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Fairuz Classics CD

 Fairuz Discography of CDs

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 Our Price: $18.05  CD
For Sale Backordered since 12/13/2009

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Fairuz Classics Music


Detailed Fairuz Classics Music Information



List Price $20.98 (You save $2.93)
Category Rock/Pop Albums, World CDs, Arabic
All Time Sales Rank   587401  
CD Universe Part number 7436564
Catalog number 347311
Discs 1
Release Date Nov 24, 2005
Fairuz Classics Songs


Fairuz Classics Album Track Listing



1.Sallimleh Alayh$0.99
2.Habitak Tansee It Noum
3.Oudak Ranan
4.Houmoum Al Hob$0.99
5.Oghniat Al Wadaa$0.99
6.Beirut
7.Shaat Iskandria
8.Bosta
9.Asfour Al Shagan
10.Al Thanieh
11.Kifak Inta$0.99
12.Ams Intahina
13.Ana Andi Haneen
14.Sabah Wu Masaa$0.99
15.Yisaed Sabahak
16.Nassam Alayna (Live)$0.99
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble harmonics, rhythmic invention, and, of course, tautly arranged spaces for individual improvisation--check out the ...
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Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at ...
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Additional personnel includes: Glen DaCosta (tenor saxophone); David Madden (trumpet); Nambo (trombone); Devon Evans (percussion). Digitally remastered by Ted Jensen (2001, Sterling Sound, New York, New York) An interesting collection of singles and posthumously archived material created in the same way as Hendrix's CRASH LANDING and The Beatles "Free as a Bird," (albeit with most of the original musicians), CONFRONTATION is more consistent than one would expect and includes at least one certified classic in "Buffalo Soldier." The record features some very tasty guitar, good vocal performances and the always rock-steady rhythm ...
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Passages
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Gregory Hickman-WilliamsVocal ProdigyJanuary 18, 1957 - August 26, 2006He sang all the time as a child, according to his mother, and the whole neighborhood knew his voice because, even then, it was a big voice.Gregory was born in St. Louis, Missouri, but his voice first filled the streets of his childhood in New Iberia, Louisiana and Oakland, California. He spoke of singing jazz and blues on the front porch with his uncle and grandfather and of later seeking out the best vocal instruction he could find in the San Francisco Bay area, where he sang with every major orchestra and with Fantasy Records.But Gregory always wanted more, and the path he followed became a quest for all that is true and beautiful in singing and in life. That quest took him to New York, Israel, and Europe. In Barcelona he met Gino Bechi, one of opera’s greatest baritones, then in his seventies, and for more than two years studied with him almost daily in Florence.With relentless tenacity Gregory crafted a formidable vocal technique at the service of his “glorious voice” (Charles Ferruzza, The Pitch, Kansas City), a voice which, according to one listener, had a warmth that felt like a hug. He could sing with equal grace and passion a Cuban or a Yiddish lullaby, a Puccini aria or a Mozart song, An Argentinian tango or a cowboy ballad; spirituals, gospel, jazz standards, improvised blues. And to every song in every genre he brought the same deep compassion, the same unerring instinct for the emotional core of each word. His voice was big, but his heart was bigger.In January of 1993, Gregory returned to the United States to settle in Kansas City, where he would train singers and eventually began showing up at jazz clubs, where his voice alone could silence a noisy crowd. But Gregory never found the elusive right place at the right time. He once said that he loved songs like “Clementine,” “The Yellow Rose of Texas” or Barbara Strozzi’s Venetian Renaissance songs, because they were beautiful but forgotten or ignored, like his voice.It was the casual question of a friend that lead to the production of "Passages," Gregory’s “magnificent” (Marcello Tolliver, WPFW FM, Washington DC) and only CD. After two years of fundraising, repertoire selection, reviewing sidemen and recording, the release party was scheduled for March 26, 2006. Gregory went into the hospital on March 19 and remained there for twenty-three weeks on a heart machine and in need of a transplant.  As he fought back from one crisis after another the doctors came to call him the Miracle Patient.  But he never recovered his health sufficiently to qualify for the transplant and on August 26, 2006, in the presence of family and friends, his machine was turned off and his spirit released -- the only release party Gregory ever had. Passages is a stunning achievement. It was selected from a crowded international field by Bill Brownlee in the Kansas City Star and by Lee Ingalls on KCUR FM, Kansas City, as one of the best new releases of 2006. And it is Gregory’s monument. In its twelve songs, there is an emotional summary of Gregory’s life -- a life spent in the pursuit of sincere ...
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