| | Yellowcard Paper Walls CD - Import Yellowcard Discography of CDs
2007 Japanese release of the group's fifth album with two acoustic bonus tracks featuring the songs "Gifts & Curses" and "How I Go". Paper Walls Music | List Price | $36.98 (You save $1.69) | | Category | Rock/Pop Albums, Rock CDs, Punk | | CD Universe Part number | 7460256 | | Catalog number | 66688 | | Discs | 1 | | Release Date | Dec 15, 2007 | | Additional Info | Bonus Track; Japan |
Paper Walls Review
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When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual ...
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"Although they were conceived just two years ago, The Anthems have already toured in Germany and Amsterdam. On this self-released four-song EP, seconds into the first track you realize what the attraction is. One of the first things I am amazed by is the sound these kids (they look to be in their early 20s) produce. The songs are well played and rich in sound, and the vocals are quite impressive, bringing to mind a comparison with Joe Strummer. You can also sense a bit of 1960s surf influence (mainly in the percussion). Another impressive band out of Anaheim!"-- Matt Edmund -- Skratch Magazine (USA) (Jul 20, 2006)"With exciting melodic mid-tempo punkrock and anthem-like choruses, the band lives up to its name. Above all, the strength and clarity of the production is excellent, which is very seldom with such a new and fresh band. Along with three English songs you find Gestern, a song sung in German which was inspired after a meeting with the TOTEN HOSEN, whose influence is not difficult to recognize. Still, I really like it and I´d say this should be able to find a label real quick."-- Joachim Hiller -- OX-Fanzine (Germany) (Mar 6, 2005) "The demo CD of this Orange County four piece (est. ...
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About LeahVocalist Leah Suarez is emerging as one of the Southeast's most authentic talents. A confident artist, with a luminous voice and an alluring stage presence, she has cultivated strong roots in jazz and Latin music into a deliberate, emotionally mature sound, combining the best of both traditions with glorious results. Born August 12, 1981 to a Mexican father and an American mother, and growing up on Sullivan's Island, Leah's artistic perspective owes much to the creativity and inventiveness that comes from the mixing of cultures. While she performs a range of music that includes American jazz standards, Brazilian bossa nova, and folk music from all over the world, she finds equal passion in creating original music. Leah's music was first nurtured by her mother, who recognized both her talent and creativity at an early age. She began her formal musical training studying the euphonium, an instrument rich in timbre and resonant in voice, which became an excellent expression of Leah herself, both musically and personally. Today, her vocals carry a similarly distinct and mellifluous tone. During her school years, Leah spent her summers at the Brevard Music Center in North Carolina, an instrumental experience in developing her passion for music. Leah describes her time spent there as 'idyllic'; Brevard, she says, 'was a creative, safe space in the midst (serenity) of exquisite natural surroundings, where we could imagine romantic lives as struggling artists.' Being surrounded by people from all parts of the world who shared the same artistic goals planted the seeds of inspiration. 'That's where my music profession was realized,' she recalls. In the mountains of North Carolina, music became her truest emotional outlet. Leah carried her passion to the world of higher education, continuing with the euphonium at George Mason University in Fairfax, Virginia. She then returned home to South Carolina to complete her music performance degree at the College of Charleston. It was here that Leah chose to let her voice become her instrument. Leah honed her vocal technique, developed her stage presence and grew adept at jazz vocals. Her professors and mentors while at the College of Charleston included Tommy Gill, Dr. Jill Terhaar Lewis, Quentin Baxter, and Robert Lewis. In addition to Leah's formal studies, her time at college was spent discovering her own musical tastes, finding music and musicians that ...
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