| | Bob Stewart Did I Remember CD Bob Stewart Discography of CDs
Bob Stewart has long referred to himself as a "saloon singer," so the material on this compilation, drawn from four earlier CDs for his VWC label should come as no surprise. A gifted vocalist with a just a touch of vibrato, Stewart explores a number of popular standards and a few songs that have unjustly fallen out of favor. His best moments occur when he is backed by a small jazz group including pianist Hank Jones (a notable accompanist for many different singers), Frank Wess (flute and tenor sax), bassist Michael Moore, and drummer Mel Lewis, especially on "Don't Misunderstand" and "Every Time We Say Goodbye," though the addition of the Perricone Strings tend to overwhelm these tracks. He's also backed by Lewis' orchestra on two live tracks, though there is an annoying echo caused by the venue chosen for the performance. The remaining tracks are of less interest due to the bland arrangements and syrupy strings, while there is an annoying reverb added to his vocal on most tracks. ~ Ken Dryden
"Bob Stewart is one of Bing Crosby's musical offspring along with Frank Sinatra, Perry Como, Arthur Prysock and Dick Haymes" writes Gary Giddins in his best selling biography, "Bing Crosby - The Early Years". Robert B. Parker writes "Sinatra, Hartman, Jo
Personnel: The Perricone Strings, The Mel Lewis Jaxx Orch, Angelo Dipippo & the Orion Strings, The Hollywood Sound Stage Orch, Frank Wess, Hank Jones , Mel Lewis, Michael Moore .
Photographer: Dan John Miller.
JazzTimes (p.130) - "Stewart still ranks as a solid, jazz-tinged stylist....[He] sticks to gentle ballads....[With] a beautifully haunted reading of Rodgers and Hammerstein's 'Love Look Away'..." Bob Stewart Did I Remember Songs Did I Remember Review
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Purchase Did I Remember CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Did I Remember album
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in ...
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$15.49 COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
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$15.09 On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his original "The Council of Nicea," one of the most satisfying things here. Harp's tenor is accompanied by James Genus' acoustic bass, and some spot-on breaks by Terri Lyne Carrington, a beautiful bluesy, hard bop trumpet solo by Michael "Patches" Stewart, and Lenny Castro's hand percussion. Directing the band is Duke on Fender Rhodes ...
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