| | Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al CD Danzi: / Dvorak / Kliegel / Orr / Tichman CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Character Piece, Fantasy, Variations, Sonatina, Rondo, Paraphrase |
Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al Music | List Price | $8.97 (You save $2.38) | | Label | Naxos | | Orig Year | 7/31/2007 | | All Time Sales Rank |  25878  | | CD Universe Part number | 7450187 | | Catalog number | 8557613 | | Discs | 1 | | Release Date | Jul 31, 2007 | | Recording Time | 1 6 |
Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al Review
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Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al Songs | 1. A Carmen Fantasy, for cello & piano (14:12) | | Composer | Buxton Orr (1924 - 1997) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 2. Variations on a Theme from Mozart's "Don Giovanni" (6:55) | | Composer | Franz Danzi (1763 - 1826) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Genre | Classical Period / Variations | | Period | Classical | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 3. Figaro (concert paraphrase of 'Largo al factotum' from Rossini's "Barber of Seville"), for cello & p (6:40) | | Composer | Mario Castelnuovo-Tedesco (1895 - 1968) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Genre | Paraphrase | | Country | Italy | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 4. Lamento de Boabdil (A mon tres cher Maitre pablo Casals) (3:56) | | Composer | Gaspar Cassadó (1897 - 1966) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 5. Rondo for cello & piano in G minor, B. 171 (Op. 94) (8:04) | | Catalog No. | B 171 | | Composer | Antonin Dvorák (1841 - 1904) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Genre | Romantic Period / Rondo | | Date Written | 12/06/1891 | | Period | Romantic | | Country | Bohemia | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 6. Silent Woods (Klid), for cello & piano (arr. from From the Bohemian Forest, B. 133), B. 173 (Op. 68/ (5:15) | | Catalog No. | B 133 / B 173 | | Composer | Antonin Dvorák (1841 - 1904) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Genre | Romantic Period | | Date Written | 12/28/1891 | | Period | Romantic | | Country | Czechoslovakia | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004) | | 7. Sonatina for violin & piano in G major ("Indian Lament"), B. 183 (Op. 100) (20:03) | | Common Name | Indian Lament Sonatina, Sonatina For Violin & Piano | | Catalog No. | B 183 | | Composer | Antonin Dvorák (1841 - 1904) | | Performer | Nina Tichman (Piano)
Maria Kliegel (Cello) | | Genre | Romantic Period / Sonatina | | Period | Romantic | | Venue | Clara Wieck Auditorium, Sandhausen, Germ | | Notes | Clara Wieck Auditorium, Sandhausen, Germany (12/01/2004-12/03/2004)
Composition written: 11/19/1893-12/03/1893. |
Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al Music Composers on Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al CD : Buxton Orr, Antonin Dvorak, Franz Danzi, Gaspar Cassado, Mario Castelnuovo-Tedesco Genres on Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al CD : Classical Period, Paraphrase, Romantic Period, Rondo, Sonatina, Variations Performers on Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al CD : Maria Kliegel, Nina Tichman Purchase Virtuoso Cello Showpieces - Cassadó, Et Al / Kliegel, Et Al To buy, Click on price to add to cart | Vivaldi: Sonatas For Violoncello / Bylsma, Galligioni, Et Al CD (2000)
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Jenni Olson Scott is an active orchestral and chamber music performer in the Los Angeles area. She performs regularly with the chamber group Orion Winds which she co-founded and has played with various orchestras such as Santa Monica Symphony, Redlands Symphony and the Pacific Symphony. She is currently principal flute with the Stockton Symphony and second flute with the Long Beach Symphony. Performers she has worked with include John Williams, Tony Bennett, Stevie Wonder, Dianne Reeves, Jerry Goldsmith, Terence Blanchard, Kelsey Grammer, John Lithgow, Quincy Jones, and Herbie Hancock. Jenni also teaches flute at Citrus College and Music Appreciation at Pasadena City College. She is also an accomplished soloist, and has performed concertos with the California State University Stanislaus Symphony, the Modesto State Theater Orchestra, the Henry Mancini Chamber Orchestra, The University of Southern California Wind Ensemble, and the Westchester Symphony.Shiny Kiss refers to stage lights bouncing and reflecting off a metal flute, and the sensuous way a flutist’s mouth embraces the embouchure. This simple hollow tube is the vehicle for such passionate expression, and just watching expert lips coaxing music from it can be a nearly voyeuristic experience. Published by Activist Music. www.alexshapiro.org (Program notes and poem by Alex Shapiro)Three Pieces for Trio was written for me by my dear friend Bear McCreary. He created a fun piece that utilizes the flute, accordion and bass in non-traditional ways. www.bearmccreary.com I had the privilege of performing the first movement of Daniel Kelley’s Suite for Piccolo and Piano at the 2005 Flute Convention in San Diego. It was such a fun experience that I decided to record the entire work. Published by Last Resort Music; www.lastresortmusic.comCameo for Flute by Henry Mancini was written for James Galway. My wonderful husband arranged this dazzling work for flute and guitar.M.jay was written for the performing ensemble by my husband Mike Scott. www.mikescottguitar.comBachianas Brasileiras No. 6 by Villa-Lobos is a challenging, but fun work for flute and bassoon. It is one of my favorite pieces of chamber music because it takes advantage of the myriad textures and timbres that these instruments can make. For Embers of Agni, Steve Gates looked to the fireflies and their environment as a starting point for the composition of the piece. He developed an imaginary mythology dealing with the origin of fireflies; that the glowing ...
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Ludwig van Beethoven, by all accounts a prodigious pianist himself, wrote for the instrument throughout His life. Thus, the piano music can serve as a king of journal and history of Beethoven's creative development. The Sonata No. 7 D Major, Opus 10 No.3 (1798) is perhaps the best display of Beethoven's character among his early works. Within its logical classical form, it is overwhelmingly dramatic and romantic. An intense forceful Presto first movement is dazzling in its ...
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