| | Imiskoubria Ti Lola Apti Fotia Pios CD - Import Imiskoubria Discography of CDs
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Our Price: $28.89  CDFor Sale Limited Availability
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Ti Lola Apti Fotia Pios Music | List Price | $30.99 (You save $2.10) | | Category | World Albums, Greek CDs | | Label | Universal | | CD Universe Part number | 7461702 | | Catalog number | 820120 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Ti Lola Apti Fotia Pios Review
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Purchase Ti Lola Apti Fotia Pios CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
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Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, though, she's hit the spot, finding both the intensity of performance and delicacy of arrangement that's been her hallmark. The style is a mix of influences that blend perfectly -- listen carefully and ...
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Originally released on Swallow (6011) in 1965 and Swallow (6019) in 1974. Includes French and English translations.
If you want to go straight to the source and hear real Cajun music without any hint of crossover, look to the Balfa Brothers. Though they were a popular live attraction as early as 1948, Dewey, Will, Burke, Harry, and Rodney (with assistance from family friend Hadley Fontenot on accordion) didn't record their first LP until 1965. Their second followed a full nine years later. Both are included on this seminal Cajun disc, and the purity of the group's performances is stunning.
Theirs is an entirely acoustic sound, based on the jangling rhythm of the guitar, ...
| | Mongo Santamaria Mongo Returns CD (1998)
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soprano saxophones, flute); Eddie Allen (trumpet, flugelhorn); Mel Martin
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(piano, keyboards); John Benitez (bass); Robbie Ameen (drums); John Almendra
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percussion); Greg Askew (chekere, bata); Steve Berrios (chekere, clave,
Mongo returns -- to the Fantasy label group, not the scene, from which he had never been missing in action. Yet in another sense, it is a return to the basic Mongo Santamaria Afro-Cuban-rooted sound and concept -- with a few contemporary elements -- that the ageless leader had been employing ever since he stopped trying to chase after hits. Marty Sheller continues to turn out the charts; in addition to three of his own tunes, he gratefully revives two unusual overlooked '70s gems, Stevie Wonder's "You've Got It Bad, Girl" and Marvin Gaye's "When Did You Stop Loving Me, When Did I Stop Loving You" in his old boogaloo manner. The then-current edition of Mongo's large ensemble sounds sharp, at home with the Latin beat, up-to-date electronic instruments and occasional skipping bassline, and Mongo thunders ...
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Third Space’s first self-titled album demonstrates a band that has indubitable writing skills in what may be called the exciting trend of meeting jazz, metal, and classical genres somewhere in the middle. Third Space’s improvisational melees, interspersed with tightly coiled melodic arrangements, provide a chaotic upheaval, often comprised of great young musicians blowing their fucking brains out. A rather ingenious element is Third Space’s compositional use of humor and surprise, as well as their blatant embracing of classical music, as on the epic “Ode to Stravinsky” (heavy arrangement of part of “The Rite of Spring” included) and a 4-minute piano solo titled “Cadenza.” The album features tracks by drummer Jeremiah Fox, bass clarinet/sax player Mike Hyziak, and keyboardist Vinny Loccisano, but one wouldn’t know by listening to the continuous onslaught. Third Space likes to keep it complex, as through-composed songs jump from intricate, odd-timed melodies to sprawling improvisations, often with catchy results. A weaving riff that surfaces and develops beautifully toward the end of the third track, “Pagin’ Dr. Bulgogi/The Doc Sees Red” is definitely a standout.Besides the group freak outs, the solo features are primarily keyboardist Loccisano and guitarist Kirk Schoenherr (of the band “Smother Party”), who shreds the shit out of the final tune “Invisible Governors.” The song begins rather thrash ...
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