| | Seals & Crofts Down Home CD Seals & Crofts Discography of CDs
(3 Customer Reviews)
Down Home CD
Seals & Crofts
Photographer: Hillary Herber.
Arrangers: Dash Crofts; James Seals; Jim Seals.
Personnel: Dash Crofts (vocals, guitar, mandolin, keyboards, drums); Jim Seals (vocals, guitar, violin, saxophone); James Seals (guitar, violin); John Hall (electric guitar); John Simon (piano); Paul "Blind Man" Harris, Paul Harris (organ); Greg Thomas (drums).
Audio Mixers: Mark Henry Harman; Tony May.
Down Home Music | List Price | $11.99 (You save $1.50) | | Category | Rock/Pop Albums, Pop CDs, Singer/Songwriter, Rock | | Label | Wounded Bird | | Orig Year | 1970 | | All Time Sales Rank | 10316  | | CD Universe Part number | 7480379 | | Catalog number | 5004 | | Discs | 1 | | Release Date | Sep 18, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | John Simon | | Engineer | Duffy Tomas; Steve Barncard | | Personnel | John Simon - piano John Hall - electric guitar Dash Crofts - vocals, guitar, mandolin, keyboards, drums Jim Seals - vocals, guitar, violin, saxophone Greg Thomas - drums Paul "Blind Man" Harris James Seals - guitar, violin
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Seals & Crofts Down Home Songs Down Home Music Review Average Rating: (4.7 out of 5 stars)   A LITTLE KNOWN GEM This album is nothing like the Seals & Crofts you remember from the Warner Brothers years. Great songs, stellar production (no overblown string section) and a percussion section that actually sounds like a swamp at night on the track "Cottonmouth". Well worth it. One of the albums I never thought I'd ever see on CD. Kudos to Wounded Bird Records! Submitted by Rick (Pittsburgh, PA, USA) Was This Review Helpful? Yes No 2 of 2 found this helpful.
The Buildup Seals & Crofts had got a footing on their more folksy side on their first album, "Seals & Crofts". Now, they explore more of their jazzy side and even a little bit of rock and roll, while still maintaining a strong songwriting ability. This album, combined with their first and third albums, was the creative melting-pot prior to their huge mega-successful smash hit "Summer Breeze". If it wasn't for the influence of these three records, Summer Breeze would not have been made, or it wouldn't have been as great as it is. And you can hear the creative juices flowing and building up for something bigger to follow all over this album. The result is amazing, with some stellar tracks, such as "Leave", "Cotton Mouth", "Hollow Reed", and others. Take a listen and see for yourself. Submitted by Galen (Anchorage, Alaska) Was This Review Helpful? Yes No
Finally! A CD! I THINK this is their 1st album...isn't it? So different from anything else that followed. "Gabriel Go Home" should go into the"classic" archives.
Simple, Heartfelt, Non-Commercial.
I can't wait to hear it again Submitted by Leese (Los Angeles, CA) Was This Review Helpful? Yes No
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$17.69 JUSTIN HINESIn talking about his music, singer-songwriter Justin Hines says, “Honestly, I don’t remember wanting to do anything else, period.” That sense of it being something as essential as breathing emanates from every track on his soul-searching debut album, Sides. Listening to it is an experience akin to that mystical phenomenon of everyday life when you meet someone new but, somehow, feel as if you’ve known them forever. And, while there’s a familiarity, a timelessness to Justin’s music, it’s also marked by a lean, contemporary sound and distinctly postmodern sensibility as direct and authentic as the ideas and emotions the Toronto native expresses with his literate song craft.Justin absorbed his musical gifts from his family – “My dad plays a mean folk guitar,” he says, “and my mom has a great voice. She and her mom would sing old school Irish folk songs.” Justin’s been told that as a baby, he was carrying a tune before he was talking, and remembers that, “My grandmother Margaret always had this thing that I was going to be a singer. She had me singing in church and for relatives, so any stage fright left me early.” There was also the influence of an inanimate – but equally musical – fixture of the household, a jukebox of his dad’s, loaded with old 45s. He’d sit in front of it for hours, listening to every song, note for note. It’s still in his basement, and it still inspires Hines with classic recordings by artists including James Taylor, Willie Nelson, Cat Stevens, Jim Croce and Harry Chapin. Echoes of these and other legendary artists and consummate singer-songwriters resonate throughout Sides. “Sometimes,” says Justin, “I feel like I was born in the wrong era.” At the same time, though, shades of contemporaries including Damien Rice and Ron Sexsmith are also heard, and for all of the album’s grace and maturity – which it has in spades – it’s clearly a young man’s missive. Ardent, searching and eloquent, it spotlights the prodigious talents that caused Justin, at age 14, to win a radio contest to sing the Canadian national anthem at a Toronto Raptors game (which led to national recognition and performances at many major telethons and events). Chosen out of hundreds of entrants, Justin recalls, “I was the first person to try out, and later they told me they never thought about picking anybody else. My first gig was in front of 17,000 people.”Showcasing the more intimate elements of Hines’ artistry, Sides’ fourteen tracks were ...
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