| | Hellfest, Vol. 3 CD - Import
Hellfest, Vol. 3 Music | List Price | $18.97 (You save $0.58) | | Category | Rock/Pop Albums, Rock CDs, Heavy Metal | | Label | Golden Core | | Orig Year | 2007 | | CD Universe Part number | 7476656 | | Discs | 2 | | Release Date | Oct 05, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Import |
Hellfest, Vol. 3 Review
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Purchase Hellfest, Vol. 3 CD To buy, Click on price to add to cart | Transatlantic The Whirlwind CDs (2009)
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Though former Runaways guitarist Lita Ford has been absent from the recording industry since 1997, she hasn't exactly been idle. After releasing Kiss Me Deadly, her final album after a string of them in the '80s and '90s, the music scene -- and the industry with it -- changed, and alternative ruled the airwaves. Ford got married to Jim Gillette, former vocalist with hair metal rockers Nitro, and started a family. In addition, she relocated to the Caribbean. Wicked Wonderland is uncharacteristic of the pop-metal she released a decade ago. It's an in-your-face metal record, but ultimately it's a very studied and calculated 21st century pop-metal record. It's an album with explicit sexual content, examining S&M, bondage, power exchanges, and all manner of kink and crave in lyrics, words, ...
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Digitally remastered by Joseph M. Palmaccio (Sterling Sound, New York, New York).
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Whether or not it is his intention, Justin Broadrick's Jesu project continues to move into ever more song-oriented material, while never lessening the volume or the sheer melodic thud of his attack. Opiate Sun is released on Mark Kozelek's Cabo Verde imprint. Initially, it was conceived as the first of a projected two-part EP idea: Broadrick originally wanted each EP to feature a collaboration between his live (Dave Cochrane and Phil Petrocelli) and studio ...
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The critics are calling Dennis Jay's music "cowboy minimalism." Dennis calls it "Folk & Western," the label once given to the classic sounds of Ernest Tubb, Lefty Frizzell, Hank Williams, and Marty Robbins. Born in Wisconsin, Dennis got a large part of his early musical education as a child in Germany, when "every day I'd come home from school and turn on the Armed Forces Radio Network (AFN). Most of the DJs were regular GIs who'd brought their record collections overseas. A lot of the music was from the south and they'd play a lot of rhythm and blues and a lot of country music. Back then the armed forces were one of the most integrated parts of society, and that was reflected in what the DJs played. It was all just music - not black music, not white music - and most of it was somewhat out of date, since there wasn't the emphasis on constantly playing the current top 10 hits of the time." After returning to the United States, Dennis attended high school in Maryland. He soon bought a brand new Martin D-18 and began writing songs. "It's still the guitar I write 'em on," he says. Dennis spent the 70s and 80s traveling around the West and Midwest, including Kansas, Colorado, Nevada, California, Oregon, Montana, Minnesota, and North Dakota, playing in coffee houses and bars, writing songs, and working odd jobs. When he reached Austin, Texas, Dennis performed both as a solo act and with a band. Next stop was Washington, DC, in the mid-80s, where he formed his own band. He did an occasional solo gig, such as opening for Steve Earle at the Birchmere. Then, for most of the '90s, he got out of music altogether. As Dennis puts it, "I had pretty much quit the music business. But part of the reason I started playing again was that I discovered a footlocker, in my basement, of copyright tapes that I'd mailed to myself years ago." Dennis opened all those envelopes and began listening to his old songs. He liked enough of what he heard that he decided to give them a second life. "I really wanted to get in the studio and record these songs in the spirit in which I'd written them," he says. That meant the stripped-down Folk & Western sound captured on his debut CD, "What You See." Joining Dennis in the studio were band members Tim Griffin on lead guitar and Bob Graver on bass (both also on backing vocals), as well as local musicians Fannie Zollicoffer on guest vocals, Susan Jones on fiddle, and Joe Connell on percussion. Co-producer/engineer Dave McKittrick co-wrote and played guitar on an original instrumental, "Cancion para la Noche de Casamiento." The ...
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