| | Tarnished Fourteen Bottles Of Whiskey On The Wall CD Tarnished Discography of CDs
Thank you for your interest in Fourteen Bottles of Whiskey on the Wall!This twelve song album is the latest release from Tarnished. It features the singles Great Divide and When Will You Give In. Fourteen bottles also features a powerful version of the song Walkaway by the Counting Crows.Tarnished’s sound has been compared to artists as diverse as Nickelback, Nirvana and Creed, but at heart it remains original guitar oriented rock and roll.Tarnished is:Jason Pilgrim – Vocals, guitarDavid Pasch – DrumsAllen Tyler – Bass guitarKen Owen – Guitar, vocalsThis project was recorded at Big Green Studio in Garland, Texas. For more information on Tarnished, check out the official band website at http://www.tarnishedonline.com or on My Space at http://www.myspace.com/tarnishedtexas. Fourteen Bottles Of Whiskey On The Wall Music Tarnished Fourteen Bottles Of Whiskey On The Wall Songs | 1. | I Said |
| 2. | When Will You Give In |
| 3. | Beautiful Unknown |
| 4. | Great Divide |
| 5. | Cinnamon Dead Girl |
| 6. | Disguise |
| 7. | Walkaway |
| 8. | High |
| 9. | Pure Lust |
| 10. | Distorted Smile |
| 11. | Suzy Smile |
| 12. | Dark Clouds |
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Fourteen Bottles Of Whiskey On The Wall Review
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Purchase Fourteen Bottles Of Whiskey On The Wall CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Fourteen Bottles Of Whiskey On The Wall album
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, ...
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Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from ...
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Like the HIGH SCHOOL MUSICAL franchise, GLEE became more than a TV show when several of its songs cracked the Hot 100, including the number four hit "Don't Stop Believing." That song kicks off this soundtrack, the first in a series of albums cataloging the music performed by the show's cast. Not all GLEE members are created equal--some cast mates are far better actors than singers--but this soundtrack has enough star power to keep things trucking along, especially when powerhouse alto Lea Michele takes the wheel. She sounds fantastic throughout, whether she's holding her own during a duet with Broadway queen Kristen ...
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With a sludgy, chainsaw guitar sound that owes as much to early Black Sabbath as to Kurt Cobain's heroes The Melvins, whose drummer puts in an appearance here, Nirvana emerges from Seattle's underground scene as standard-bearers of a style that embraces the anger and energy of punk alongside the thick, muddy sonic attack favored by early '70s proto-metal bands. Cobain's lyrics are fueled by outrage and self-loathing, combining literary flair with a direct, visceral quality that makes him a viable candidate for the John-Lennon-of-Gen X award.
Nirvana's debut album showcases what sounds more like a force of nature than a rock band. The unrelenting fervor with which the group delivers these 13 tunes is almost frightening. There is also a strong melodic flair that leavens the ferocity occasionally, hinting at the scope of Cobain's compositional talents. "Love Buzz" and "About A Girl" show off enough pop smarts to make it clear that as strong as BLEACH ...
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Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect ...
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FACE - THE WORLD (2005)The follow up to Tony's 2002 self-titled debut (FACE) has taken much longer than he had expected. Not that he's complaining mind you, as they say in Virginia "you gotta bail hay when the sun shines." He's been all over the world touring with the rock band TRAIN, and the amazing thing is that he still found time to chip away at this new album every chance he got. Spending more and more time in Nashville these days, Tony decided to start by tracking drums in the studios there. Drummer and great friend Kevin Murphy (TONIC/EARTH TO ANDY) made the trip and put his unmistakable signature on the project. From there it came home to Virginia and Tony's high-tech home studio. Outside of a few vocals and guitars done on the road or in Nashville, it was mainly recorded at home. Technology has gotten so advanced in recording that he would make the most of his time by tracking several takes of guitars and vocals with multiple options, and then edit and choose the best takes while out on the road. Even editing ...
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