Chitose Hajime Anata Ga Koko Ni Itehoshii/Miyori No CD

Anata Ga Koko Ni Itehoshii/Miyori No Music

List Price	$24.99 (You save $1.34)
Category	World Albums, Japanese CDs
Label	Phantom
CD Universe Part number	7478693
Catalog number	705888
Discs	1
Release Date	Aug 28, 2007

Anata Ga Koko Ni Itehoshii/Miyori No Review

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BUENA VISTA SOCIAL CLUB won the 1998 Grammy Award for Best Tropical Latin Performance. That Ry Cooder, you've got to keep an eye on him every minute, or he jumps into another cross-cultural collaboration. ...

Sean Croghan From Burnt Orange To Midnight Blue CD (2001)

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Sean Croghan's amazing first solo offering is a desolate, razor-burned troubadour's record loaded with confessional angst both real and artistic, a few full revolutions from the music he made with Crackerbash and Jr. High. His outpouring of woeful emotion runs the gamut, from an almost whimsical kind of feigned misery ("Gweneveire") to the adamant, resentful sort that sounds genuinely hurt. By mixing up the approach, the tenor of the album never seems like too much or too little of a painful thing. It isn't strictly an open wound, although there's an element of that. But Croghan is also smart enough to know that, as messy as love may be, there is an element of silliness that comes with investing so much into a single venture. The gloom, after all, will eventually pass, and when it does, you'll only be left with the memory of how pathetic it made you look. That is the beauty of From Burnt Orange to Midnight Blue. Stark, haunting songs like "Fridays Face in Sundays Suit" and the bleak cabaret of "Tom R." strip the drama down to its naked core while others, like the wonderfully jovial "Little Miss Whiplash" and "Its Gonna Be Alright," build it right back up. The music is as frayed as Croghan's singing, which jumps from its normal register up into a strained falsetto that falls just a few whiskey's shy of a tearful (or comical) bender, wandering into and out of tune. But the lo-fi atmosphere paints the music all the appropriate hues, whether shadow-colored or brilliant, whether it is a warped, bottom-heavy Western saga ("John McConnells Ghost") or a raw plea. And he pulls out all the stops on "Otis Tolstoy," an over-the-top rock on which he conjures Prince's pleading scream over and over until you start to reach for the handkerchief, to offer to the singer if not to use yourself. It is a wonderful album that leaves you wondering why you loved it so much, until you realize that Croghan covers the range of human frailties and failings with so much feeling that you have to catch up with the insights. The comparisons to Elvis Costello don't seem far off base at all. ~ Stanton Swihart New Project from Crackerbash/Jr. High Frontman Sean Croghan! A dark, smoky club, the stench of alcohol, and beer spilled everywhere. Sticky floors and a noisy crowd make you wish were at home. That is, until Sean Croghan hits the stage.

The mood quickly changes from drunk and tired to shattering as Croghan's oft-desolate approach to angst and fear shakes you awake with picturesque lines easily relatable to anyone that's ever lived with self-doubt, confusion, or pain. Beautiful confessionals open Sean Croghan and his songs up to the listener, as they attentively feel each note and await the ending of the story.

Sean Croghan is not about gloom though, as his live shows attest to. Playing more like a mix of Abbott and Elvis Costello or the sad clown smiling with a glass of whiskey in his hand, Croghan's live ...