| | Plastic Shapes New Indoctrination CD Plastic Shapes Discography of CDs
If there is an artist today that espouses the notion of staying true to himself it is Marc Matthew Czygan of Plastic Shapes. Surrounded by a seemingly endless multitude of bands that build their entire existence upon a strict doctrine of imitation, the artist behind this new sound is worlds apart. Indeed the music seems to be a breath of fresh air amidst the myriad emo incarnations. Increasingly disillusioned by, as Czygan had put it, "an inherent lack of originality," that some bands are offering these days, this artist sets no boundaries."Genres come and go," says Czygan, "why fall into that trap?"You will find hints of many different genres incorporated into the music of Plastic Shapes--including Electro, Rock, Indie, Metal, New Wave and Blues, among others--all arranged into a catchy and unique sound."I certainly don't limit myself to a distinct genre," says Czygan. "Wouldn't that be boring?" Plastic Shapes New Indoctrination Songs | 1. | Fear Mongers |
| 2. | VT-8 |
| 3. | Fat Americans |
| 4. | Haiku |
| 5. | Imperial Dreams |
| 6. | Living Today |
| 7. | Minus |
| 8. | You're All The Same |
| 9. | Mary Blimey |
| 10. | Circle Of Fifths (New Indoctrination) |
| 11. | Crowds Of Tyburn...The End Times |
| 12. | Peeking Through The Clouds |
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New Indoctrination Review
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Purchase New Indoctrination CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
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With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the ...
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| | Stevie Ray Vaughan - Live From Austin, Texas DVD (1983)
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| | Gene Harris Live CD (1998)
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Recorded live at The University Club, San Diego, California on April 22, 1995. Includes liner notes by Andrew Whist.
Tired of jazz that makes your head hurt? Or smooth jazz that makes you feel like ...
| | Brian Fitzpatrick State Of Grace CD (2002)
New Indoctrination songs
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In the liner notes of his 2000 release, When I Bleed, Brian Fitzpatrick introduces listeners to his music with the words, "It's serious, ya know...not to be taken lightly and not for the faint of heart." And, although he couldn't possibly have foreseen all the forces that were yet to combine or the songs he was yet to write, still, reading this sentiment two years down the road one can't help but feel hairs rising on the back of one's neck as its words take on the unmistakable dint of prophecy. In State of Grace, Fitzpatrick's third release for his self-owned Mandala imprint, both the promise of his prior efforts, and the warning of a previously unexplored darkness within, are all brought to a resounding and enviably fearless fruition.A seasoned performer, Fitzpatrick, now 28, walked away from early success as a member of various hardcore bands that toured the United States and Europe, to embrace his calling as an acoustic singer/songwriter. "It was really confusing," he said of that time. "I was up there on stage with 5000 people in front of me and realized none of it meant anything. It wasn't me."In the wake of this epiphany, Brian left the punk scene with no idea of what to do next. "Friends, my parents, would ask what I was going to do," he recalls laughingly, "and I'd say, 'I don't know'. They'd just look at me, as though waiting for my real answer. So I would give it to them. 'I don't know. ' I think it scared them even more than it scared me."What he did do was get together with longtime friends Ed Fritz, Arthur Solari and producer Mike Ward to begin recording the sort of introspective songs that he'd been writing since the tender age of 11. These songs would eventually make up his first release, Other Side. Immediately, Fitzpatrick realized he had made the right decision. A regular schedule of live appearances and a second album followed. Still, Brian felt plagued by an inability to adequately translate his live performance quality into his recorded work. Determined to surmount this before embarking on his third effort, Brian firmly decided something had to change. This led him on a quest that ended with producer Jerry Jones (The Fiendz, Fac-toids, Plug Uglies). Jones attended numerous live shows and worked closely with Brian ...
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| | Jonathan Coulton Thing A Week One CD (2006)
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Quitting his nine-to-five job, techie Jonathan Coulton returned to an older love: music. Picking up on a bit of self-discipline, he began writing a quirky new song each week (hence the album title), with the first album a culmination of compositions from the fall. Coulton is clearly in the camp of geek rock or geek folk, but there's quite a bit under the surface of this album. A guitar-heavy anthem looped with samples of George W. Bush could be a political statement, but seems to take most of its pleasure from repeating the word "duty" ("doody" makes it funnier, of course). "Shop Vac" uses an upbeat bit of jangle pop to mask the lyrical content of a soul-crushing existence in suburbia. A folk rendition of "Baby Got Back" got Coulton much of his early play as a novelty act, but he treats the song as more than a novelty, giving it a bit of musical respect as he works choral harmonies into the structure -- it's here that his composing and arranging abilities really come into their own. Influences range widely -- angry Ben Folds-style pop mixes with banjos and accordions in "Someone Is Crazy," but the highly catchy "Brand New Sucker" has strong elements of some classic Peter Gabriel motives. Even a sea shanty makes an appearance before the album completes, just before the Justin Timberlake-meets-Blondie dance groove. The album presents itself as something of a novelty act, with quirk-heavy content about housewares and lobsters. However, the underlying themes are more existential, and can hit deeper at the core of the listener, as Coulton wraps up packages of loneliness, anguish, and love into sweeter musical packages often not outwardly matching their contents. There's more than one level at play here, and all the levels have their own enjoyment. ~ Adam Greenberg
Finishing off his string of song-per-week albums, Jonathan Coulton takes a little piece of everything he's touched upon in previous albums and puts the influences together. There's some pathos and some power pop; there are love ...
| | Wearerayburn CD (2007)
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