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Williams, Stacy - Stability CD Cover Art
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Stacy Williams Stability CD

 Stacy Williams Discography of CDs

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Stacy has been singing for mostly all of her life. As a child, Stacy enjoyed listening to music greats like Ella Fitzgerald, Dinah Washington, and Roberta Flack. For playtime she would sing around the house with her mother. By the age of 5, Stacy performed in front of her first large audience at a church event. Stacy continued singing as a hobby and later caught the attention of Sylvia Moy by age 13. Mrs. Moy, having written many of Stevie Wonders earlier hits, urged Stacy into auditioning for a grant offered by the city of Detroit. The young artist showed off her vocal talents and won a position in a master vocal class, which ended up be taught Sylvia Moy.Stacy would continue honing her talents by joining many bands and choirs. In the 90’s, she was seen performing around Detroit at many of its clubs like the renowned jazz club Floods, The Warehouse, and the upscale Detroit Renaissance Club.The recording industry eventually became the next step when she performed with “Detroit Vie”. The female acapella group recorded background vocals on various projects; the most note worthy being that of the early house group “Inner City”. Later Stacy would take the lead vocals when she would team up with up-and-coming producer BJ Robinson. Together they formed the beginnings of Mid-level, a collaborative-based group responsible for turning out the timeless dance hit Player’s Groove, which would receive airplay on the Detroit airways.Stacy continues to entertain the public today with her first solo release of her EP album “Stability” which is a Pop/R&B release that packs a soulful punch.
Stability Music


Detailed Stability Music Information



Category R&B Albums
Label CD Baby
CD Universe Part number 7458863
Catalog number 133967
Discs 1
Release Date Apr 17, 2007
Stacy Williams Stability Songs


Stacy Williams Stability Album Track Listing



1.Quicksand
2.Quicksand (Inst.)
3.Quicksand (Acapella Un-Cut)
4.Solid Ground
5.Solid Ground (Radio)
6.Solid Ground (Inst.)
7.Solid Ground (Acapella)
Stability Review


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Anne Roos is considered at the top of her field as a Celtic Harpist. She is a many-faceted performer who excels as a soloist in concert, as well as with her ensemble, with her years of experience and extensive music list. Her recorded music has aired internationally and has been described as "lovely" and "enchanting".Anne Roos' love of English and Celtic music blossomed as a child and young teen at Southern California Renaissance Fairs, when she became involved singing in madrigal groups, performing period music. She started playing the Celtic harp quite by accident. While employed at an incredibly stressful job, Anne serendipitously met Sylvia Woods at a booth full of little Celtic Harps at a Winter Solstice Fair and began taking private instructions from her as a creative outlet. Then came music theory courses at UCLA and eventually teaching music for the Los Angeles Unified School District. Anne has been performing throughout the US for more than twenty years as a soloist at resort hotels, convention centers, cruise ships, concert venues, highland games, Celtic and Renaissance fairs, casino clubs, wineries, meditation retreats-- you name it. She has been invited to perform for several dignitaries, including the Lord Mayor of Dublin, Ireland! She makes her home at Lake Tahoe and continues to perform regularly, priding herself on the ability to be versatile and take requests: ...
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The sophomore effort from Daniel Barida and Julie Park finds the Toronto duo continuing to explore the bright, sunny pop territory that they mapped out on 2000's Wanderlust with continued pleasing, if not earth-shaking, results. Chicklet constantly walks the thin line between simple and simplistic, wedding simple chord progressions and nursery-rhyme melodies to lyrics that are sometimes cloying ("Hey, hey, I still feel like a young girl/Sane, ready for a new era") and sometimes quirkily cute (as when "delirious in joy" rhymes with "dangerously coy"). When the cuteness threatens to take over, there are usually some crunchy guitars or genuinely artful vocal harmonies to get things back on track. Unfortunately, the album's final two tracks are rather vapid ballads that have neither rock & roll spine nor solid hooks to bolster them, and consequently they slowly fall apart, ending the album with a whimper instead of a bang. This album is well worth a listen overall, but probably won't change the way you think about pop music. Which, if you're already happy with the way you think about pop music, may be just fine with you. ~ Rick Anderson Chicklet has followed up 1999's critically acclaimed full-length cd, Wanderlust, with Indian Summer. The Toronto duo of Daniel Barida and Julie Park have created eleven delicious tracks of quirky pop brilliance. Indian Summer shows a more mature, confidant Chicklet at total ease with infusing their special brand of pop with ethereal ambiance, evocative cabaret-style storytelling, and a dreamy, spacey groove. Julie Park's breezy, personal vocals and layered harmonies warm and soothe, while inclusion of unexpected instrumentation delights and ...
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