| | Dinah Shore Bouquest Of Blues CD - Import Dinah Shore Discography of CDs
Dinah Shore Bouquest Of Blues Songs | 1. | Bouquet Of Blues | |
| 2. | Good For Nothin' Joe | |
| 3. | Born To Be Blue | |
| 4. | Blues In The Night  | |
| 5. | Lonesome Gal | |
| 6. | Moanin' Low | |
| 7. | Any Place I Hang My Hat Is Home | |
| 8. | St..Louis Blues | |
| 9. | I Got It Bad And That Ain't Good | |
| 10. | Warm Hearted Woman | |
| 11. | Memphis Blues | |
| 12. | What Can I Say After I Say I'm Sorry | |
|
Bouquest Of Blues Review
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Photographer: Santiago Garfunkel.
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Recorded between 1960 and 1967. Includes liner notes by Steve Kolanjian.
Digitally remastered by Eliot Goshman (1995, Taragon Studios, Deer Park, New York).
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Bill Kintzer has taught and performed on guitar for 35 years, performing concerts and shows throughout the tri-state Delaware (USA) area and in Nashville, Tennessee. He has composed many original compositions in a wide range of sounds and styles from Latino, Flamenco, Jazz, Classical, New Age, Bluegrass, Blues, Country, and Rock to contemporary Christian.Bill grew up in Newark, DE in the 60's with coffee houses, a jazz scene and country music. He began playing ...
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For the alternative band Black Lab, love lost and found is viewed through a cinematic lens. Like scenes from a movie, songwriter Paul Durham shoots every line like a heartbroken reel. He crafts his words with a poet’s eye, the scenes lit with the radiant light of his yearning, soaring voice. In 1998, Black Lab was signed to Geffen Records and mesmerized modern-rock radio with the haunting singles “Wash It Away” and “Time Ago,” both Top-40 hits on alternative rock and pop formats. The group’s intelligent, heartfelt lyrics and wide-screen guitar attack had them compared to U2. Radio programmers hailed the band as the Next Big Thing. Contributions to soundtracks followed as their moody, passionate vocals and sweeping guitars landed on the soundtracks of Can’t Hardly Wait, Varsity Blues, Permanent Midnight, and Buffy the Vampire Slayer. Unfortunately, on the cusp of world domination, their label went out of business, leaving the band’s dreams in disarray. In 2002, Black Lab found themselves on the soundtrack of Spider-Man, opening another chapter for the band -- or at least for Durham, who produced the band's second album, See the Sun, with new guitarist Andy Ellis. Born and raised in Twin Falls, Idaho, Durham was the mad scientist behind Black Lab from the beginning.In 2003, Paul came out with ...
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Jazz -funk fans must have been taken aback when multi-instrumentalist and composer Bennie Maupin's Jewel in the Lotus was released by Manfred Eicher's ECM imprint in 1974. For starters, it sounded nothing like Herbie Hancock's Head Hunters recording, which had been released the year before to massive sales and of which Maupin had been such an integral part. Head Hunters has remained one of the most reliable sales entries in Columbia's jazz catalog into the 21st century. By contrast, Jewel in the Lotus sounded like an avant-garde jazz record, but it stood outside that hard-line camp, too, because of its open and purposeful melodies that favored composition and structured improvising over free blowing. Jazz after 1970 began to move in so many directions simultaneously it must have felt like it was tearing itself apart rather than giving birth to so many new and exciting musics. Considered carefully, however, Jewel in the Lotus was the perfect realization of the skills acquired by Maupin from the mid-'60s on, when he had played in bands led by Marion Brown, McCoy Tyner, and Pharoah Sanders. He'd even recorded an album under his own name in 1967 entitled Almanac. Maupin was first heard by the masses, however, when he played bass clarinet on the landmark Bitches Brew session by Miles Davis, and as a member of Herbie Hancock's Mwandishi and Sextant groups. He was the lone holdover when Hancock formed the Headhunters, who blasted their way onto FM radio and into the ears of fans who also dug Earth, Wind & Fire and P-Funk.
Maupin's band for this set contained close friends and musical allies encountered over the years. For starters, fellow Headhunter Bill Summers and Hancock himself are on this date, with drummer Billy Hart and versatile electric and acoustic bassist Buster Williams, who were both members of the earlier Hancock group. The other drummer on the set (there was one in the right and one in the left channel), the criminally under-recorded Frederick ...
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