| | Illuminea Out Of Our Mouths CD Illuminea Discography of CDs
Photographer: Charlotte Davis.
Personnel: Jen Appel, Marc Alan Goodman (vocals, guitar); Maura Di Berardinis (vocals, violin); Minna Choi (vocals, keyboards); Timothy Nelson (vocals, electric bass); Tony Maimone (vocals); Zeena Parkins (harp); Colin Stetson (clarinet, saxophone); Patrick Hughes (trumpet, flugelhorn); Jimmy Parker (sousaphone); Matthew Edwin Stein (double bass); Peter Angevine (drums, percussion); Brian Hayes (maracas); Joel Hamilton (loops).
Audio Mixers: Doug Henderson; Joel Hamilton .
Out Of Our Mouths Music | Category | Rock/Pop Albums, Alternative CDs, Rock | | Label | High Two Recordings | | Orig Year | 2007 | | CD Universe Part number | 7462236 | | Discs | 1 | | Release Date | Aug 21, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Joel Hamilton | | Engineer | Marc Alan Goodman; Joel Hamilton | | Personnel | Colin Stetson - clarinet, saxophone Jimmy Parker - sousaphone Tony Maimone - vocals Zeena Parkins - harp Joel Hamilton - loops Brian Hayes - maracas Patrick Hughes - trumpet, flugelhorn Jen Appel Marc Alan Goodman - vocals, guitar Matthew Edwin Stein - double bass Maura Di Berardinis - vocals, violin Minna Choi - vocals, keyboards Peter Angevine - drums, percussion Timothy Nelson - vocals, electric bass
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Illuminea Out Of Our Mouths Songs | 1. | In Retrospect |
| 2. | Living in Sin |
| 3. | Homewrecker |
| 4. | Build Your Own |
| 5. | Sugaring |
| 6. | To Lose You as a Friend |
| 7. | Sleep It Off |
| 8. | New Walk |
| 9. | Done by Hand |
| 10. | I Waited Too Long to Tell You How I Feel |
| 11. | Out of Our Mouths |
| 12. | I Can't Wait |
| Out Of Our Mouths Review
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Purchase Out Of Our Mouths CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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$10.49 A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) ...
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$102.39 Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
KC's debut album introduced to the world a group that threw various '60s genres into a blender and set the results afire with a blowtorch. One of the pioneers of the progressive rock movement that began in the late '60s and flourished in the early '70s, King Crimson was arguably the most consistently creative band in the genre. On IN THE COURT they blend wispy, Donovan-ish folk-rock with Wagnerian grandeur, mind-bending heavy rock, and even a free- jazz sensibility. Greg Lake's vocals are effectively theatrical but more restrained than in his later ELP work. Robert Fripp was just learning how to make mincemeat of a chord progression, but he's alternately lyrical and frenetic as the moment requires.
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$15.45 When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. Overall, LEAVE THIS TOWN isn't quite as studio slick as DAUGHTRY, which was fueled by ...
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$12.19 It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, albeit mildly so, as this is as sleepy as it is thoughtful. And it's that thoughtfulness that does ...
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$11.35 Marc Cohn's first new studio album in nearly a decade, 2007's JOIN THE PARADE is a significant outing for the revered Ohio-born singer-songwriter, marking not only his debut on the Decca label, but his comeback from a 2005 head injury, the result of an attempted carjacking. Produced by fellow non-prolific musician Charlie Sexton, PARADE finds Cohn on familiar terrain, with his raspy voice and pensive lyrics guiding the sparse arrangements, as on the mellow, organ-tinged "Listening to Levon." While nothing on the record is quite as catchy as his soulful 1990s hit, "Walkin' in Memphis," PARADE features Cohn in an edgier mode on some tracks, most notably "Dance Back from the Grave," a moody ode to New Orleans that wouldn't sound out of place on a Tom Waits album.
Recording information: Irony Recording, Austin, TX; Joe B. Music, New York, NY; Pliers, CA; Sear Sound Studios, ...
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