| | Broadway:Musical Highlights CD - Import
Broadway:Musical Highlights Music Broadway:Musical Highlights Songs | 23. | Buenos Aires (Evita) |
| 24. | High Flying Adored (Evita) |
| 25. | People (Funny Girl) |
| 26. | Day By Day (Godspell) |
| 27. | Summer Nights (Grease) |
| 28. | Hello, Dolly (Hello, Dolly) |
| 29. | People Will Say Were In Love (Oklahoma) |
| 30. | Tahiti (Mutiny) |
| 31. | Everythings Alright (Jesus Christ Superstar) |
| 32. | King Herods Song (Jesus Christ Superstar) |
| 33. | I Don't Know How To Love Him (Jesus Christ Superstar) |
| 34. | Do You Hear The People Sing? (Les Miserables) |
| 35. | Skid Row (Little Shop Of Horrors) |
| 36. | Somewhere Thats Green (Little Shop Of Horrors) |
| 37. | I Still Believe (Miss Saigon) |
| 38. | The Movie In My Mind (Miss Saigon) |
| 39. | All I Ask Of You (The Phantom Of The Opera) |
| 40. | The Time Warp (Rocky Horror Show) |
| 41. | Overture (The Sound Of Music) |
| 42. | The Perfect Year (Sunset Boulevard) |
| 43. | With One Look (Sunset Boulevard) |
| 44. | Big Spender (Sweet Charity) |
| 45. | Somewhere (West Side Story) |
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Broadway:Musical Highlights Review
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Purchase Broadway:Musical Highlights CD To buy, Click on price to add to cart | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes ...
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Released two years after Cold Bleak Heat's debut, Simitu sees the quartet turning it down a bit and better gelling as a unit. At least, that's what the mind wants to think, but it's all an illusion; as it turns out, Simitu contains pieces recorded at the same August 2003 session that yielded It's Magnificent, But It Isn't War. Instead of an evolution, this album would be better seen as the reversal of the previous CD, which was very much in-your-face throughout. This opus explores a wider spectrum of dynamics. If you are looking for something similar to Paul Flaherty and Chris Corsano's take-no-prisoner sessions, this isn't it. On the contrary, the saxophonist and the drummer are getting more playful with the intensity factor, letting bassist Matt Heyner and trumpeter Greg Kelley boil things down on many occasions, exploring more delicate emotions, before all four of them re-escalate ...
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