| | Sojiro Orion Soundtrack CD - Import
Orion Soundtrack Music | Category | Soundtrack Albums | | Label | Phantom | | CD Universe Part number | 7471532 | | Catalog number | 699665 | | Discs | 1 | | Release Date | Aug 07, 2007 |
Orion Soundtrack Review
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$12.59 All tracks have been digitally mastered using HDCD technology.
As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet ...
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$18.99 This new CD is a 12 song compilation of blues classics from James Van Buren. It also includes a new track "House of Blues Shuffle". Now for the first time, you can have these favorite blues recordings on one CD. Hits include "Three Handed Woman", "Real Good Woman", "Mean Husband Blues" and more.Thanks to artists like James Van Buren, blues and jazz are alive and well. Since 1956 when James formed the "Blues Kings" to play the type of music that he loved listening to as a child, James has created an unforgettable style and sound.James has played with such legends as T. Bone Walker, Big Joe turner, Lou Rawls and later partiscipated in group and duet performances with talents such as Irene Reid, Good Rockin' Brown, Pat Methany and John Harris.In 1985, James formed his own label and launched his debut album "We Will be Together Again"> His second album, "It's All Over" earned James national recognition with the album making the Top 20 list on NPR. His third album, "I Ain't Doin' Too Bad" took James to higher levels of recognition with the song "Three Handed Woman" being one of James' ...
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Orion Soundtrack songs
$19.29 Zera Vaughan is a relatively new songstress out of L.A., by way of Paris and Tunisia. On Back to the Roots, a deceptively titled debut album, she presents an accomplished set of pop built on world music foundations and trip-hop elements (with possibly a tiny dash of jazz for good measure). The French band W.S.L. provides a high quality background for her vocals, incorporating everything from electric keyboards to shawms into an ambient mix thick with exoticism. The focus of the album, though, is Vaughan's vocals, pulled out almost too sensually for each song in a mix of English and French, trying to catch some of the aesthetics of the great Arabic singers (such as Umm Kulthum, it would seem) and a bit of North African intonation. At the same time, she plays with a little bit of London's casual approach to female vocals with understated performances at the forefront from time to time. The compositions can get a bit simplistic from, but that's a hazard of any pop music, ethnically infused or not. Overall, it's a nice album. Performances all around are good. There isn't anything here that you haven't heard before on the modern world music market, but it's still enjoyable. ~ Adam Greenberg
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