| | Art Ensemble Of Chicago Fundametal Destiny: Live At Frankfurt Germany Jazz CD Art Ensemble Of Chicago Discography of CDs
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Recorded live at the Jazz Festival in Frankfurt, Germany, in 1991, FUNDAMENTAL DESTINY features the original lineup of the Art Ensemble of Chicago joined by the late pianist Don Pullen. Four extended, adventurous compositions showcase the Ensemble's classic balance between rigorous technical expertise and loose, mercurial improvisation. While the opener, "People in Sorrow," builds and drifts over percolating percussion, tunes like the title track favor greater structure (and allow Pullen's piano playing to shine). Overall, this is an excellent set from a seminal avant-jazz group.
A rare recording of an historic event! The production team of Aeco and Katalyst have once again gone through the vast archives of the Art Ensemble of Chicago to come up with another gem. Featuring the classic line up of possibly one of the most innovativ
The Art Ensemble of Chicago: Lester Bowie (trumpet); Malachi Favors Moghostut (bass guitar); Famoudou Don Moye, Joseph Jarman, Roscoe Mitchell (percussion).
Additional personnel: Don Pullen (piano).
Fundametal Destiny: Live At Frankfurt Germany Jazz Music Art Ensemble Of Chicago Fundametal Destiny: Live At Frankfurt Germany Jazz Songs Fundametal Destiny: Live At Frankfurt Germany Jazz Music Review Purchase Fundametal Destiny: Live At Frankfurt Germany Jazz CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Fundametal Destiny: Live At Frankfurt Germany Jazz album
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' ...
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On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The opener, "Monk's Mood," for example, features the composer/pianist's typically brilliant, idiosyncratic playing, while Coltrane floats over the top in ...
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