| | Bach:Organ Favourites CD - Import Noel Rawsthorne CDS
Bach:Organ Favourites Music | List Price | $9.98 (You save $0.29) | | Label | Regis Records / Premiere | | CD Universe Part number | 7474462 | | Discs | 1 | | Release Date | Jun 26, 2007 | | Additional Info | Import |
Bach:Organ Favourites Review
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Purchase Bach:Organ Favourites To buy, Click on price to add to cart | Trans-Siberian Orchestra Christmas Eve And Other Stories CD (1996)
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What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" is the brainchild of Jon Oliva and Paul O'Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help ...
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Issued in 2007, this Andrea Bocelli collection presents many of the Italian classical/pop-crossover artist's most memorable vocal performances. Highlights of the compilation include "Sogno" and "Because We Believe," tracks that fully reveal Bocelli's emotive and resonant voice, as well as duets with Celine Dion ("The Prayer," a delicate ballad) and Sarah Brightman (the wistful "Time to Say Goodbye"). While VIVERE may be a bit too concise for diehard Bocelli fans, it serves as a perfect introduction to the beloved singer.
Classical crossover mainstay Andrea Bocelli's first greatest-hits collection to date, released nearly a decade-and-a-half after he made his album debut in 1994, The Best of Andrea Bocelli: Vivere includes many of his best-known songs plus five new recordings exclusive to this compilation. His international breakthrough album, Romanza (1997), is well represented with a few inclusions, including his English-language duet with Sarah Brightman ...
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Program Notes-There is a commonality between the two composers represented on this recording that may not be readily apparent to the casual observer, and the two would probably never come up in the same discussion except for this one obscure link. Both Einojuhani Rautavaara and Nikita Koshkin have found completely unique voices in writing for the compositionally difficult and often cliché-ridden guitar.A generation and completely different backgrounds and cultures separate the two composers, yet they both find inspiration in fantasy and mysticism to create their compelling soundscapes.-Einojuhani Rautavaara, born in Helsinki in 1928, is one the best known and most performed Finnish composers. Rautavaara, who studied with Vincent Persichetti at Juilliard, Roger Sessions and Aaron Copland at Tanglewood, and Wladimir Vogel in Switzerland, has gone through a number of stylistic periods in his career: Neo-Classicism, extreme constructivist/dodecaphonic, Neo-Romanticism and mysticism and presently, a synthesis period that draws from all of his previous musical experience. He is a prolific composer who is most noted for his symphonies, operas and choral works along with various chamber and solo piano works. One would not expect this master of large ensembles to compose well for the innocuous guitar, especially since he is not a guitarist himself. In a few relatively brief solo and chamber works for the instrument, he has created a very original and diverse palette of sound and color. He uses this to great effect in creating the programmatic and fantastical world of the unicorn in Serenades of the Unicorn and in a pure music form for the economical and loosely dodecaphonic Partita for guitar.-Nikita Koshkin was born in Moscow in 1956. Until he was fourteen, his only musical interest was Rock but he was given a classical guitar and a Segovia recording from his grandfather that had a profound effect on his career path. The guitar, both playing it and composing for it, became his primary goal. Koshkin studied guitar at the Moscow College of Music with George Emanov. At the Gnesin Institute, he studied composition with Victor Egorov and guitar with Alexander Frauchi. He is an accomplished concert guitarist in his own right and a prolific composer for solo guitar and guitar chamber music. One of his foremost compositional goals was to expand the vocabulary of effects on the instrument and broaden the spectrum of sound and color, not to be used as mere gimmicks but to become tools of musical expression. The present scores and recordings of his music readily reveal his success in this endeavor. He has created a compelling and unmistakable voice for the guitar. His works often draw on the fantastic, myths, fairy tales, and literature for inspiration. This is quite apparent in the haunting Usher Waltz, after Edgar ...
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