| | Rock And Roll Covers: Hot Steamy Lovers, Vol. 5 CD - Import
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This fascinating album has sort of a strange history. Wayne Jobson, who had already put out a Jamaican single ("Mother Country," produced by Errol Thompson with his old band Little Madness), had a chance to play some of the songs he had been writing with his brother Brian for Lee "Scratch" Perry at Perry's legendary Black Ark Studio one September day in 1977. Perry was enthusiastic about what he heard and was eager to produce the songs, particularly since, as Perry declared, Jobson was an Arawak Indian. Jobson, who was a sixth generation Jamaican with an English, African, Spanish, and Scottish heritage, was unable to convince Perry that he wasn't Arawak, but plans went forward to track the songs. Jobson assembled his then-current band, Native, and with veteran Jamaican producer and mentor Joe Higgs along as a percussionist, started work on the tracks with Perry at Black Ark, coming up with rough mixes and version dubs of maybe half a dozen songs. Jobson took these rough tapes to London to shop then around to labels and was able to wrangle an album deal with Arista Records. He then returned to Kingston and Black Ark ready to finish up the project with Perry. But both Perry and his legendary studio were now in the process of a maddening descent into chaos (Perry had taken to claiming he was no longer Scratch but was instead to be addressed as Pipecock Jackson), and no further work was done on the master tapes. Perry sailed on into the rest of his undeniably unique life and Black Ark Studio quite literally went up in flames. ...
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The Boston rock band Ball and Pivot was formed in early 1984 by singer Bruce Wilkinson (previously the bass player with the Atlantics), guitarist Tom Hauck, and drummer Paul Caruso (both also formerly with the Atlantics). The group's first project was an independent six-song EP recorded at Syncro Sound and released on Z-Club Records in the spring of 1984. The band was joined on the record by Tim Long (keyboards) and Skip Smith (bass), who stayed with the group when Ball and Pivot started playing live in clubs and colleges in the New England area. The EP yielded the regional hit 'Two O'Clock Jump.' The next year the group was restructured, and Gene Gilmartin replaced Paul Caruso as the drummer and Paul Michael replaced Skip Smith on bass. The group returned to Syncro Sound with producer William Garrett and recorded the 12' single 'Down. ' With support from Aruba's travel office, in the spring of 1985 Ball and Pivot went with director Luis Aira to Aruba and made a video of the song. The single, extolling the virtues of an oral hook-up, was a huge regional radio and dance club hit, and the controversial video-available in both regular and R-rated versions-made it briefly to MTV. During live performances the group was often joined onstage by vocalist Hope Moon, who was featured as the female partner during 'Down. ' In 1986, the group traveled to Daytona Beach, Florida, to perform during Spring Break week. After only three days of a week-long contract the group was escorted out of the hotel by Daytona police and told not to come back, presumably due to Bruce and Hope's outrageous stage performance. During the next two years the band played to audiences in the New England area, and performed with artists as diverse as Grandmaster Flash and the Furious Five, Nona Hendryx, and INXS. In 1987 the band scored again with the rocker 'Nowhere to Hide,' released with a video by Jeff Hudson. Ball and Pivot was the quintessential 80's techno rock-dance band, with success both onstage ...
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