| | Hristougenniatika Tragoudi CD - Import
Hristougenniatika Tragoudi Music | List Price | $21.99 (You save $2.30) | | Category | World Albums, World Beat CDs | | Label | Universal | | CD Universe Part number | 7461594 | | Catalog number | 820007 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Hristougenniatika Tragoudi Review
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Purchase Hristougenniatika Tragoudi CD To buy, Click on price to add to cart | Jon Balke Siwan CD (2009)
Hristougenniatika Tragoudi
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Personnel: Jon Balke (keyboards, conductor): Amina Alaoui (vocals); Jon Hassell (trumpet, electronics); Kheir Eddine M'Kachiche (violin); Helge Norbakken (percussion); Pedram Khavar Zamini (zarb);
Barokksolistene, Bjarte Eike (violin, leader).
Recorded September 2007 and March 2008
Personnel: Amina Alaoui (vocals); Jon Balke (keyboards); Barokksolistene (vocals); Andreas Arend (archlute, theorbo); Kheir-Eddine M'Kachiche, Anna Ivanovna Sundin, Per Buhre, Bjarte Eike, Peter Spissky, Milos Valent (violin); Rastko Roknic, Joel Sundin (viola); ...
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Personnel: John Zorn (alto saxophone); Joe Lovano (tenor saxophone); Dave Douglas (trumpet); Uri Caine (piano); Greg Cohen (bass instrument); Joey Baron (drums).
Audio Mixer: James Farber.
Recording information: Avatar Studio, New York, NY (02/22/2009).
STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble harmonics, rhythmic invention, and, of course, tautly arranged spaces for individual improvisation--check out the album's longest cut, "Tagriel," for evidence as Zorn's composition not only travels genres but centuries. The popping ...
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Old Standards Perf.By Cuban Jazz Pianist & Flamenco Voclst
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Kim Acuna’s music is rich. . . a complex blend of original indie pop, rock, blues, and jazz with an occasional splash of Latin. Her deep, rich vocals and insightful lyrics combine with an articulate, rhythmic guitar style to produce a unique, full bodied sound - a seductive musical experience that resonates with audiences long after the performance. Kim’s charismatic talent captures audiences everywhere she plays, with a voice said to be reminiscent of k.d. lang and a unique guitar style that brings other guitarists to the front row for a closer look.“.... So this is what acoustic pop is supposed to sound like. Kim’s writing is incisive and thought provoking, her guitar playing grooving and rhythmic, and her singing is all at once dead-on and go for broke. Pack a dress and a toothbrush, Kim, you won’t be home much once this album gets heard…”Vance Gilbert, Philo Records “… pop-rock, bluesy, jazzy kind of music sounds like Dave Mathews, k.d. lang, and Tracy Chapman... there is talent here, lots of it. “Muses MuseWhether performing solo with an acoustic guitar, or backed by a band, her music is injected with an energy and spirit that transcends categorization. Kim can easily be considered a “crossover” performer, appealing to the Adult Contemporary, Triple A, Rock, Pop, and Blues listeners, ranging in age from late teens to “late in life.” How does she get that sound? One of the most unique aspects about Kim’s music is her ability to create the depth and range of a piano on her guitar using modified capos and creative ...
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