| | Donizetti: Don Pasquale CD Corena / Donizetti / Kertesz / Sciutti / Vpoc CDS
Donizetti: Don Pasquale Music | List Price | $21.97 (You save $2.28) | | Label | Decca | | Orig Year | 7/10/2007 | | All Time Sales Rank |  27271  | | CD Universe Part number | 7446205 | | Catalog number | 000897402 | | Discs | 2 | | Release Date | Jul 10, 2007 | | Recording Time | 2 18 | | Additional Info | Remastered |
Donizetti: Don Pasquale Review
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Donizetti: Don Pasquale Songs Donizetti: Don Pasquale Music Composers on Donizetti: Don Pasquale CD : Domenico Cimarosa, Gaetano Donizetti Conductors on Donizetti: Don Pasquale CD : Argeo Quadri, Istvan Kertesz Genres on Donizetti: Don Pasquale CD : Classical Period, Comic Opera, Concerto, Intermezzo, Opera, Romantic Period Performers on Donizetti: Don Pasquale CD : Angelo Mercuriali, Fernando Corena, Graziella Sciutti, Juan Oncina, Tom Krause Purchase Donizetti: Don Pasquale To buy, Click on price to add to cart | Christine Brewer Barber: Vanessa CDs (2004) Sacd Hybrid; Hybrid SACD
Donizetti: Don Pasquale
 $32.79 
This is a Super Audio CD playable only on Super Audio CD players.
Susan Graham,Mezzo-Soprano Leonard Slatkin/BBC Singers
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$28.29 | | Music From The Wattstax Festival & Film CDs (2003) With Book
Donizetti: Don Pasquale
$16.19 
In 1972, Stax Records was second only to Motown as America's most successful black-owned record company, and as part of an ambitious bid to grow into a multimedia empire, the Memphis-based label had opened offices in Los Angeles and was eager to announce its presence in the community. The Watts Summer Festival was an annual celebration staged in the beleaguered Watts neighborhood of L.A., a mostly African-American community that had been scarred by race riots in the late '60s, and in 1972 Stax did something special for the occasion: it staged an all-day concert at the Los Angeles Coliseum on the final day of the Watts festival, with nearly every artist on the Stax roster appearing live on-stage and tickets priced at only a dollar. Over 110, 000 people attended the show, a camera crew was on hand to capture the proceedings for a feature film, and a mobile recording truck committed the whole show to tape. Two albums featuring material from the Wattstax festival appeared in 1972 and 1973, but both contained studio recordings along with material from the concert, and Wattstax: Music from the Wattstax Festival and Film is a three-CD set that brings together the lion's share of the previously released live material from the show along with a handful of previously unreleased performances recorded that day. This set tries to give a sense of the size, shape, and flow of the massive concert, opening with "Salvation Symphony" (a grand-scale orchestral piece written by Dale Warren, who led the big band that backed most of the performers) and an invocation by the Rev. Jesse Jackson, and closing with headliner Isaac Hayes winding up the crowd with "Theme from Shaft." Along the way, the festival attempted to showcase the breadth of both the African-American musical experience and the Stax artists, touching on gospel, blues and several flavors of rhythm & blues, though the jazz acts which appeared at the show didn't make the cut for this set. While these three discs feel a bit over
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Formed in New Orleans in 1961 by tuba player (and later, band producer) Allan Jaffe, the Preservation Hall Jazz Band is a loose confederation of musicians whose musical roots stretch all the way back to French society dances of the 18th century, but perhaps more importantly, encompass the street corner neighborhood ensemble playing that has made New Orleans sound like no other city on earth. Membership in the band is always in constant flux (Preservation has had six different pianists in its history, and three different banjo players, for instance, but only two drummers, Josiah Cie Frazier and Joseph Lastie, Jr.), which may account for the somewhat erratic nature of the group's studio work over the years -- sides can range from impassioned and spirited to surprisingly sedate and by the numbers, but then this is a band that is best comprehended in live performance and always has been. This two-disc set draws from Preservation's lengthy stay with Columbia Records from 1976 to 1992 and since it weeds out the uninspired, it makes for a fine portrait of this venerable band. ~ Steve Leggett
In the wake of Katrina, the mission of Preservation Hall - to give voice to traditional New Orleans musicians and to preserve their musical traditions - matches their hometown's resilience. Though the devastation of the hurricane was terrible, the spirit and the passion of the people, echoed in this music, all provide living proof that the city of New Orleans will survive, and thrive.
Personnel: Narvin Kimball (vocals, banjo); Wendell Brunious, Percy Humphrey (vocals, trumpet); James "Sing" Miller (vocals, piano); Sing Miller (vocals); Lars Edegran (banjo); Willie Humphrey (clarinet); Frank Demond (trombone); Allan Jaffe (tuba); Jeanette Kimball, Ellis Marsalis, Rickie Monie (piano); Benjamin Jaffe (double bass); Joseph Lastie, Jr., Josiah Cie Frazier (drums).
Photographer: Lee Friedlander.
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Sound Inspirations is a musical dialogue between the remarkable Fiona Burnett on soprano saxophone and master drummer/percussionist David Jones. This meditative and lyrical journey is composed, yet the music that is played is improvised. This concept CD takes inspiration from many different cultures and different ages. This is an hour of music to take you away from the everyday and the mundane, providing an opportunity to contemplate, to unwind and to find the time to reflect on the world around us. This is a musical experience that will be treasured for many years to come.
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Donizetti: Don Pasquale
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