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Personnel: JCO, Irving Menendez, Juan Luis, Raul Armando (vocals); Steven Cruz, Wander M. Nunez (guitar); Pedro 'Papolin' Serrano, José Diaz (saxophone); Pedro Marcano, Luis Aquino (trumpet); Jaime Ramírez, Eggie 21, Richard Marcell (piano); Pedro Angulo, Frandy Sepulveda (drum); Rafael Concepcion (congas); Angel Rodríguez (bongos); Victor de la Cruz (percussion); Joselito "La Guira" Villega, Felix Algarin, Franqulin "Simali" Guerrero, Charlie Villalona, Carlos Mella, Eliezer Gonzalez (unknown instrument). Karis Los 4 Fantasticos Songs Los 4 Fantasticos Music Review Purchase Los 4 Fantasticos CD To buy, Click on price to add to cart | N'Klabe Punto De Estallar CD (2006)
Los 4 Fantasticos album
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| | Grady Nichols In The Fullness Of Time CD (2001)
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From small town Midwest beginnings to the big-time as an internationally known saxophonist, Grady Nichols enjoys an audience as broad as his musical taste. Ironically Grady’s rural upbringing in Siloam Springs, Arkansas contributed to his discovery of the hip sounds of the saxophone. He fell in love with the instrumental music played on The Weather Channel and wrote the network requesting their playlist. Grady began his musical pursuits in the sixth grade. By high school, he was performing professionally and studying under legendary saxophonist Joe Davis, who had performed with such greats as Sarah Vaughn and Mel Torme.”In The Fullness of Time,” Grady’s third release, is a live recording with special guests Bill Champlin, Larry Dalton, Jeff Lorber and the Higher Dimensions Sanctuary Choir. “This project is very special ...
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Los 4 Fantasticos album
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No one made salsa great more than Willie Colón, but a large part of what made Colón great was Héctor Lavoe. "El Cantante" was ...
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Los 4 Fantasticos songs
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| | Kristo Numpuby An Sol Mè CD (2009) (Import)
Los 4 Fantasticos album
$11.15
Born in Paris and raised in Eséka in Cameroon, Kristo Numpuby plays assiko music, the traditional rhythm of the southern Cameroon forests, using a guitar, knives, forks and spoons, and empty bottles for the percussion. Singer, bassist and guitarist, the Afro-Parisian draws on the rhythms of the forest as inspiration for his compositions.If the term “ cosmopolitan “ did not already exist, it would have to be invented for Kristo Numpuby. This musician, born in Paris and raised in a tropical forest, personifies the Africa of yesterday, today and tomorrow. At the age of 8, he began composing songs for children, and took an interest in percussion. “ In the village, there were always evenings with musicians, either baptisms, marriages or wakes, “he comments. “They became opportunities for me to admire the percussionists, playing bare-chested with their big muscles.”The education that his musician-grandmother gave him made Kristo a boy with a great interest in anything musical. “My grandmother Nguéba ran a bar in Eséka,” he says. “We listened to lots of different music ail day long... classical, jazz, rhythm and blues, James Brown, Afro-Cuban, rumba from Zaire, high-life, makossa and biguine. You could say that I was totally immersed in a very colourful music world.”Kristo finally received his first guitar at age 12. He began playing ail the hits he heard on the radio. Two years later, he was guitarist in one of the four groups in his school. At age 18, he formed a trio that played only his own compositions. The three musicians constantly played each other’s instruments during their concerts. He was the lead singer in a group that mostly played assiko music, which no young people usually played. Kristo says, “my buddies didn’t understand how a guy like me who spent his vacations in Paris was still interested in village music. Even though I liked disco and ail the music in fashion, that music still fascinated me. Why? I can’t tell you. But I found real pleasure in playing Jean Bikoko, Médjo Me Nsom and Dikoumé Bernard, and to finger the guitar strings like them in an unusual way. The assiko musicians and dancers have a special knowledge and a particular technique. I liked their style of music because it was different. But I was just as interested in classical technique as in that of the forest guitarists.”In 1990, Kristo Numpuby got back into the music he had somewhat left behind. “After finishing high school in Douala, I went ...
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