Rickey Payton 20 Best Of Church It Up CD

20 Best Of Church It Up Music

List Price	$6.97 (You save $1.02)
Category	Rock/Pop Albums, Religion CDs, Contemporary Gospel, Gospel, Greatest Hits Collections
Label	Madacy Distribution
Orig Year	2007
All Time Sales Rank	471525
CD Universe Part number	7437361
Discs	1
Release Date	May 08, 2007
Studio/Live	Studio
Mono/Stereo	Stereo

Rickey Payton 20 Best Of Church It Up Songs

1.	Oh Happy Day	$0.99
2.	Hush
3.	Lily of the Valley
4.	He's Got the Whole World
5.	Diggin'
6.	Just a Closer Walk
7.	So Good
8.	Love Line
9.	Jesus Loves Me
10.	Bit of Temple Medley
11.	Leaning on the Everlasting Arms
12.	Water in the Well
13.	When We All Get to Heaven
14.	It Is Well
15.	Who's Gonna Tell 'Em
16.	Peace Like a River
17.	Oh How I Love Jesus
18.	Yes God
19.	Higher Ground
20.	Lord's Prayer, The

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After spending most of the 1990s in a personal and professional partnership with fellow women's music singer/songwriter Cris Williamson, Tret Fure resumed her solo career in 2001 with her fifth album Back Home. She did not comment directly on the lapsed relationship, although songs on the album were full of allusions to overcoming emotional difficulties. On her sixth album My Shoes, however, she begins with a trio of songs that seem to address aspects of her personal past and present. (That is to say, in each song, there is a narrator, speaking in the first person, who appears to describe circumstances roughly correlated to the songwriter's own biography; maybe it's all fictional, who knows?) "L.A." is addressed by the singer to a former lover as well as a place the singer used to live. Yet she insists that the "flood of ancient memories" on which she is choking after a visit to Los Angeles has nothing to do with that old relationship and takes a philosophical viewpoint: "We come into this world screaming, we go out another door/And somewhere in the middle we find home." Even more pointed is the album's title song, which follows. It is addressed not to the former lover, but to others who apparently have made harsh judgments about the relationship's dissolution without knowing the facts. The singer acknowledges her own anguish about the end of a love she expected to last forever, but her point is the old cliché, until you've walked in somebody else's shoes, you don't know. Having dispensed with her past, her ex-lover, and her critics, she then sings "The Wedding Song," a celebration of a new relationship, and with that trilogy of songs out of the way is free to go on to a collection of more love songs, topical songs, memory songs, and on-the-road songs over the course of the rest of the album. Yet the issues raised at the outset never really dissipate. In "L.A.," Fure diminishes her lost relationship by repeating that her current life is "bigger than" that experience. This is echoed in the major on-the-road song, the grammatically challenged "Bigger Than I," in which she claims that her mission as a traveling singer/songwriter has greater significance than just art and entertainment. Fair enough. But that relates directly to the fans who, like fans of a Christian singer going through a divorce, may have seen the relationship between Fure and Williamson as "bigger than" just the two of them, as symbolizing the validity of lesbian love in a homophobic world and been correspondingly disappointed that ...