| | Fleetwood Mac English Rose CD - Import Fleetwood Mac Discography of CDs
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Digitally remastered reissue of this classic, late '60s U.S. collection of the Peter Green-led incarnation of the band. 12 tracks including 'Albatross', 'Black Magic Woman' and 'Stop Messin' 'Round'. BGO. 2007.
For reasons that no one seems to recall in detail -- but for which we can be grateful -- when it was time to release a second Fleetwood Mac LP in America, producer Mike Vernon and the band didn't just send the existing Mr. Wonderful album across the Atlantic -- a little fine-tuning and retooling was in order. The band had just expanded by one member, to a quintet -- with the addition of guitarist Danny Kirwan -- by the end of 1968, whereas Mr. Wonderful represented them as a four-piece outfit. Additionally, the group had just toured the U.S. for the first time, as a quintet, playing to very enthusiastic audiences, and so there was some point to sending U.S. licensee Epic Records something extra, representing who they were at the start of 1969. And that became the English Rose album, offering three Kirwan-authored instrumentals, plus the hit U.K. single "Albatross," and also their previous single, "Black Magic Woman," which had been a British Top 40 hit (though it was unknown in the U.S., and preceded Santana's hit recording of it by almost two years). Half of Mr. Wonderful was still there, including the opener, "Stop Messin' Round" and "I've Lost My Baby," representing the stronger tracks from that record. Between the paring down of Mr. Wonderful and the addition of the single tracks, English Rose ended up being a stronger album than its predecessor, though without a hit single in America to drive sales and get it exposure, it barely brushed the Top 200 LP listings in the U.S. Strangely enough, despite the overlap with Mr. Wonderful, English Rose was released in England about six months later, probably to help make up for the loss of the group's contract (due to an oversight) by Blue Horizon. ~ Bruce Eder
Fleetwood Mac: Danny Kirwan, Peter Green (vocals, guitar); Jeremy Spencer (vocals, slide guitar, piano); John McVie (bass guitar); Mick Fleetwood (drums).
Dirty Linen (p.74) - "It shows the band in top form with Peter Green at the helm driving the songs into Chicago-blues territory with mostly original material by Green and Kirwan." Dirty Linen (p.89) - "With Mick Fleetwood joining with John McVie to create a rock-solid rhythm section, their former John Mayall's Bluesbreakers bandmate Peter Green combined with the then-teenage Elmore James-like slide guitarist Jeremy Spencer to bring a new sensibility to the blues tradition." Fleetwood Mac English Rose Songs | 1. | Stop Messin' Round | |
| 2. | Jigsaw Puzzle Blues | |
| 3. | Doctor Brown  | |
| 4. | Something Inside of Me | |
| 5. | Evenin' Boogie | |
| 6. | Love That Burns | |
| 7. | Black Magic Woman | $0.99 | |
| 8. | I've Lost My Baby  | |
| 9. | One Sunny Day | |
| 10. | Without You | |
| 11. | Coming Home | |
| 12. | Albatross | $0.99 | |
| English Rose Music Review Purchase English Rose CD To buy, Click on price to add to cart | Big Black Rich Man's Eight Track Tape CD (1987)
English Rose
$11.39 THE RICH MAN'S EIGHT TRACK TAPE contains tracks from the ATOMIZER LP, the HEADACHE EP, and the HEARBEAT single.
THE RICH MAN'S EIGHT-TRACK TAPE combines Big Black's debut, ATOMIZER, and a pair of singles. If you are looking for rage and anger in your music, look no further. The opening track, "Jordan, Minnesota," is a narrative based on an alleged child-sex cult in the town of its title--the track contains heavy breathing, a fuzzed-out bass line, and some punishing machine drumming. And the beginning of the second track, "Passing Complexion," is enough to indicate ...
| | Fleetwood Mac Then Play On CD (1969)
English Rose
$9.65 There were 2 different versions of this LP, each with slightly different tracks. The CD contains all tracks from both versions.
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| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at ...
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PETER GREEN'S FLEETWOOD MAC, the band's full-length debut, is miles removed from commercially tailored soft rock of Fleetwood Mac's 1970s incarnation. The '60s version of the band, led by guitarist/singer Peter Green, was edgy, psychedelic, and rooted deeply in the blues. Green's love of revved-up 12-bar jams, raw boogie grooves, and shredding electric leads come together beautifully on this album, with the help of slide guitarist/singer/pianist Jeremy Spencer, drummer Mick Fleetwood, and bassist John McVie.
With the exception of Spencer, the members had played together ...
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| | Pirates For The Preservation Of New Orleans Music Vol. 1-Lafitte's Return CD (2008)
English Rose
$18.99 "A true treasure & a worthy cause" -No Quarter Given Magazine"A must have for all pirate music lovers." -Bilgemunkey.comAs we all know by now, budgetary allocations to the music education programs of the post-Katrina New Orleans public school system are at an all-time low. In a city renowned for its musical heritage, this state of affairs is incongruous with the spirit that made New Orleans the epicenter of indigenous American music.Beyond the unprecedented physical damage to the city of New Orleans caused by Katrina, there was even more damage to the musical soul of the City itself. With funding for music education programs already scant, a vital portion of the very soul of New Orleans has found itself in danger.So, a bunch of Pirates are coming to the aid of New Orleans, once again under the banner of Jean Lafitte….After speaking with PPNOM Director General Phillip Nitch, Bob Brinkman of ModernBard.org, a web resource dedicated to renaissance festival and pirate music, volunteered to rally Pirate Musicians from around the globe in support of the PPNOM Mission.Brinkman spread the Word, and Pirate musicians from around the globe donated their music to help the relief effort. In a matter of just a few short weeks, Brinkman had garnered the participation of some of the finest Pirate entertainment on the planet and has now assembled a two-volume compilation CD to benefit the school music programs of New Orleans.The result of his tireless effort, “Lafitte’s Return”, features music from over twenty-five nationally and internationally known maritime bands and musicians, including Skip Henderson, Tom Lewis, and the Pyrates Royale.Proceeds from the sale of “Lafitte’s Return” will go directly to the coffers of the PPNOM project, giving a greatly appreciated boost to the PPNOM International Cash Donation Drive.Says Bob Brinkman, “As musicians, ...
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