| | New Underground Urban Suite CD New Underground Discography of CDs
the new underground is a five-piece instrumental outfit from the Portsmouth NH/Boston MA area. Originally dubbed "acoustic groove", the music most easily classified as jazz with its emphasis on improvisation but also draws equally from funk, ... Urban Suite Music | Category | Jazz Albums, R&B CDs | | Label | CD Baby | | CD Universe Part number | 7453446 | | Catalog number | 130823 | | Discs | 1 | | Release Date | May 01, 2007 |
New Underground Urban Suite Songs | 1. | Urban Suite Intro |
| 2. | Is the Soul |
| 3. | The Uncommon Man |
| 4. | In the Midst |
| 5. | Ambience |
| 6. | Urban Suite |
| 7. | Unity |
| 8. | Get By |
| 9. | Seventh Avenue South |
| 10. | Turn the Corner |
| 11. | The Autumn Project |
| 12. | Passion Dance |
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Urban Suite Review
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He's been called one of the greatest rock guitar players. Ever. He's known on Nashville's Music Row as one of those elite writers of country songs who consistently pens hit after hit. Over 200 cuts at last count. Is he country or is he rock and roll? The answer is yes. Big Al Anderson is both--not to mention a healthy measure of blues, soul and pop. Larger than life in person and in music, Big Al encompasses all these sounds and does it with a style and a genius that's never been more apparent than on his latest release with his band (The Balls), Pawn Shop Guitars. Guitars is a big, juicy album, chock full of gutsy country, meaty rock and roll, sunny guitar pop and a good, greasy streak of blue funk. Best known for his 23-year stint playing guitar in the iconic and notoriously eclectic rock band NRBQ (New Rhythm and Blues Quartet), Anderson reaches even farther back in his history to find the roots of his far-ranging musical influences, noting that when he was a kid "a lot of rock and roll and country were the same thing." Raised by his piano teacher mother in Windsor, CT (his father, a bass player died when he was 10), Al was inspired by his sister's guitar-playing husband. "At first, I think I just liked the look of the thing." But soon a very young Al was devouring all manner of records--the Everly Brothers, the Ventures, Chet Atkins, Ray Charles--and paving the way for what would be a giant life in music. While Big Al was still in high-school, he was coming up in the black clubs of Hartford, playing with the blue-eyed soul and r &b group, the Wildweeds. Though he remembers his junior year as "the worst three years of my life," that period would also stay with him as one of the best times musically. "There was a camaraderie, a brotherhood, among all the musicians--black or white, it didn't matter. If the music was good, you were in." The band's regional hit "No Good To Cry" (just the third song Al had ever written) was picked up in 1967 by Cadet--a subsidiary of the legendary soul and rock label Chess--and climbed the national charts to #88. A few years later, with a switch to Vanguard and a change in musical direction towards Al's early country influences, the Wildweeds--and especially Al--came to the attention of NRBQ. They were looking for a guitar player to replace the legendary Steve Ferguson--a guitar hero of Al's--who had help define the NRBQ sound. Thus, in 1971, Al left Connecticut for New York City to enroll at the University of 'Q--a 23-year planetary course in all things musical."I got a precious education [from NRBQ]. You learn what to do and maybe more importantly what not to do," says Al. "There are only two kinds of music: good and bad." Al's early exposure to a wide range of musical genres served him well in 'Q. In a single show, they might play rock, country, soul, surf, not to mention playing songs from the "Magic Box," requests from the audience for any song, by any group, from any genre. This eclectic approach afforded them a nearly fanatical following, yet served them less well in the music industry machine. Unwilling to "play the game," the band achieved cult status, but not mainstream success. Al's mind- and string-bending guitar playing and giant stage presence had become legendary and, in ...
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Arielle is a native of a small town called Syracuse, which is located in the central region of New York State. As a highly exceptional student, her entire life she has thought of going into the medical field, under the influence of her mother, but instead decided to go with the love in her heart for music. Around the age of 6, she wrote her very first song entitled, "I Love You", which expressed her love and appreciation for the people who meant most to her in her life (her mother, father, her cat, Muffin, and most important to her, God). At age 8, she relocated to Fort Lauderdale, Florida. She attended Phyl's Academy Preparatory School from the 4th grade all the way until her 7th grade year. She was very much involved in their music class and was even given the chance to perform a solo at a local nursing home for the school in her very first year. She performed the well known song "My Favorite Things" from The Sound of Music. After Phyl's Academy, Arielle attended Abundant Life Christian Academy where she became apart of the school's Honor Choir. Arielle was given a solo in their annual Christmas musical by the director. From there, the choir director recommended that she begin to participate in the F.L.O.C.S. (Florida League of Christian Schools) Fine Arts Competition which is held every year. Arielle performed a song by Babbie Mason called "Holy Spirit You Are Welcome Here" and received an excellent ribbon for her wonderful singing ability. The following year she was invited back to the competition by two fellow friends who asked her to accompany them in the performance of Mark Heimermann and Stacie Orrico's hit song "Don't Look at Me," and the group won an excellent rating. After all her hard work and accomplishments, Arielle did not even think of pursuing a professional music career until around 11 or 12 years-old when she wrote the songs "What About You" and "I Don't Really Know." That is when she began to realize that she was not only born with a talent for singing but also for songwriting and producing her own material. By age 13, Arielle decided to take a chance by auditioning for a school vocal program. She auditioned at the Parkway Middle School of the Arts, singing Yolanda Adams's "Yeah". She soon received a letter of acceptance in the mail informing her that she was, in fact, accepted into the program. At Parkway, she performed many songs in the Metronome II Vocal Group and had the chance to experience what it was like to perform at evaluations for the FVA (Florida Vocal Association). The young and greatly enthused performer has stated, "Being apart of this group has taught me very much about what is like to work in the music industry and be apart of an organization that is dedicated to ensuring their students with the knowledge of music. This is great!" All of ...
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