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El Rio Trio Redheaded Woman CD - Import

 El Rio Trio Discography of CDs

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Redheaded Woman Music


Detailed Redheaded Woman Music Information



List Price $18.97 (You save $1.38)
Category Rock Albums, Rockabilly CDs
Label Tombstone Uk / Zoom
CD Universe Part number 7463190
Discs 1
Release Date May 27, 2008
Additional Info Import
El Rio Trio Redheaded Woman Songs


El Rio Trio Redheaded Woman Album Track Listing



1.Redheaded Woman
2.Sweethearts Or Strangers
3.Love Me
4.Rockabilly Man
5.Hot Taco
6.Where Are You
7.Cruelty Baby
8.Worrying Kind
9.Why Won't You Call Me
10.Rocking And Flying
11.Hit Me
12.Burning Love
13.Norah Blue
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with ...
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Track list includes "I'm Down,""Drive My Car," "Got To Get You Into My Life," "The Long And Winding Road," "Blackbird," "Eleanor Rigby," "Back In The USSR," "Paperback Writer," "Let It Be," "Hey Jude," "Helter Skelter" and more, plus "Something" rendered on ukulele gifted to Paul by George Harrison, and a tribute to John Lennon in the form of a medley of "A Day In The Life" and "Give Peace A Chance." Wings era chestnuts include "Band On The Run," "My Love," "Let Me Roll It" and the pyrotechnic tour de force of "Live And Let Die," while timeless McCartney solo material ranges from "Here Today" to the upbeat "Flaming Pie" and "Dance Tonight" to a pair of numbers from Electric Arguments, ...
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her ...
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Though the spoken lyrics that kick off Braille on "Detroit Girl" might have some listeners ...
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Jim Hoehn Deadline Penitentiary CD  (2004)

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"Deadline Penitentiary" is the long-awaited new CD from Milwaukee journalist/author/songwriter Jim Hoehn, described by one newspaper reviewer as "a master of the rowdy tall tale rendered with novelistic detail." Recorded at Third Coast Studio in Port Aransas, Texas, "Deadline Penitentiary" includes 10 new original songs featuring some of the best musicians Austin has to offer. Bolstering Hoehn's well-known, if somewhat skewed, lyrical style are John Inmon on guitar and Bob Livingston on bass, for many years the heart and soul of Jerry Jeff Walker's Lost Gonzo Band; two-time Grammy Award-winner Floyd Domino (Asleep At The Wheel, George Straight) on piano and keyboards; and Zack Taylor on drums and percussion, brought together under the studio guidance of Larry Joe Taylor. For a career journalist with a musical philosophy of six strings, five fingers, three chords, no problem, Hoehn has carved out a successful niche as a late-blooming performing songwriter. Since first stumbling out of the pressbox, Hoehn has maintained a time-available schedule of dates throughout the Midwest and across the country, drawing an ...
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"White Noise Machine" sounds kind of like Ween and Big Dumb Face... I use a drum machine and vocal effects, and I wrote all the instruments except "Since You've Been Gone" and "Captain Fantasy"... those are covers... ...
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Farewood Figures In Shadows CD  (2006)

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Farewood arose from the decay of the once vibrant industrial town of Meriden. Located in Central Connecticut, Meriden is known as the "Silver City" and is the halfway point between New York and Boston. The members of Farewood grew up listening to mid to late 80's indie rock and post punk. Bands such as Sonic Youth, Big Black, Samhain, Dinosaur Jr, Fugazi, The Cure, The Sundays, and Cocteau Twins were all major influences on the development of Farewood's sound. The bands biggest influence however, came from the Cincinnati band The Afghan Whigs. The Whigs mixture of Soul infused indie rock had a large impact on the members of Farewood and to this day they still considers the Whigs to be the best band to come out of the indie rock revolution of the 90's. The members of Farewood would spend their teenage years going to as many shows as possible, mesmerized by the emotional impact that indie rock had, the band decided to lend their own voice to the continuing evolution of original rock. The environment and the emotional climate of Farewood's hometown plays the largest role in the shifting dynamic found in their music. When outsiders think of Connecticut they may see a Connecticut that gave birth to "trust fund" musicians such as Moby and John Maher. They may see the New York suburbs of Fairfield County where the wealthy continue to proliferate and foster a view of Connecticut that hides what is at the heart of the State. Cities such as Meriden, Waterbury, Ansonia, Naugatuck, Hartford, and New Britain reveal a much different, a much more hidden side of Connecticut. Drive through any one of these cities and you will see the abandoned plazas, the empty downtown centers, the dilapidated buildings, and the disparities between the rich and the poor. The core of Farewood's music comes from being children of working class people. It is in that core that Farewood hopes their music continues to evolve, and shift. And as a result, will continue to shed light on issues facing people living in circumstances where the line between wealth and poverty is always visible; Where escape and surrendering to daily temptations are only a 90 mile car ride Noth or South. Farewood's third album "Figures in Shadows" was inspired by the years in which the band occupied a room at a downtown Meriden rehearsal facility. Being immersed in the desolation of the downtown Meriden culture, Farewood began to explore music that was more about impulse and less about trying to craft a great hook. The landscape of their home environment played an immense part in the dark, soulful, more stripped down sound that Farewood achieved ...
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cdu4asppid music 7463190 cdu4pidall cdu4pls7 ver232cdu cdu4all 12/12/2009 2:00:06 AM