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La Lupe Best CD

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Category International Albums, Latin CDs, Tropical, Cuban, Salsa/Tropical
Label Fania
Orig Year 2001
All Time Sales Rank   57520  
CD Universe Part number 7437847
Discs 1
Release Date Jun 19, 2007
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 48 minutes
Additional Info Remastered; Reissued
La Lupe Best Songs


La Lupe Best Album Track Listing



1.La Tirana
2.Si Vuelves Tu
3.Que Te Pedi
4.Como Acostumbro
5.Amor Gitano
6.Puro Teatro
7.Carcajada Final
8.Lo que Paso, Paso
9.Tan Lejos y Sin Embargo Te Quiero
10.Esas Lagrimas Son Pocas
11.Fijense
12.No Me Quieras Tanto
13.Dueno de Mi Corazon
14.Se Acabo
15.Esta es Mi Vida
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Since dropping THE CARNIVAL, his first solo record outside the umbra of the Fugees, to critical acclaim in 1997, Wyclef Jean has consistently created intriguing music, constantly experimenting with different styles and collaborating with unlikely artists from various genres. Jean's debut broke out with the insistent Bee Gees beat of the party anthem "We Trying to Stay Alive," but buried in the folds was the sublimely beautiful, heartfelt ballad "Gone Till November," which would go on to become an unlikely top 10 pop hit. The former song referenced Bob Dylan in its lyrics, while the video of the latter featured a cameo of the folk hero, an unlikely influence that manifested itself on every Wyclef record, leading to a subdued cover of the Dylan's eulogic "Knockin' on Heaven's Door." Surprisingly sincere rock covers have been a hallmark of Jean's career, and none are more improbable or impressive than his mostly-straight-with-a-twist-of-reggae interpretation of Pink Floyd's "Wish You Were Here." On the other hand, a single listen to his hit with movie/wrestling icon the Rock, "It Doesn't Matter," reminds one that 'Clef also knows exactly how to get the party started. This GREATEST HITS collection features all of these tracks and many more by Wyclef, a pioneering performer who's continually expanded the boundaries of hip-hop. Audio Mixers: Serge Tsai; Andy Grassi; Warren Riker. Recording information: Chung King, New York, NY; Manhattan Center; Platinum Sound Recording Studios, New York, NY; The Hit Factory, New York, NY. Photographers: Dah Len; Kwaku Alston; Nitin Vadukul. Arranger: ...
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All tracks have been digitally mastered using 24-bit technology. Decatur, Georgia, representative Blak Jak brings a mellower brand of Dirty South rider music to his debut solo album, PLACE YOUR BETS. With production from DJ Toomp, Don Cannon, Cool & Dre, T-Pain, and the Nimrods, Blak Jak demonstrates a variety of influences from West Coast G-Funk to traditional Memphis roots, mostly shying away from the more up-tempo, club-friendly crunk that's come to dominate the down-south hip-hop sound. At his best, Jak opts for slower, grittier beats over which to spit ...
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There are some unenlightened souls who still think of world music as a bunch of sub-Saharan drummers hammering away or, perhaps, some old bearded guy from Latvia sitting cross-legged coaxing a drone from a one-stringed instrument. Traditional sounds along those lines are indeed at the root of world music but the contemporary international scene is often as far removed from those roots as hip-hop is from the Delta blues. World music today is all about fusions, the cross-pollination of cultural ideas with new technologies and the quest for a common ground somewhere within. It allows for a group of Tuvan throat singers to cover a Led Zeppelin tune or for Brazil to foster a thriving electronica dance underground. It also allows for the 11 tracks that comprise Putumayo's One World, Many Cultures, wherein reggae legends Toots & the Maytals team with Willie Nelson (yes, that Willie Nelson) and American blues stalwart Taj Mahal collaborates with kora player Toumani Diabaté and singer Ramata Diakité, both from Mali. It's not only Americans, of course, who are discovering what musicians from outside of their respective homelands have to offer. Tama, a quartet whose members also hail from Mali as well as Guinea-Bissau, is joined by Susheela Raman, the extraordinary U.K.-born, South Indian-identified vocalist, who interjects a sultry lead vocal into "Snimbe," an easy rolling acoustic ballad. And world music integration doesn't get any more seamless ...
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