korner CD (2007)
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Not to be confused with Jaki Byard's 1967 album, SUNSHINE OF MY SOUL, SUNSHINE OF MY SOUL: LIVE AT KEYSTONE KORNER is a live 1978 date that features Byard playing solo. One of the all-time great jazz pianists, Byard was a compendium of technique and style, able to blend genres seamlessly, moving with effortless ease between bop, stride, classical, blues, funk, avant garde, and anything else that crossed his mind.
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No Compromise marks the 20th anniversary of this pioneering Christian reggae band, and the group has aged well. Led by pastor Mark Mohr, Christafari continues to blend fully credible roots and dancehall reggae with an unapologetically evangelical Christian message, and that blend has never sounded better than it does on these 15 tracks. Nearly every one of them features a guest appearance by a similarly inclined singer or deejay, most of them relatively obscure (Solomon Jabby, Dominic Balli) but a few of them -- notably the great dancehall chatter Papa San -- are fairly well-known. One mark of Christafari's maturity is the band's ability to switch styles without sounding at all dilettante-ish -- they sound as comfortable in a bouncy soca mode on "Hands Up" as they do recapitulating a vintage roots rhythm on "Try Jah Love," or riding the more modern grooves of "Compromise/Slippery Slope" and the anti-abortion anthem "Protesters." There are a few slightly awkward moments, such as the somewhat overwrought vocals on "Move in You Reprise" and the gospel-inflected and frankly kind of soft-in-the-middle "Messiah." But overall, Christafari is not only the best gospel-reggae band currently working, but is also one of the best reggae bands out there, period, as this album proves again. ~ Rick Anderson
Recording information: ...
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