| | Clube Do Sambalanco CD - Import Clube Do Sambalanco Discography of CDs
Clube Do Sambalanco Music | List Price | $19.99 (You save $1.60) | | Category | World Albums, Brazilian CDs | | Label | Phantom | | CD Universe Part number | 7467355 | | Catalog number | 662791 | | Discs | 1 | | Release Date | Jun 26, 2007 |
Clube Do Sambalanco Review
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| | Berlin Project Things We Say CD (2003) (Import) Japan
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$34.15 This Japanese edition of the Berlin Project has two bonus tracks: "The Things We Say" (live) and "Look at Me."
The Berlin Project isn't a Terri Nunn tribute band and isn't from Berlin, Germany. What it is is a Pittsburgh-based alternative pop/rock outfit that has evolved considerably since its formation in 1995. After favoring bratty ska-punk on Culture Clash and equally bratty emo/punk-pop on The Transition Radio EP, the Berlin Project reinvents itself once again with 2003's Things We Say. Some punk influence remains, but the bratty, teen-like snarling is gone -- and a more polished, mature, sensitive band has emerged. Why the makeover? Different reasons can be cited. First, lead guitarist John Garrighan -- the Pennsylvanian who founded the Berlin Project when he was only 14 -- was older. He was 22 when Things We Say came out in 2003, and this CD is a reflection of a college-age Garrighan rather than the teenage Garrighan who favored ska-punk and emo. Plus, the Berlin Project has had some lineup changes since Transition Radio was recorded in 1999 and 2000. Jon Belan, the band's new lead singer, doesn't sound like a brat -- and his thoughtful, more adult approach does a lot to change the band's personality. Some fans will miss the brattier Berlin Project of the past, but truth be told, Things We Say is superior to the band's previous work. The Berlin Project of Culture Clash and Transition Radio had a lot of growing and developing to do; on Things We Say, the writing is generally more memorable. There is nothing wrong with embracing ska-punk or emo, but the Berlin Project wasn't great at either of those things (competent and likable, but not great). It made sense to move on -- and Things We Say, although not quite a masterpiece, is a solid, respectable effort and a creative step forward for the Pittsburgh residents. ~ Alex Henderson
The Berlin Project isn't a Terri Nunn tribute band and isn't from Berlin, Germany. What it is is a Pittsburgh-based alternative pop/rock outfit that has evolved considerably since its formation in 1995. After favoring bratty ska-punk on Culture Clash and equally bratty emo/punk-pop on The Transition Radio EP, the Berlin Project reinvents itself once again with 2003's Things We Say. Some punk influence remains, but the bratty, teen-like snarling is gone -- and a more polished, mature, sensitive band has emerged. Why the makeover? Different reasons can be cited. First, lead guitarist John Garrighan -- the Pennsylvanian who founded the Berlin Project when he was only 14 -- was older. He was 22 when Things We Say came out in 2003, and this CD is a reflection of a college-age Garrighan rather than ...
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$42.05 Satoko Fujii has ...
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| | Lesli Sleepwalkers Lament CD (2008)
Clube Do Sambalanco album
$12.39 SINCE 2003 SWEDISH BORN SINGER AND SONGWRITER LESLI has been writing, recording and performing his particular brand of acoustic music. While being a primarily selftaught electric guitarplayer, it was perhaps not the most obvious choice to start recording all acoustic albums. However it is not by any dogmatic principles that electric instrumentsare excluded. Lesli claims "…these songs just sounds better that way"."Imagine yourself being very small and finding yourself trapped inside a steelstring guitar. While you struggle to get out you're suddenly emerged in a wall of guitarsound, angelic yet desperate voices, and the faint sound of violins getting stronger. In this enviroment you can not help but to get drawn into what you're hearing…" says Lesli. This metafor is of course only a small part of what Leslis music is all about, there are many facets to his creativity and expression.Sleepwalkers Lament is Leslis second full-length effort, following the critically acclaimed, but widely overlooked, Summer Winter & Blood that was released in Scandinavia 2005 and worldwide in 2006. This time Lesli produced and mixed the entire album, in his own studio and label headquarters Wildfire Mill, situated in the heart of Stockholm, Sweden."The idea on my first album, and this new one as well, was to record something that sounded live and direct. But when I listened to my first album, I was dissapointed to realize that it sounded overly processed. My main goal while recording my new album was to achieve something clean and pure in sound, with a much more spontaneous sense of performance. I think I achieved that. But that's all subjective. In a few years I might prefer something quite different…" Although there are many traceable influences in Leslis music, such as early folky stuff like Donovan, Nick Drake and Crosby Stills & Nash, it's surprising to hear that Lesli was born a metalhead."When I was at about eleven years old I got my first ...
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