| | Classical Royale Themes Of James Bond CD Royal Philharmonic O CDS
Classical Royale Themes Of James Bond Music | List Price | $7.97 (You save $1.38) | | Label | KRB Music | | CD Universe Part number | 7466425 | | Discs | 1 | | Release Date | Jun 12, 2007 |
Classical Royale Themes Of James Bond Review
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Purchase Classical Royale Themes Of James Bond To buy, Click on price to add to cart | Andrea Bocelli My Christmas CDs (2009) With DVD; Deluxe Edition
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Andrea Bocelli's 2009 My Christmas album finds the Italian tenor performing various classic holiday-themed songs that touch on a mix of classical, opera, and pop. Included are such well-known holiday songs as "Santa Claus Is Coming to Town," "O Tannenbaum," and "Silent Night." The versatile Bocelli also delves into such iconic Christmas hits as "Blue Christmas" and "The Christmas Song" (featuring a duet with Natalie Cole). Of course, the opera and classic ...
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Jüri Reinvere (born 1971 in Tallinn, Estonia) first studied composition at Tallinn Music High School. He continued his studies at the Chopin Academy in Warsaw, Poland from 1990 through 1992. From 1994 through 2004 he was a student at Helsinki’s Sibelius-Academy. He has been living for fourteen years in Finland and Sweden. In 2005, he moved to Berlin, Germany, where breaking changes influenced his work and thinking, including the addition of poetry writing to his repertoire. Reinvere is a multileveled composer, who is also a passionate metastructuralist. His music is both breaks and broadens the esthetics of music. His music and poetry are fed by the synergy of ongoing discord, creating both the eternal and the commonplace. His music can be characterized first and foremost through various oppositional concepts: silence/noise, tranquility/passion, reason/emotion. The orchestra work Written in the Sand (2001) was an initializing breakthrough in his oeuvre which is at once a massive and detailed musical map, including a spatial workspace and also a wide percussion instrument apparatus. His most recent works are Frost at Midnight (2008) and Requiem (2009). Reinvere was an award-winner at the International Rostrum of Composers in 2000 for Northwest Bow (1998) and in 2006 for Livonian Lament (2003).Jüri Reinvere’s essential characteristic is versatility. Certainly he is to be called a composer, but just as well he could be called a poet, organist, pianist, or a brilliant intermediary with the sounds of nature. In his work he has used swan songs, Livonian laments, the power of the sea and the wind. There are both classical and modernist aspects to his diverse compositions. Reinvere has a great and singular humor, but at the same time he can in his work express solemnity and an inner stillness that engages the listener and provides unexpected experiences. No one facet dominates over the others, they are all equal.WORKSThe Double Quartet with Solo Piano (1994), written for two string quartets and the piano, is one of Reinvere’s best known works. It is an impressive mixture of new tonality and ancient modality. The piece is a timeless work which recalls for the listener atmospheric beauty as well ancient times and spaces. The skillfully organized harmonic-tensional-registral design of the music inspires a spectrum of changing feelings from sadness to peaceful satisfaction.The recorded composition Livonian Lament (2003), is a hypothetical reconstruction of Livonian homesickness by way of bridal lamentation. Livonians, now an almost entirely extinct Finno-Ugric nation, once lived on the east coast of the Baltic Sea. They had a vital lamenting culture, but there is no written record. It is produced together with Livonian folk musician Julgi Stalte, who also performs the lament. The base of the melody is a sound progression in the archaic Livonian song Laggõgid rūimõgid! Two choir motets, one sung with only vowels, the other with German text „Ein Schwan, ein Flügel“ are incorporated in the piece. The whisperings „Ist dein…, ist deine Nacht schon erreicht?“, symbolize the demise of the Livonian lament and the Livonian culture. All the interdependent parts of the multimedia work a.e.g./t.i.m.e. (2005), including solo flute, video, dance, light, graphical text and ...
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