| | Immaculate Machine Les Urs Mais Pas Les Autres CD Immaculate Machine Discography of CDs
Being Canadian and eager to show off their bilingualism, Immaculate Machine released an EP of six of their songs from their 2005 album, Ones and Zeroes, entitled Les Uns Mais Pas les Autres. The instrumentals for each of the pieces are identical to those found on the full-length, as are the vocal arrangements; the only thing that's changed is the language itself, because Immaculate Machine have translated their lyrics into French, which are also included in the liner notes. It's more of a novelty than anything else, but it sounds pretty good, North American indie rock in a language besides English, and it represents the overall sound of the band well, with both their softer ("Sans Issue," or "No Way Out") and louder ("Ne Pars Pas Sans Nous," or "Don't Leave Without Us") sides covered. Certainly not a replacement for either of their records, but pretty fun nonetheless. ~ Marisa Brown
Personnel: Brooke Gallupe (guitar); Luke Kozlowski (drums).
Recording information: 04/2005-04/2006.
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Purchase Les Urs Mais Pas Les Autres CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
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Following up their debut EP with an equally worthy full-length, on Last Night Something Happened Monster Movie demonstrate both their roots and their sense of trying to play around as well. If it was just Slowdive (any particular era of them) redux, there'd be no real point, but right from the fantastic start -- a gently driving mini-epic instrumental called "First Trip to the City," which captures the yearning of prime Smashing Pumpkins in a more low-key way -- things are going well. Christian Savill's vocals, in comparison to, say, Neil Halstead's, are lighter, more open, and winsome rather than quietly whispery or reflective. Set against the melancholy flow of delayed guitar, pianos, and more on tracks like "Shortwave" and the midtempo "4th and Pine," it makes for an attractive contrast, not lost in the music but not completely standing apart from it either. The implicit drama in many of Slowdive's songs is hinted at here, but more than often the feeling is less that and more textural touches for their own sake, like the slow hip-hop breaks on "Take Me Away" or "Ooby." Still, the slower, almost stentorian pace of "Home" provides a sudden moment of light with the acoustic guitar-touched chorus, while "Winter Is Coming" makes for a strong, involving conclusion. Elsewhere there are signs of the Sarah Records background of the performers as well -- the excellent "Waiting" could easily belong on a compilation from said label back in 1992, for instance. A fun if unsurprising touch is using an actual chug of a train to provide the initial rhythm on the pretty cool robot-rock-into-shoegaze combination "Sleeping on a Train." Monster Movie won't reignite long-dead flames per se, but the duo does show that the style still has room for exploration and enjoyment. ~ Ned Raggett
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