| | Nancy Ajram Ah W Noss CD Nancy Ajram Discography of CDs
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Our Price: $24.85  CDFor Sale Usually ships in 1-2 days
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Ah W Noss Music | List Price | $33.98 (You save $9.13) | | Category | Rock/Pop Albums, World CDs, Arabic | | Label | EMI Arabia | | CD Universe Part number | 7436475 | | Catalog number | 371263 | | Discs | 1 | | Release Date | Jul 16, 2006 | | Additional Info | Collector Edition |
Nancy Ajram Ah W Noss Songs | 1. | Ah W Noss [I Mean It] | |
| 2. | Baddalaa Aleyk [Playing Hard to Get] | |
| 3. | Lawn Ouyounak [The Colours of Your Eyes] | |
| 4. | Oul Tani Eyh [Say It Again] | |
| 5. | Taala Ya (Come Here, My Love) | |
| 6. | Sana Wara Sana [Year After Year] | |
| 7. | Inta Eyh [What Is the Matter with You?] | |
| 8. | Gayinn You'oulouli [They Came to Tell Me] | |
| 9. | Ana Leyh [Why?] | |
| 10. | Hobbak Liya [Your Love Breaks Mix] | |
| 11. | Teloum [Do Not Blame] | |
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Ah W Noss Review
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Purchase Ah W Noss CD To buy, Click on price to add to cart | Patrizio Buanne Patrizio CD (2009)
Ah W Noss album
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2009 third album from the sensational Italian vocalist produced by Humberto Gatica (Celine Dion, Andrea Bocelli, Michael Bublé).The album features contemporary but timeless interpretations of Italian and American classics, alongside some stunning new compositions. ...
| | Loreena McKennitt A Mediterranean Odyssey CDs (2009)
Ah W Noss CD music
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Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from Celtic balladeer to worldbeat superstar began in the early '90s with the genre-hopping VISIT. Her penchant for Mediterranean/Far East/Middle Eastern instrumentation came to fruition on 1994's MASK AND MIRROR and 1997's BOOK OF SECRETS, the latter of which spawned her biggest ...
| | Royal Scots Dragoon Guards Amazing Grace CD (1992)
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| | Osibisa Osee Yee CD (2009)
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| | Rev Donald Alford It's All About You CD (2006)
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Track Listing of songs: Give Him Praise; We're Waiting on You; All I Want to Do Is Bless ...
| | Nicole Passion Spirit CD (2001)
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Recording information: Buffalo Moon Productions; Studio Bee.
Photographer: Paul LaRoche.
Personnel: ...
| | All The Best From Caribbean: 25 Great Favorites CD (1995) (Import)
Ah W Noss music CDs
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Track Listing of songs: Rivers of Babylon; Sun of Jamaica; No Woman, No Cry; Brown Girl in the Ring; Guantanamera; Barbados; Kingston Kingston; You Can Get It If You Really Want; ...
| | Marta Sebestyen High Days CD (2000) (Import) Import; Hungary
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Recording information: Hungaroton ...
| | Billy Cobham Total Eclipse CD (1974)
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This is Billy Cobham's third solo recording under his own name and is a fine follow-up to Crosswinds. The mini-suite "Solarization" not only showcases the band's technical abilities, but also Cobham's strong compositional skills. It also features a schizophrenic piano solo ("Second Phase") from the underrated pianist Milcho Leviev, who sounds like a mutation of Cecil Taylor and Bill Evans. The funky "Moon Germs," on which John Abercrombie is pushed to inspiring new heights, became a Cobham classic. "The Moon Ain't Made of Green Cheese" is a beautiful flugelhorn solo by Randy Brecker backed by Cobham's debut on piano. The band stretches out on the lengthy "Sea of Tranquility," while "Last Frontier" is a gratuitous drum solo. This recording is highly recommended as Cobham still sounds inspired. ~ Robert Taylor
Recorded at Atlantic & Electric Lady Studios, New York, New York.
Personnel: Billy Cobham (piano, drums, timpani, percussion); John Abercrombie (guitar, electric guitar); Cornell Dupree (guitar); Michael Brecker (flute, soprano saxophone, tenor saxophone); Randy Brecker (trumpet, ...
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| | Jae Sinnett It's Tellinga Drummer's Perspective CD (2007)
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It’s Telling…A Drummer’s PerspectiveFollowing in the footsteps of the highly acclaimed… ”The Sinnett Hearings”… drummer Jae Sinnett has created a drumming/compositional masterpiece with It’s Telling…A Drummer’s Perspective.“ His formidable technique and versatility are on display… front and center. A drumming tour de force indeed! The compositional development is also evident and the unique individual voice of Jae as a drummer and composer… is clearly established. “A while back I had a conversation with drummer Steve Smith…He said I should bring the drums more out front because the drummers want to hear me play. Open up more. I thought about that for a long time. I’ve always thought that the way I incorporated the drums with the compositions on my previous releases reflected my true ability as a drummer. In retrospect I now hear the drums on those recordings as simply providing the perfect rhythmic blend that weaves from within each piece musically but not showcasing my drumming ability in as much of a lead capacity as I initially thought. On “It’s Telling…” the drums are shaping the direction of each composition and certainly more out front.” Every composition is written to feature the drums in ways that reflect the deep study of the American groove. The 6/8 title track is like a mini suite - with varied solo sections… for piano, drums and saxophone. “Cliffhanger” grooves in 7/8 time with that slickly deceptive quarter note hi hat placement during the “A” sections of the melody. The swinging “Simple Pleasures” is a brush feature over the standard form and featuring a blistering brush solo section. The 5/4 “Locus” has a funk vibe with rhythmic displacement and a powerhouse solo at the end. The rhythms on “It’s Telling… are complex and shaped over swing and funk grooves. The writing is Jae’s best to date. Each piece moves forward and tells its own unique story. “For the past couple of years I’ve been really looking at fresh ways of featuring the drums as being the point of departure of the composition…that of course reflects my sound. Here it’s about the drummer as a writer…not the other way…which had been my thinking for the past several recordings. Refinement is important. Most of the writing for the music on this CD is constructed from bottom to top…meaning from the rhythm to the melody. The drums set the conceptual direction of the pieces through sophisticated rhythmic and textural themes. The meters vary and six of the eight have drum solo sections as integral parts of the compositions. Extensions if you will.” The slow waltz “Manque” showcases the sonic beauty of cymbal textures and colors. The New Orleans tribute… ”Crescent City Undercurrents”… reflects the once vibrant aura of the Crescent City. As it develops you hear the second line, the hope of replenishment, the swing, the destruction and the spirit of possibilities. “This is a deeply personal piece because I love New Orleans and pray for its recovery. I hope within that tribute the spirit of that love is evident.” Closing the disc is the gritty and complex “Truth Be Told.” Written in 9/8 for part of the main theme and for the saxophone and piano solos it then dances in 5/8 during the melody “B” sections and for the drum solo. “Without question this was the most challenging piece on the CD. We really had to work on this one but these are gifted musicians. I knew they would be up for the challenge. The shifting rhythms keep you on your ...
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