| | Fake Problems How Far Our Bodies Go CD Fake Problems Discography of CDs
How Far Our Bodies Go Music | List Price | $10.99 (You save $1.14) | | Category | Rock/Pop Albums, Punk CDs, Rock | | CD Universe Part number | 7447070 | | Catalog number | 20 | | Discs | 1 | | Release Date | Apr 24, 2007 |
Fake Problems How Far Our Bodies Go Songs | 1. | How Far Our Bodies Go |
| 2. | Born ; Raised |
| 3. | Maestro of This Rebellious Symphony |
| 4. | Busy Bees |
| 5. | Astronaut |
| 6. | Crest on the Chest |
| 7. | To Repel Ghosts |
| 8. | Cold on the Soul |
| 9. | Heck Yeah Summer! |
| 10. | Staying ; Leaving as Living ; Dying |
| 11. | Life's a Drink, Get Thirsty! |
| 12. | Oh Maria |
| 13. | Para Tu |
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How Far Our Bodies Go Music How Far Our Bodies Go Review
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Purchase How Far Our Bodies Go CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
How Far Our Bodies Go album
 $9.55     
Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest ...
| | Jimmy Buffett Buffet Hotel CD (2009)
How Far Our Bodies Go CD music
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Since Jimmy Buffett never leaves his comfort zone, it's hard to call 2009's Buffet Hotel a return to roots but, in a way, it is. Discounting the mock rap on "Turn Up the Heat and Chill the Rosé," this album doesn't even have the lingering country and reggae flavors that seasoned 2006's Take the Weather with You, with all of the songs riding a cool, mellow country-rock wave, the kind that has been his stock-in-trade since the `70s. There's a difference between being part of a tradition and being stuck in the past and Buffett is surely in the former, not shying away from the new millennial mess, admitting that we all have "A Lot to Drink About" and never flinching from his advancing years, most movingly on a cover of Bruce Cockburn's "Life's Short Call ...
| | Mark Knopfler Get Lucky CD (2009)
How Far Our Bodies Go music CDs
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With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead ...
| | Lady Gaga Fame Monster CD (2009)
How Far Our Bodies Go songs
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side ...
| | Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack
How Far Our Bodies Go album
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| | Bon Jovi Circle CD (2009)
How Far Our Bodies Go CD music
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Bon Jovi's 2007 effort, LOST HIGHWAY, found New Jersey's finest brandishing a Nashville-tinged, commercial rock/country crossover sound that wasn't too far a stretch from their usual arena rocking anthems for the Everyman. And where that album sometimes tried too hard to fit into the conventions of trad country, sacrificing some of the fist-pumping potency of their best `90s-era efforts in the process, THE CIRCLE, the band's ...
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| | El Brody Tristeza CD (2007)
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| | Dub Landing: Vol. 1 And 2 Mixed By Scientist And Prince Jammy CD (2006) (Import) Australia
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| | Rick Dr Collingwood Hypnosis Vol 18:Sober Life CD (2005) (Import) Import
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| | Commodores Greatest Hits, Vol. 1 CD (2007)
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| | Rachel Rodgers Summer After 7 CD (2008)
How Far Our Bodies Go album
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Rachel Rodgers is a 13 year old jazz (and classical) flutist from the New York area.Playing beyond her years, she\'s a swingin\' young cat. She plays with a joy that just pours out of her flute. Rachel\'s sound is who Rachel is: warm, and beautiful, and generous. The legendary Latin jazz flutist Dave Valentin has compared her sound to a young Herbie Mann with it\'s full, upbeat tone. This is Rachel\'s debut CD, recorded in New York City with jazz giant Ron Carter and his trio. Ron, in addition to being one of the greats, has played with all the greats - Miles, Herbie Hancock, Antonio Carlos Jobim, McCoy Tyner etc - and here he lays down the deep grooves that are his signature and drives the band forward. Rounding out the session is pianist Stephen Scott, who contributes some dynamic soloing, and drummer Payton Crossley, whose attentive accompaniment and propulsive cymbal work shine. The CD opens with Work Song, the Nat Adderly classic. The band hits the opening hard, and it\'s off swinging from there, Rachel building her solo with space until Stephen enters. It\'s finger poppin\' from start to finish. Maiden Voyage is next - a Herbie Hancock tune. (Ron played on the original recording back in the 60\'s) The song gets a different treatment here - with two flutes taking over the melody line from the original sax and trumpet. The result is a soaring, haunting rendition. Rachel\'s solo is powerful, almost trumpet-like in its attack. And dig the out-of-nowhere jump into double time on Stephen\'s solo. Summer after 7 is a Rachel original, basically a pretty vamp in C major. It\'s like a walk in the park, Ron\'s walking bass setting the tone throughout. Somewhere is ...
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