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Tropea, John - Best Of Best 1975-2005 CD Cover Art
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John Tropea Best Of Best 1975-2005 CD

 John Tropea Discography of CDs

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Personnel: John Tropea (guitar); Will Lee (vocals, percussion); Gordon Grody, Diva Gray, Lalah Hathaway, Lani Groves, Luther Vandross (vocals); Stephanie Cummins (cello); Ronnie Cuber (saxophone); Lou Marini (tenor saxophone); Sam Burtis (trombone); David Sanborn, Michael Brecker, Randy Brecker, Tom Scott, Barry Rogers (horns); Leon Pendarvis (piano, Clavinet, organ); Richard Tee (piano); Don Grolnick (electric piano); Chris Palmaro (Fender Rhodes piano, Clavinet, organ, keyboards); Ricky Peterson (organ); Deodato (keyboards); Nicki Parrott (acoustic bass); Cliff Almond, Rick Marotta, Steve Gadd , Shawn Pelton, Charley Drayton (drums); Ralph MacDonald, Rubens Bassini, Jimmy Maelen (percussion).
Arrangers: Chris Palmaro; Deodato; John Tropea; Will Lee .
Best Of Best 1975-2005 Music


Detailed Best Of Best 1975-2005 Music Information



List Price $38.98 (You save $9.73)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Guitar, Greatest Hits Collections
Label VideoArts Music
Orig Year 2007
All Time Sales Rank   495752  
CD Universe Part number 7437147
Catalog number 1077
Discs 1
Release Date Oct 09, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer John Tropea; Kiyoshi Itoh; Will Lee
Personnel Tom Scott
Steve Gadd
Steve Gadd
Michael Brecker
David Sanborn
Randy Brecker
Ralph MacDonald
Luther Vandross - vocals
Shawn Pelton
Richard Tee - piano

List all 32 contributors
Additional Info Japan
John Tropea Best Of Best 1975-2005 Songs


John Tropea Best Of Best 1975-2005 Album Track Listing



1.You Are My Heaven
2.Donna Lee
3.House Is Not a Home, A
4.'Round Midnight
5.Look What They've Done to My Song
6.Beauty in You, The
7.Messenger, The
8.Tropea Dope
9.Can't Hide Love
10.Dreams
11.Sandu
12.Sack O' Woe
13.I Can't Get Started
14.What Are You Doing the Rest of Your Life?
Best Of Best 1975-2005 Review


Best Of Best 1975-2005 Music Reviews



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25th Anniv.Ed.;Enhanced; 1 Bonus Track Solo performer: George Winston (piano).
Recorded on June 19-20, 1980.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
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Misty Eyed Adventures
Maire Brennan Misty Eyed Adventures CD  (1995)

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CD $9.29  Audio Samples
Live Recording Personnel includes: Maire Brennan (vocals, harp, keyboards); Dee Brennan, Olive Brennan, Bridin Brennan (vocals); Anthony Drennan (acoustic & electric guitars, dobro); Greg Boland (electric guitar); Donal Lunny (acoustic & electric bouzouki, bodhran, keyboards); Martin O'Connor (button accordion); Calum Malcolm (keyboards, synthesizer); James Delaney (keyboards); Nico Bruce (acoustic bass); Eoghan O'Neill (bass); Nigel Thomas (drums, percussion); Noel Eccles (percussion); Scottish Chamber Orchestra.
Producers: Calum Malcolm, Donal Lunny, Davy Spillane, Greg Boland, The Blue Nile.
Engineers: Calum Malcolm, Colin Boland, Ciaran Byrne.
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Studio: Selected Studio Recordings (1986-1995)
Cowboy Junkies Studio: Selected Studio Recordings (1986-1995) CD  (1996)

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Full title - Studio - Selected Studio Recordings 1986-1995. 1996 release is a thoughtfully compiled retrospective of their best album tracks including, 'Sweet Jane' & 'Misguided Angel', plus the previously unreleased 'Lost My Driving Wheel'. 14 tracks. BMG. Cowboy Junkies: Margo Timmins (vocals); Michael Timmins (guitar); Alan Anton (bass); Peter Timmins (drums).
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Little Red Songbook
Momus Little Red Songbook CD  (1999) Reissued

Best Of Best 1975-2005
CD $12.39  Audio Samples
THE LITTLE RED SONGBOOK includes 1 hidden track called "I Can See Japan" (recorded when Nick Currie was 7 years old) and 10 bonus karaoke tracks.
Momus: Nick Currie.
The record that best defines Momus' self-described "analog baroque" phase, The Little Red Songbook plays up his longstanding obsession with Serge Gainsbourg's dark humor and lascivious persona, placing it in a bed of lilting, unpredictable, and classically influenced melodies. The instrumentation is minimalist, usually employing only harpsichord, analog synth, bass sampled from a Nintendo GameBoy, and drum tracks from a cheap keyboard -- an odd blend of classicism and kitschy futurism. The arrangements are often more layered than they sound at first, thanks to Momus' skill as a producer, but the resulting Vivaldi-meets-Kraftwerk sound still has an artificial, inorganic, low-budget feel. Not only is that intentional, but it perfectly fits the wry detachment of many of the album's tales of sexual manipulation; while some songs' observations are cultural rather than sexual, The Little Red Songbook is overall one of Momus' most explicitly vulgar records. However, its bluntness doesn't mean that the concise lyrical vignettes aren't clever -- the list of "Everyone I Have Ever Slept With" turns into a rambling awards show speech, and "Coming in a Girl's Mouth" spends most of its time pondering the symbolic meaning of that act, not just its physical realities. In fact, the subject matter's clash with Momus' "cultured" chamber-pop appropriations makes for a compelling tension. It's equally possible to hear this as sophisticated pop with a conscious affectation of elegant, high-class decadence, or as an intentionally trashy, dirty way of subverting the pomposity of music and literature regarded as "high art," skillfully using its own forms against it. Either way, it's unabashedly self-referential, morally dubious, and scathingly funny -- in other words, everything a great ...

Goin' Yard
Monty Alexander Goin' Yard CD  (2001)

Best Of Best 1975-2005
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Live;3rd Telarc Rel;Reggae/Jaz Personnel: Monty Alexander (piano); Wayne Armond (vocals, guitar); Dwight Dawes (keyboards); Robert Browne (guitar); Glen Browne (bass); Desmond Jones (drums); Robert Thomas (hand drums).
Recorded live at Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania on October 5 & 6, 2000. Includes liner notes by Patricia Meschino.
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Carlos Oliva was born on a February 15th in one of Cuba's most beautiful cities, Sancti-Spiritus, province of Las Villas. Without a doubt, this Aquarian portrayed his musical talent at an early age, singing when he was just learning his first few words. As time went by and almost without realizing it, Carlos was playing congas, bongoes and drums, "jamming" with every orchestra that would perform in his hometown.In 1961, he went to Colombia and then to Miami, as part of one of the first exiled groups that escaped the island of Cuba. He began working with the Cuban Catholic Youth Program in a camp known as "Matecumbe", which was also part of Catholic Welfare, in a program known as "Peter Pan". It was there, while working as an instructor or counselor, helping kids that would arrive without their parents, that he met others who shared his passion for music; one of them was none other than Willy Chirino.With his great enthusiasm and optimism, he formed a trio and started playing at the Sands Hotel in Miami Beach. While there, he met Julio Gutiérrez, the Cuban musician, arranger and composer of the 40's, legendary author of the boleros "Inolvidable" and "Llanto de luna".With Julio and Willy Chirino, Roberto Lozano and Héctor Fernández, he went to New York. Afterwards, ...
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