Alterego This Time Tomorrow CD

In 1992, Sean T. Released his first project as a member of a group called M.O.G. on Murder One Records. Then followed up in 1993 with the solo release called, "Straight from the Streets" also on Murder One Records. These two albums gave him credibility in the bay area for production and rap skills. From there on he went on to produce songs for artists such as E-40, The Game, Mac Dre, South Central Cartel, Tha Dogg Pound, The Outlaws, Spice 1, B-Legit, WC & Juvenile just to name a few.

In 1996, he later released his sophomore solo album, "Pimp Lyrics & Dollar Signs" under the label Young Gotti Records. This album reignited the flame from the early 90's and created a real good buzz in the industry, not just independently but also on a major level.

We started around late 1986 or early 1987, with Steve on vocals, Rob on bass, Walter on guitar, and Nick (from Conflict from Arizona) on Drums. Sometime late 1987, we wanted another guitarist and we found Dennis. In 1988, we recorded our first demo at the place we rehearsed at, which I believe was a studio that The Association recorded some of their records. It was recorded by Lee of Dionysus records who helped us a lot at the beginning. In 1989 we recorded in our first LP What Do You Care? It was recorded by Brett Gurewitz of Bad Religion at his studio in Hollywood. After playing many shows in Southern California, Steve decided to leave the band. After an extensive search, we found Jack. In 1991 we played live on radio station KXLU, which was taped and made into a 7 inch on green vinyl. Sometime in 1992 Nick decided to leave, then we got John from Exoteracy. In 1994 we recorded Bright Future? and decided to put it on CD with with Live on KXLU. In 1996 Jack decided to leave, and we decided to do the vocals ourselves. And in 1997 we recorded Save Room for Dessert. Sometime in 1998 decided to go our separate ways.

The band is described best in the following reviews of their CD entitled "Save Room for Dessert".

This hardcore outfit gets faster and more massive sounding with each release. This 17 track CD is a near perfect collection of "real" hardcore played at its meanest and leanest. No sub-genre affiliation for S.G.M., they instead just go right for the throat. With multiple vocalists, lyricists, and songwriters the band manage a huge variety of vibes and sounds throughout the course of the record but they keep it tight and cohesive with their overriding dedication to ripping fast hardcore. Lyrics are aggressive yet positive and the production is perfect for their approach. The Crass Menagerie.