| | Juicy-Cool & Sexy Tunes CD - Import Juicy Discography of CDs
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Our Price: $35.49  CDFor Sale Limited Availability
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Juicy-Cool & Sexy Tunes Music | List Price | $37.99 (You save $2.50) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7460822 | | Catalog number | 696316 | | Discs | 1 | | Release Date | Jul 31, 2007 |
Juicy-Cool & Sexy Tunes Review
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant ...
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Issued in 2006, GO is the first Moby compilation to include both the New York City-based electronica artist's early-1990s singles and material from his '99 mainstream breakthrough album, PLAY, and beyond. In addition to an update of the rave-steeped title track, the collection presents fan favorites such as the soulful "Honey" and the shimmering ambient composition "God Moving Over the Face of the Waters." The two-CD set also includes the previously unreleased "New York, New York," featuring vocals from Blondie's Debbie Harry, and an entire disc of remixes by club luminaries such as Timo Maas and Mylo.
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The debut effort by San Francisco's Carta, led by guitarist Kyle Monday (writer or co-writer of all the songs, and the only original bandmember left at the time of its release), finds the group well established in working in the realm of contemplative atmospherics. This isn't to say The Glass Bottom Boat is diaphanous new age or the like; rather, like many fine bands before it -- Joy Division, Low, Mogwai among others -- Carta seeks to use rock band instrumentation to emphasize reflective mood rather than simply traditional performance. Unlike many other predominantly instrumental rock acts of recent years, though, Carta are blessedly free of the go-nowhere dullardry that ended up giving post-rock a bad ...
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