| | Terry, Sonny & Brownie Mc Whoopin' The Blues CD - Import Terry, Sonny & Brownie Mc Discography of CDs
Whoopin' The Blues Music | List Price | $27.99 (You save $1.70) | | Category | Blues Albums | | Label | Phantom | | CD Universe Part number | 7445527 | | Catalog number | 662451 | | Discs | 1 | | Release Date | Nov 11, 2008 |
Terry, Sonny & Brownie Mc Whoopin' The Blues Songs | 1. | Whoopin' the Blues |
| 2. | All Alone Blues |
| 3. | Worried Man Blues |
| 4. | Leavin' Blues |
| 5. | Screaming and Crying Blues |
| 6. | Riff and Harmonica Jump |
| 7. | Crow Jane Blues |
| 8. | Beer Garden Blues |
| 9. | Hot Headed Woman |
| 10. | Custard Pie Blues |
| 11. | Early Morning Blues |
| 12. | Harmonica Rag |
| 13. | Dirty Mistreater |
| 14. | Telephone Blues |
| Whoopin' The Blues Review
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Among white blues singers of the 1960s, there were some who studied the music so intently they amazed even the genre's creators with their technical mastery. A select few, however, seemed to be born oozing authenticity, sounding just as soulful as the greatest black bluesmen while forging a completely new sound. Johnny Winter belonged in the second category. A long-haired hippie albino, he astounded initially skeptical listeners with his Howlin' Wolf-like vocals and wild Johnny Guitar Watson-esque guitar stylings. THE WOODSTOCK EXPERIENCE showcases Winter's first taste of national exposure, first with his 1969 self-titled debut album, and then with his set at the Woodstock festival later the same year. The latter recording is the revelation here--a tornado of raging slide guitar and shouted vocals that sounds as if a late night Lone Star State roadhouse gig has been magically transported to the upstate New York farm. With several tracks clocking in at ...
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$6.19 Released in July of 1973, BEAR'S CHOICE was the third of three consecutive live releases by the Dead. Culled from two legendary (among Deadheads anyway) concerts at the fabled Fillmore East in 1970, it is perhaps their most rustic album: the Dead unplugged. The band sounds genuinely off-hand, with spontaneous stage patter adding to the low-key ambiance. They sound like a bunch of guys just hanging out and making music.
The set consists of seven songs, six of them covers. The fiery blues singing of Ron "Pigpen" McKernan is the highlight here. He sings on the 18-minute workout of Howlin' Wolf's "Smokestack Lightning," as well as Otis Redding's "Hard to Handle." The earnest, country-tinged vocals of Bob Weir are featured on the Everly Brothers' "Wake Up Little Susie" and the plaintive folk number "Dark Hollow." Jerry Garcia takes an uncharacteristically low-key role here; but he does sing the spooky Appalachian ballad "All Around this World" and a moving rendition of the one Dead-penned song here, the elegiac "Black Peter."
This 1973 release was the very last collection that the Grateful Dead authorized during their tenure with Warner Bros. in the late '60s and early '70s. However, this live disc was a sort of melancholy affair, as it centered on material featuring Ron "Pigpen" McKernan (guitar/vocals/mouth harp), who had left the band due to illness in June of the previous year. History of the Grateful Dead, Vol. 1 (Bear's Choice) is somewhat misleading, as a follow-up never came to pass. Band historians, however, claim that this release was optimistically titled because the label had hoped to issue a series of live recordings (à la Dick's Picks) containing highlights from a variety of vintage Dead performances. Alas, with the formation of the group's own label, it was not to be. The single disc includes performances from a highly touted series of shows held over two nights (February 13-14, 1970) at the Fillmore East in New York City. While most assuredly not the finest example of the Dead's formidable acoustic sets, the platter opens with a quartet of cover tunes -- many of which had been entries in Jerry Garcia (guitar/vocals) and McKernan's folky jug band repertoire prior to ultimately forming the electric, psychedelic Grateful Dead. McKernan's playful cover of Lightnin' Hopkins' "Katie Mae" is a somewhat lightweight affair. He counterbalances ad-libbed lyrics with his own very sparse solo guitar picking, which is in perfect keeping with the lonesome nature of this blues. Garcia and Bob Weir (guitar/vocals) join in on the remaining "unplugged" tracks. Both the affective and noir "Dark Hollow" and "I've Been All Around This World" reveal the command of this highly underutilized subdivision of the Dead. Clocking in at seven-plus minutes, the album's sole original composition, "Black Peter," is masterfully executed. It ultimately bests the original Workingman's Dead (1969) version in sheer emotive realization. The two electric offerings -- a cover of Howlin' Wolf's "Smokestack Lightning" and Otis Redding's "Hard to Handle" -- are full-blown rave-ups allowing the entire ...
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