| | Urg7 All Or Nothing CD Urg7 Discography of CDs
Get It! Got It!Do It To Deaf!All or Nothing the albumUrg7’s first underground record with real street value.My favorite releases: See that Day, Fuck Everybody, Against the Grain, Stay Away, In your System…the list goes on & on.The title of the songs speak for themselves. Also featuring the double single L.P.; Is It & Love Sick“Is It,” is my Hip Hop anthem.The ghetto Romeo & Juliet and Tammy has a beautiful voice on Love Sick!Underground artist Urg 7 and featured guest performances by:DaDa, Lo Diggs, Ski tha killa, Big Skip, Big Smoke, Pluto and many more.Great Producers contributed to this successful project; like:Doradoe with Big Face, Doc &Walt with B-Brokers, King Salomon, Rhythm Dwella and G. Poe with Two Tone Productions.Video’s Available:T.P.D. Did this to me…..The Video…now featured on the following sites:My spacewww.myspace.com/urg7Youtubehttp://www.youtube.com/watch?v=IePWHB1R8fc All Or Nothing Music | Category | Rap Albums | | Label | CD Baby | | CD Universe Part number | 7454262 | | Catalog number | 132235 | | Discs | 1 | | Release Date | May 01, 2007 |
Urg7 All Or Nothing Songs | 1. | See That Day (intro) - Urg 7 |
| 2. | See That Day - Urg 7 |
| 3. | The Code of the Streets - Urg 7 |
| 4. | Phuck Everybody - Urg 7 |
| 5. | Love Sick Feat: Tammy - Urg 7 |
| 6. | Battle #1 - Urg 7 |
| 7. | Ain't Gangsta Feat: Da-Da - Urg 7 |
| 8. | Give Me a Minute - Urg 7 |
| 9. | Ride Wit Me - Urg 7 |
| 10. | Stairway - Urg 7 |
| 11. | Sunny Dayz - Urg 7 |
| 12. | Battle #2 - Urg 7 |
| 13. | N-Ya System Feat: Ski Tha Killa - Urg 7 |
| 14. | Figure It Out - Urg 7 |
| 15. | Pass the Bacardi Feat: D-Blunt - Urg 7 |
| 16. | Battle #3 - Urg 7 |
| 17. | Is It ? - Urg 7 |
| 18. | The Way We Do - Urg 7 |
| 19. | D.O.W.N. Feat: Pluto, Ski, Chyna Doll, Dutchess, Big Skip, Big S - Urg 7 |
| 20. | Freaky Wit U - Urg 7 |
| 21. | 1 Nite Stand - Urg 7 |
| 22. | Unda 1 Roof Feat: Pluto, Ski, Chyna Doll, Dutchess, Big Smoq - Urg 7 |
| 23. | F%#k These - Urg 7 |
| 24. | Outro - Urg 7 |
| All Or Nothing Review
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Purchase All Or Nothing CD To buy, Click on price to add to cart | Black Eyed Peas E.N.D. (The Energy Never Dies) CD (2009)
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| | Best Of The Stylistics CD (1975)
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| | Jai Uttal Beggars And Saints CD (1994)
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$18.99 Folklore meets science on the computer-manipulated cover of this latest release from Jai Uttal; the music behind the cover reveals more of the modern world meeting folklore and tradition head on, with Uttal putting traditional chants to new music and mixing together western and oriental instruments along with the traditional and the contemporary in instrumentation. The result is a heady, muscular mixture that carves its own niche in as distinctive a way as anything from Bill Laswell's corner. There's a range of vocal and instrumental tones mixed into Beggars ...
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| | Stephan Potgieter Amigos Para Sempre (Friends For Life) CD (2006)
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| | Nelly Furtado Basi Musicali CD (2007) (Import)
$15.99 | | Percy-Leon P' Leon Da Son Of Da South CD (2007)
All Or Nothing music CDs
$10.15 p'leon is truly da son of da south. he is straight out of the city they call "da boot". that's right the new orleans louisiana native has strong lyrical skills and demonstrates them when he picks up the mic. he has the ability to spit fire about what him and his rounds have gone through and people can relate to what he's talking about and the ladies just love his southern swag.born as percy leon wilson, he started out at an early age roaming the streets of new orleans admiring artists such as soulja slim. he began to write filling up a shoe box with rhymes he wrote about his family & life growing up in "da jungle" as the call it. percy and his family moved to atlanta, georgia ...
| | Cap One Fa Tha Money CD (2007)
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$16.45 The words confidence, swagger and creative all can be used to describe a new breed of talent rising out of the city ...
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| | Nick Lowe Jesus Of Cool: 30th Anniversary Edition CD (1978) Reissue; Digipak
All Or Nothing music CDs
$12.55 Nick Lowe's first album threw down the gauntlet in grand form--a baker's dozen of "pure pop for now people" (which is, in fact, what a nervous Columbia Records retitled the album for its stateside release). Lowe was charting regularly in his English homeland, and though he didn't reach the same heights of chart success in America, several songs have become familiar late '70s/early '80s reference points, particularly "I Love The Sound Of Breaking Glass" and "So It Goes." At the time of this album's release Lowe was also the house producer for Stiff Records (Britain's first independent record company) and Elvis Costello, producing his first handful of albums, as well as touring regularly with Rockpile. This is an auspicious debut, made good upon thereafter by a continuingly engaging career.
On the cover of his solo debut album Jesus of Cool, Nick Lowe is pictured in six rock & roll get-ups -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years rolled on the band got loose, as did Lowe's writing, which got catchier and funnier on the group's last two albums, ...
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