| | Richard Hawley CD - Import Richard Hawley Discography of CDs
2007 re-issue of the debut mini-album from the British singer/songwriter who was then best known as the guitarist in Longpigs and touring guitarist with Pulp. Originally issued in 2001, this self-titled release now includes five bonus tracks: 'Caned', 'Cheap Spanish Whine', 'Sick Pay', 'Troublesome Waters' and 'Aran Loop'. Since this album's original release, Hawley has become one of the most beloved of UK songwriters (and one of the most in-demand musicians behind the scenes). 12 tracks in all. Setanta. Richard Hawley Songs | 1. | Going Home |
| 2. | Bang To Rights |
| 3. | Sunflower |
| 4. | Caravan |
| 5. | Naked In Pitsmoor |
| 6. | Time Has Made A Change |
| 7. | Happy Families |
| 8. | Caned |
| 9. | Cheap Spanish Whine |
| 10. | Sick Pay |
| 11. | Troublesome Waters |
| 12. | Aran Loop |
|
Richard Hawley Review
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Purchase Richard Hawley CD To buy, Click on price to add to cart | Marc Eric Midsummer's Day Dream CD (1969) With Book; Bonus Tracks
Richard Hawley album
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Mark Eric (whose real name is Mark Eric Malmborg) wasn't the most original composer of his day, and yet years after its 1968 release his long out-of-print one-off soft pop LP for Revue (a UNI/MCA subsidiary) commands a fairly high price from soft pop collectors who've managed to nab themselves a copy. The reason? A Midsummer's Day Dream is treasured by collectors as one of the more perfect blends of soft pop and surf pop, with appropriately accenting vibraphones and French horns, pseudo-studio jazzy/soft pop melodies, "bah bah bah" harmonies, and moody string arrangements reminiscent of Curt Boettcher's productions of Sagittarius and the Millennium. Eric's charming, somewhat imperfect falsetto (in a somewhat obvious homage ...
| | Lady Gaga Fame CD (2008)
Richard Hawley CD music
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The times were crying out for a pop star like Lady GaGa -- a self-styled, self-made shooting star, one who mocked the tabloid digital age while still wanting to wallow in it -- and one who's smart enough to pull it all off, too. That self-awareness and satire were absent in the pop of the new millennium, where even the best of the lot operated only on one level, which may be why Lady GaGa turned into such a sensation in 2009: everybody was thirsty for music like this, music for and about their lives, both real and virtual. To a certain extent, the reaction to The Fame may have been a little too enthusiastic, with GaGa turning inescapable sometime in the summer of 2009, when she appeared on countless magazine covers while both Weezer and DAUGHTRY covered "Pokerface," the rush to attention suggesting that ...
| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
Richard Hawley music CDs
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," ...
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| | Mariah Carey Merry Christmas CD (1994)
Richard Hawley CD music
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics ...
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| | N Sync Celebrity CD (2001) Import
Richard Hawley songs
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Additional personnel includes: J Moss (rap vocals); Rodney Jenkins, Wade J. Robson (various instruments); Michael Thompson (acoustic guitar); Michael Landau (electric guitar); Stevie Wonder (harmonica); Michael A. Lang (piano); Brian McKnight (keyboards); Randy Jackson (bass); Anthony Nance (programming); Pharrell Williams, Carlos Vasquez, The Hampton String Quartet.
CELEBRITY was nominated for the 2002 Grammy Award for Best Pop Vocal Album. "Gone" was nominated for the 2002 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal.
"Girlfriend" was nominated for the 2003 Grammy Awards for Best Pop Performance By A Duo Or Group With Vocal.
Hong Kong import with bonus songs, "That Girl Will Never Be Mine" and "Falling."
N Sync's fourth album further mines the territory first explored on the band's previous NO STRINGS ATTACHED--namely, fame, its price and consequences. This continues a boy band tradition of questioning, if not actually biting, the hand that feeds, stretching from the Beatles through the Monkees, David Cassidy, the Bay City Rollers, and more recent contenders such as New Kids On The Block. This type of manuever usually precedes a catastrophic drop in sales and /or acrimonious split.
Regardless of whether CELEBRITY is a portent of disaster, it's an effective amalgamation of thoughtful, sometimes acerbic pop in the band's bubbly, R&B lite tradition ("Celebrity," "The Game Is Over"--the latter using arcade game noises to good percussive effect) interspersed with the ageless boy-girl dramas, such as "Girlfriend" and "Just Don't Tell Me That," that N Sync does so well. The low-key, string-colored ballad "Gone" is particularly effective, using a similar treated guitar effect to Madonna's "Don't Tell Me," while the ...
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| | Magnapop Mouthfeel CD (2005)
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""We're faded" but not out of sight," Linda Hopper sings on the first track of Mouthfeel, her band Magnapop's first album in eight-and-a-half years. Actually, the reverse sums up Magnapop's situation pretty well: though all but the most devoted fans probably think that the band broke up years ago, ...
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| | Hall & Oates Do What You Want Be What You Are: The Music of Daryl Hall John Oates CDs (2009)
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It's telling that DO WHAT YOU WANT TO BE WHAT YOU ARE, Sony/Legacy's comprehensive, career-spanning Daryl Hall and John Oates box set, takes its title from a moderately successful mid-'70s single from the duo, written and recorded just as the group was hitting their creative stride. The slow Philly groove of "Do What You Want Be Who You Are" may have hearkened back to the duo's soul roots, side-stepping some of the outré pop experiments they had done just two years earlier on War Babies, but Hall & Oates took the title's sentiment to heart, blurring boundaries between rock, pop, and soul in a way that wasn't always easy to appreciate at the peak of their popularity in the '80s. During that decade, Hall & Oates were omnipresent, seemingly dominating every radio format and MTV, racking up so many hits that it was easy to overlook how "Private Eyes" wore bright, angular New Wave threads, or how "I Can't Go for That (No Can Do)" pulsated on electronic rhythms, not to mention the duo's earliest folk-rock records. DO WHAT YOU WANT TO BE brings all this into perspective, rounding up all the group's big hits and sharply selected album tracks, enhancing the canon with several rarities ranging from early singles (Hall as ...
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