| | Billie Holiday Strange Fruit DVD - Import Billie Holiday Discography of CDs
Standard Screen; Soundtrack English; Import Strange Fruit Review
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Purchase Strange Fruit CD To buy, Click on price to add to cart | Houston Person Mellow CD (2009)
Strange Fruit
$13.59 Not all mellow, Houston Person's tribute to the softer side of jazz has its moments based on the laid-back timbre of his soul rather than a program consisting of only ballads. The tenor sax he wields certainly reflects the tradition established by Ben Webster in its soul-drenched tone, but is not as vocally pronounced or vibrato driven. The quite capable pianist John DiMartino is the one whose more enunciated notions are harnessed, while tasteful guitar by the underrated James Chirillo ring out in acceptance of Person's embraceable hues. A program of standards and two blues jams, Person rounds into shape this quintet of true professional to render themes that are harder to play slow than fast. The slower material includes the regretful, throaty ballad "Too Late Now," the totally restrained "To Each His Own," a poignant "Two Different Worlds," and the deep, mature take of "God Bless The Child". Ever cognizant of blue moods, Person is masterful in expressing his innermost, heartfelt feelings as on the easy swinger and obvious choice for this date, Duke Ellington's "In A Mellow Tone". Then there's "Blues In The A.M.," a basic jam with Ray Drummond's bass leading out with drummer Lewis Nash, in an uptown style as Chirillo's guitar states its wise, sophisticated case. The most upbeat number is the closer, a fast, hard bop three minute quickie "Lester Leaps In," while in mid-tempo form, the opener, Bobby Hebb's "Sunny," is a typical choice, but conversely the usual ballad "Who Can I Turn To?" is a bit amped up. DiMartino and Chirillo are ...
| | Diana Krall Quiet Nights CD (2009)
Strange Fruit
$13.69 Diana Krall's first studio outing since she and husband Elvis Costello became the proud parents of twin boys, 2009's QUIET NIGHTS finds the jazz singer/pianist turning in a serene and pleasantly subdued set. Krall breezes through a few bossa nova standards, most notably "The Girl from Ipanema" (here gender-reversed to "The Boy...") and the title track (originally "Corcovado"), both penned by the legendary Antonio Carlos Jobim. QUIET NIGHTS isn't solely a Brazilian-themed outing, however, as Krall also spends plenty of time in the comfortable realm of the Great American Songbook, offering up elegant orchestral renditions of "I've Grown Accustomed to His Face" and the Bacharach/David gem "Walk On By" that benefit from her supremely smoky vocals and graceful delivery.
Audio Remasterer: Doug Sax.
Arranger: Claus Ogerman.
Personnel: Joel Pargman, Eun Mee Ahn, David Ewart, Amy Wickman, Gil Romero, Katia Popov, Tammy Hatwan, Razdan Kutumjain, Alan Grunfeld, Helen Nightengale, Barbara Porter, Mari Tsumura, Sid ...
| | Al Jarreau This Time CD (1980)
Strange Fruit
$6.15 Al Jarreau finally found success in the U.S. after 1975's We Got By. The later albums that followed ,like 1977's live Look to the Rainbow and 1978's All Fly Home found him attaining the all-important cult status and accolades from the jazz community. Those facts made his switch to pop/R&B on This Time even more surprising. For This Time, Jarreau is paired with producer Jay Graydon. Despite his jazz credentials, This Time does prove that this style is where Jarreau truly prospers. The jittery "Never Give It Up" and the melodic and pensive "Gimme What You Got" have a crisp and refined L.A. sound, and Jarreau gives the songs weight with his methodical yet playful vocals. In the same vein, the poignantly sung and arranged "Your Sweet Love" displays Jarreau's gift of ringing emotion where you'd least expect it. Jarreau also adds deft lyrics to jazz standards "(A Rhyme) This Time" and "(I Can Recall) Spain." The best song to bridge the gap between the two incarnations, "Alonzo," is strikingly beautiful and has Jarreau nearly reaching operatic heights. During its release, This Time was stunning for its fresh sound and a sense of warmth. Upon repeated plays, those attributes still ring true. ~ Jason Elias
Recorded at Dawnbreaker ...
| | Jeff Hamilton Symbiosis CD (2009)
Strange Fruit
$12.59 Jeff Hamilton's recordings have always been focused as straight-ahead and mainstream as your typical superhighway, with occasional time for rest stops, gassing up, and sleepovers. While always a good listen, Hamilton and his non-stop rotation of up-and-coming pianists and bassists never really pushed the envelope, staying the course set by his mentor, the late, great bassist Ray Brown, and other California-based coolsters. With Symbiosis, though, there's a change in the weather with the addition of extraordinary young talent in pianist Tamir Hendelman and bassist Christoph Luty. This is not at all to say that Hamilton's music had no fire, guts, or glory, but the difference in internal energy heard on this recording is noticeable. Hamilton is also playing brushes for the most part, instead of sticks, and he proves the finest exponent of that style of jazz performance since Ed Thigpen. There's some truly extraordinary playing going on here, evident right off the bat on a two-fisted, bluesy take of the otherwise corny "You Make Me Feel So Young," where the mellow mood is trumped by some deft key changes and interplay. Their version of the George Gershwin chestnut "Fascinating Rhythm" is loaded with multiple rhythm changes that seem telepathic but in fact are well rehearsed, while a hopped up take on the Miles Davis obscurity "The Serpent's Tooth" is saturated with Hamilton's fills and drum inserts as Hendelman and Luty jam away on the modified ...
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$7.99 | | Ray Charles Genius Loves Company CD (2004) Digipak; Enhanced CD
Strange Fruit
$10.45 Though Ray Charles, one of the greatest singers of the 20th century, was never in need of vocal assistance, he was no stranger to duets either (one of his finest records is a duet album with Betty Carter). For as much of a musical giant as he was, Brother Ray knew how to share the spotlight, as evidenced by GENIUS LOVES COMPANY, his final project before his 2004 passing. In keeping with the eclectic nature of Charles's artistry, he partners with a wide assortment of performers here.
Charles is joined by Elton John on a soulful exploration of the latter's "Sorry Seems to Be the Hardest Word," and sidles up next to Willie Nelson for a haunting version of the Frank Sinatra hit "It Was a Very Good Year," made all the more poignant in retrospect by its posthumous nature. Of course, it's not all bittersweet melancholy; Charles teams with Van Morrison for a jubilant soul/gospel reading of Van's MOONDANCE tune "Crazy Love," and the duet with James Taylor on the upbeat "Sweet Potato Pie" is probably the sassiest, perkiest thing in which Taylor's ever been involved. GENIUS LOVES COMPANY is a swan song that fittingly finds the titular genius surrounded by friends from varied musical worlds, all of whom he's touched with his rare gift.
N.Jones/J.Taylor/D.Krall/B.B. ...
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