| | Enfants: Chante Avec Malice Toutes Les Chansons De CD - Import Malice Discography of CDs
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Our Price: $23.65  CDFor Sale Limited Availability
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Enfants: Chante Avec Malice Toutes Les Chansons De Music | List Price | $24.99 (You save $1.34) | | Category | World Albums, World Beat CDs | | Label | Phantom | | CD Universe Part number | 7465305 | | Catalog number | 22816 | | Discs | 1 | | Release Date | Jun 04, 2007 |
Enfants: Chante Avec Malice Toutes Les Chansons De Review
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Principally recorded at Island Studios, London, England in November & December 1970. Originally released on Atlantic.
For its second album, 1970's WILDLIFE, Mott the Hoople moved away from the tipsy, BLONDE ON BLONDE-like reels of the band's self-titled debut, into a more standard, bluesy hard-rock sound not unlike that of Joe Cocker and the Band. Of course, the glam era heralded by the 1972 hit "All the Young Dudes" was still a ways away, but WILDLIFE has its own unpretentious charms. The opening "Whiskey Women" chugs along genially, and "Angel of Eighth Avenue" is one of Ian Hunter's trademark creepy ballads. The remainder of the album continues in the vein of these opening two tracks, with Hunter's barrelhouse piano trading licks with Mick Ralph's chunky guitar and Verdun Allen's Garth Hudson-like organ as the rhythm section of Dale "Buffin" Griffin and Pete "Overend" Watts powers along.
In common with the rest of Angel Air's Mott the Hoople remasters, vastly improved sound, a fat booklet and two bonus tracks -- studio outtakes of Jerry Lee Lewis' "It'll Be Me," and Mountain's "Long Red" -- round out the reissue of Wildlife. But really, they're simply the icing on a cake that already packs more into its span than either of the band's earlier albums, and most of their later ones. Ian Hunter explained, "after the debacle of Mad Shadows, I think it was Mick Ralphs, the voice of reason, who suggested we do some nice songs." Ralphs himself continued, "nice is a horrible word, but it is a nice album. We needed that to survive." Indeed, for all its understatement and softness, Wildlife is the album where Mott the Hoople finally came of age; certainly it is the one where Ian Hunter at last shed his lyrical self-consciousness. Ralphs' songs were the ones which grabbed your attention first, the lazy L.A. nightlife put-down of "Whisky Women"; the grown-up-wrong whine of "Wrong Side of the River." But Hunter's were the ones which hit home the hardest. Though he placed only three songs on the record (compared to Ralphs' four), all three remain classics: the aching autobiography of "Waterlow" and "Angel of Eighth Avenue," and the contemplative "The Original Mixed Up Kid" -- "probably one of the best songs I ever wrote," Hunter later reflected. Add a ten-minute live rock & roll romp, and a startling rendition of Melanie's "Lay Down," and Wildlife emerges the album that should have broken Mott the Hoople wide open. Instead it did no more or less than either of its predecessors, and the group labored on in absurd obscu
'Wildlife' was released by Island Records on 19th March 1971 in a gatefold sleeve. ...
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