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Sister Sledge Sisters CD

 Sister Sledge Discography of CDs

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Personnel: David Simmons, Debbie Sledge, Joni Sledge (vocals); James Williams (rap vocals, guitar, bass guitar); Nick Mundy (guitar); Steve Gold (keyboards, synthesizer); Nathanial Wilkie (keyboards).
Keeping to their regular routine of releasing an album a year, Sister Sledge emerged in 1982 with The Sisters, their first self-produced effort. Keeping their disco-fied R&B in place, the sisters added a few contemporary kicks to hold their own in a decade fast leaving them behind. The move proved correct, as the group was rewarded with another Top 20 hit. The punchy, horn-heavy, and lightly funky "Super Bad Sisters" not only opens the album in fine style, but also adds a surprising sonic update via a rap from Kenneth and James Williams. Following that feat, though, the rest of the set settles down to soft-edged R&B and mediocre ballads. A less-than-stellar remake of the Mary Wells classic "My Guy" managed to reach number 14 R&B, while a passable duet between Kathy Sledge and David Simmons actually emerges as one of The Sisters' best moments. "Jacki's Theme: There's No Stopping Us," meanwhile, brought the set to a close with its quirky, snap-happy disco grooves. At the end of the day, and despite the fact that it's obvious that the band was still full of good ideas, The Sisters just doesn't reach its full potential. It could be that the band was too far out of its time and place, or that it just didn't have enough oomph to keep its edge, or perhaps it just suffered from production jitters. But ultimately, there are far finer ways to sample the remarkable talents of this R&B powerhouse. ~ Amy Hanson
Sister Sledge seized the production reins, but weren't able to equal Chic's sophistication or success. This album included a decent remake of Mary Wells' "My Guy," the original version of "All The Man That I Need" (later made a number one hit by Whitney Houston) and the curious "Il Macquillage Lady," but it seemed like a return to the unfocused, erratic music they had previously recorded. There was some fine vocal work on "Grandma" and "Jacki's Theme: There's No Stopping Us," but things had worsened for groups with a disco reputation, and there were few takers for this record. "My Guy" did crack the R&B Top 20. ~ Ron Wynn
Sisters Music


Detailed Sisters Music Information



List Price $9.99 (You save $0.30)
Category Rock/Pop Albums, R&B CDs, Soul/R&B, Urban Soundtrack
Label Wounded Bird
All Time Sales Rank   57328  
CD Universe Part number 7479325
Catalog number 5231
Discs 1
Release Date Sep 18, 2007
Studio/Live Studio
Mono/Stereo Stereo
Sister Sledge Sisters Songs


Sister Sledge Sisters Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Super Bad Sisters$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.My Guy$0.99
3.Lightfootin'
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.My Special Way$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Grandma$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Get You In Our Love$0.99
7.Il Macquillage Lady
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Everybody's Friend$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.All the Man I Need$0.99
10.Jackie's Theme: There's No Stopping Us

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Sister Sledge When The Boys Meet The Girls CD Personnel: Nile Rodgers (vocals, guitar, Synclavier); Debbie Sledge, Kim Sledge, Joni Sledge (vocals, background vocals); Lenny Pickett (flute, saxophone, tenor saxophone); Steve Elson (flute, baritone saxophone); Stan Harrison (alto saxophone); Mac Gollehon (trumpet); Raymond Jones (piano, synthesizer); Kevin "KAcey" Jones, James Farber (Synclavier); Jimmy Bralower (drums, percussion).
Their last album to hit the charts, 1985's When the Boys Meet the Girls found Sister Sledge attempting to return to past form as they brought Chic's Nile Rodgers back onboard to produce and perform. And although the move would ultimately prove ineffective, as the album appeared and hovered just out of the Top 50, this easy pairing returned the sisters to an earlier edge. With the title track backed by an eclectic arrangement, those classic punchy Sister Sledge vocals were pushed well into the front of the action. The album birthed two further ...

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Draw The Line
David Gray Draw The Line CDs  (2009) Deluxe Edition; Digipak

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Deluxe Edition Personnel: David Gray (vocals, acoustic guitar, piano, harmonium, Wurlitzer organ, vibraphone); Jolie Holland, Annie Lennox (vocals); Neill MacColl (acoustic guitar, electric guitar, mandolin, background vocals); Robbie Malone (acoustic guitar, electric guitar, harmonium, background vocals); John H.R. Mills, Jackie Shave (violin); Bruce White (viola); Caroline Dale (cello); Andy Greenwood, Jim Rattigan, Owen Slade, Andy Wood (horns); Keith Prior (drums, percussion, background vocals); Iestyn Polson (programming).
Audio Mixers: Simon Changer; George Holt.
Recording information: The Roundhouse.
Photographer: Jake Walters.
After taking a four-year break from the studio, David Gray announced his return with a new backing band, new label representation, and a new album. 2009's DRAW THE LINE is consistent with the rest of Gray's catalog, proof that the songwriter's appeal rests not in those around him but in his nuanced piano ballads and warm, calloused voice. There are two duets here, one with folk artist Jolie Holland and the other with a rather militant-sounding Annie Lennox, but the best material is reserved for Gray alone. He does what he does best on songs like "Transformation," whose homespun melody is at once warm and utterly heartbreaking, but he also makes room for faster material, from the rhythmic drive of "Stella the Artist" to the casual strut of leadoff track "Fugitive." Regardless of the tempo, Gray's voice remains the centerpiece of this album, as his lived-in vocals continue to amass more convincing grit with age. Those looking for another "Babylon" may not find such commercial strains here, but David Gray hasn't concerned himself with the mainstream for years, and DRAW THE LINE is essentially another cog in the folksy wheel he's been spinning since NEW DAY AT MIDNIGHT.
After taking a four-year break from the studio, David Gray announced his return with a new backing band, new label representation, and a new album. 2009's Draw the Line is consistent with the rest of Gray's catalog, proof that the songwriter's appeal rests not in those around him but in his nuanced piano ballads and warm, calloused voice. There are two duets here, one with folk artist Jolie Holland and the other with a rather militant-sounding Annie Lennox, but the best material is reserved for Gray alone. He does what he does best on songs like "Transformation," whose homespun melody is at once warm and utterly heartbreaking, but he also makes room for faster material, from the rhythmic drive of "Stella the Artist" to the casual strut of lead-off track "Fugitive." Regardless of the tempo, Gray's voice remains the centerpiece of this album, as his lived-in vocals continue to amass more convincing grit with age. Those looking for another "Babylon" may not find such commercial strains here, but David Gray hasn't concerned himself with the mainstream for years, and Draw the Line is essentially another cog in the folksy wheel he's been spinning since New Day at Midnight. [Die-hard fans may want to pick up the album's deluxe edition, which includes a 20-page booklet and a bonus CD ...

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