| | Maximum Amy Winehouse CD Amy Winehouse Discography of CDs
 (1 Customer Review)
Maximum Amy Winehouse tells the complete and unauthorized story of her incredible life and career. Going behind the scenes to talk to people who have worked closely with her, this biography gives an interesting and in depth look at the life so far of an amazing performer packaged with the collector in mind, this is a must for any of her fans. Incorporates comments / interview material by the artist! Maximum Amy Winehouse Music Maximum Amy Winehouse Songs | 1. | It's All Abaout Soul |
| 2. | A London Thing |
| 3. | You're Going To Know My Name |
| 4. | Moulding The Heartache |
| 5. | Laid Bare |
| 6. | How We Feel |
| 7. | Moving On |
| 8. | Down With The Girls |
| 9. | She's Trouble |
| 10. | Looking For The Light |
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Maximum Amy Winehouse Music Review Buy Maximum Amy Winehouse CD Purchase Maximum Amy Winehouse CD To buy, Click on price to add to cart | Amy Winehouse Frank CD (2003) (Import) Canada
Maximum Amy Winehouse album
 $13.55 
| | Garfield The Movie DVD (2004) Full Frame; Widescreen; Dubbed; Subtitled
Maximum Amy Winehouse CD music
 $10.29 
| | Willy Chirino Son Del Alma CD (2004) Bonus Track
Maximum Amy Winehouse music CDs
$10.55   
| | Sergio Mendes Timeless CD (2006) Digipak
Maximum Amy Winehouse songs
$15.65
| | Amy Winehouse Back To Black CD (2006)
Maximum Amy Winehouse album
$12.49 
BACK TO BLACK's production is an artful blend of sophisticated '60s R&B and 21st-century stylistic poaching, with "Tears Dry on Their Own" incorporating ...
| | Various Artists Encyclopedia Of Rock 'N' Roll CD (1998)
Maximum Amy Winehouse CD music
$5.95
| | Andre Williams Whip Your Booty! CD (2001)
Maximum Amy Winehouse music CDs
$14.15
The long and twisted tale of Andre Williams is far too, well, long and twisted to get into here. If you don't know about him, check the bio. What's here are three tracks recorded in 1967 in Detroit with many of the Motown session players and ten tracks recorded in 1977 in Chicago with a band Williams put together called the Velvet Hammer. The Detroit ...
| | Players Club Coextinction CD (2008)
Maximum Amy Winehouse songs
$7.49
Players Club got together in Brooklyn, 1999. Each of the four guys were playing in other bands-guitarist Joel Hamilton in Shiner and Glazed Baby; bassist Dave Curran in Unsane; drummer and namesake Jim J. Paradise in Kill Van Kull with singer Cooper. (Those are the main bands-you'll also find such bands as Book of Knots, Get On Get On, Made Out Babies, Die 116 and Glazed Baby on their resumes). The idea was simple: let's start a band and play. Where other bands were only too happy to slip into a category and work within its constraints, the J.J. Paradise Players Club-as they were initially known, desired boundless simplicity: they wanted to make their music, their ...
| | Angelica Mia Margaret Angels-Sedona Zen CD (2006)
Maximum Amy Winehouse album
$18.25
| | Laura Taylor Whitfield Forward To Somewhere CD (2008)
Maximum Amy Winehouse CD music
$18.95
Laura Taylor Whitfield is a travel-stained singer songwriter, who has circled the globe many times over. Dreaming of balance & breaking through the veil of illusion to a place of peace. Rising out of all the unnecessary luggage that holds the fragile planet down. To help others reclaim their true inheritance is a huge part of her mission ...
| | Remembering the 50's: Lovin' in the Fifties CD (2008)
Maximum Amy Winehouse music CDs
$10.95
DIVERSITY best describes the artistry of guitarist, bassist, and producer Jack Jezzro. His recordings and productions have sold well into the millions, and he surely ranks high in formal education, knowledge of his instrument, and sheer musicality. But even more than that, Jezzro has a style and taste that are all his own-qualities that are a breath of fresh air to the music of today and qualities that breathe new life into the music of yesterday. ::: The Early Years Jazz is a natural expression for this West Virginia native, who seems to have been born musical. Jack Jezzro grew up in the small town of Rivesville, starting on piano and accordion when he was very young. "I would go to the piano and start banging out tunes when I was four or five," he recalls. His remarkable skill at simultaneously fingering melody and chord changes came naturally to him as a young listener. "I had a stack of Chet Atkins records, and that's how I learned to play," Jezzro reports. "As a kid, I'd want to play all the parts. I'd listen to a tune by James Taylor, The Doobie Brothers, Simon & Garfunkel, or whomever. I'd play the bass part, the piano, the vocal-and I'd want to do it all right there on the guitar." ::: Education For his bass-playing skills, Jezzro earned a scholarship to West Virginia University in nearby Morgantown. "I still kept playing guitar, but they didn't have a guitar program," he says. "I wanted to go to school there because it was close by, so I picked the bass and really got into it." The year was 1976. "That fall, the Pittsburgh Symphony Orchestra came to Morgantown, and I got to meet the principal bass player, Sam Hollingsworth. We immediately hit it off." Hollingsworth took Jezzro under his wings, preparing him for a professional career. By 1978, Jack knew that if he wanted to become a professional, it was time to move on. So he took the year off from school and began playing in the Charleston Symphony Orchestra (CSO). After a year with CSO, Jezzro won a scholarship and sailed into the sophistication of the prestigious Eastman School of Music in Rochester, New York. While a student at Eastman, he won an audition for and subsequently played in the Rochester Philharmonic Orchestra for two years. Meanwhile, he continued developing as a guitarist by absorbing the sounds of George Benson, Joe Pass, and Jim Hall. After graduation, "it was either New York, Nashville, or Los Angeles, and Nashville felt more like home" where he landed a job with the Nashville Symphony Orchestra and began breaking into the studio scene. ::: The Jezzro Style For an instrumentalist, speed and flash are often yardsticks. Innovation and technique unquestionably enter into play. Rhythmic invention, tonal dynamics, repertoire selection, or sophistication of arrangement are also called into the discussion. But Jack Jezzro has something more; and that ...
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