| | Move Shazam CD Move Discography of CDs
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The Move's second LP expanded to double its original size and featuring the No. 1 smash hit Blackberry Way and 6 previously unreleased tracks. Remastered from original master tapes by Rob Keyloch at Church Walk Studio, Shazam has never sounded better. Stylish wallet-style packaging with 16 page booklet designed by Grammy award winner Rachel Gutek and containing rare and previously unseen photographs plus detailed, authoritative notes by Mojo's Mark Paytress. Salvo 2007 Purchase Shazam CD To buy, Click on price to add to cart | Electric Light Orchestra Face The Music CD (1975) Bonus Tracks; Remastered; Expanded Edition
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Also available in a 3-pack with A NEW WORLD RECORD and DISCOVERY.
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Kelly Groucutt (vocals, bass); Richard Tandy (guitar, piano, Clavinet, Moog synthesizer); Mik Kaminsky (violin); Hugh McDowall, Melvyn Gale (cello); Bev Bevan (drums, percussion).
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's revolutionary "Super Bit Mapping" system.
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Kelly Groucutt (vocals, bass guitar); Richard Tandy (guitar, piano, Clavinet, Moog synthesizer); Mik Kaminski (violin); Hugh McDowell, Melvyn Gale (cello); Bev Bevan (drums, percussion, background vocals).
Electric Light Orchestra's more modest ...
| | Electric Light Orchestra On The Third Day CD (1973) Bonus Tracks; Remastered; Expanded Edition
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Additional Tracks
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Mik Kaminski (violin); Mike Edwards (cello); Richard Tandy (piano, Moog synthesizers); Michael De Albuquerque (bass); Bev Bevan (drums).
Electric Light Orchestra: Jeff Lynne (vocals, guitar); Mik Kaminski, Wilf Gibson (violin); Colin Walker, Mike Edwards (cello); Richard Tandy (piano, Moog synthesizer); Michael d'Albuquerque (bass guitar); Bev Bevan (drums).
Additional personnel: Marc Bolan (guitar).
Electric Light Orchestra's third album showed a marked advancement, with a fuller, more cohesive sound from the band as a whole and major improvements in Jeff Lynne's singing and songwriting. This is where the band took on its familiar sound, Lynne's voice suddenly showing an attractive ...
| | Roy Wood Boulders CD (1972) (Import) Remastered
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All songs written by Roy Wood.
An intricate, deliberately idiosyncratic record, assembled piece by piece, Boulders perfectly captures Roy Wood's peculiar genius, more so than anything else he recorded. All of his obsessions are here -- classical music, psychedelia, pre-Beatles pop, pastoral folk ballads, absurdist humor, studio trickery, and good old-fashioned rock & roll -- assembled in a gracefully eccentric fashion. Some listeners may find that eccentricity a little alienating, but it's the core of Wood's music. He wrote tuneful, accessible songs, but indulged his passions and weird ideas, so even the loveliest melodies and catchiest hooks are dressed in colorful, odd arrangements. The marvelous thing is, these arrangements never sound self-consciously weird - it's the sound of Wood's music in full bloom. Never before and never again did his quirks sound so charming, even thrilling, as they do ...
| | Move CD (2007) (Import) Bonus Tracks; England
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The Move's debut album expanded to a deluxe 2 CD set. Features four Top ...
| | Move Looking On CD (1970) Import; Digipak
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2008 digitally remastered and expanded edition of The Move's third album featuring seven bonus tracks, including previously unreleased and rare material. Looking On features the Roy Wood-penned Hard Rock singles 'Brontosaurus' and 'When Alice Comes Back To The Farm'. Released in late 1970, the third Move album and the first to feature Jeff Lynne, found the band at the peak of their musical imagination. Often regarded as the "joker in the pack" in The Move's catalogue, with several heavy, Progressive Rock epics, Looking On can also be seen as the most relaxed and confident expression of the maverick Roy Wood re-energized by a partnership with new creative foil and similarly talented songwriter Lynne, formerly of Birmingham underground favorites The Idle Race. Together they reveled in the ...
| | Move Anthology 1966-72 CDs (2008) Box Set; Enhanced CD
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$36.69 
2008 limited edition four CD box set from the '60s band led by the genius mind of Roy Wood. The first pressing comes with five exclusive Move postcards and a double-sided poster! More than 40 years in the making. 62 career-spanning tracks and well over three hours of Move magnificence in one superbly remastered box ...
| | Miles Davis Mellow Miles CD (2004) (Import) Import; Germany
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| | Sensations Boogie On The Bayou CD (2002)
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$13.79
| | Fiesta Latina Ritmo Latino CD (2003) (Import)
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| | Los Chalchaleros Originals: The Beginnings CD (2005)
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Digitally remastered.
| | Earth's Seductive Haze Raven Light Of Morning CD (2006)
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| | Robert Fripp Beyond Even (1992 - 2006) CDs (2007) 1992 - 2006; Limited Edition
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Originally released in download-only format through the King Crimson website under the name THE COTSWOLD GNOMES, the ironically titled UNRELEASED WORKS OF STERLING GENIUS contains outtakes, demos, and other rarities from the archives of Crimson mainman Robert Fripp and his longtime cohort, ambient pioneer Brian Eno. While much of the material here is on the order of the placid, minimalist work Fripp and Eno have released together previously, there are moments of unbridled energy as well, like the thrashing, prog-rock fury of "Cross Crisis in Lust Storm." Mostly, though, Fripp's liquid guitar lines play against Eno's electronic treatments in the atmospheric soundscape format the pair helped to pioneer.
Just when you thought they've ceased for good, they come up with something like this. Beyond Even (1992-2006) is yet another collaborative project by guitarist Robert Fripp and "ist" Brian Eno. It's true that the pair's No Pussyfooting and Evening Star, recorded in the '70s, were groundbreaking recordings in the treatment of atmospheres, the employment of tape loops, and even prototypes for what Eno would call ambient music (and they were actually quite striking and beautiful in places), but their last meeting, 1995's The Equatorial Stars, was a bit dour even if it did contain some of the same charm. This double-disc is a strange twinning of the same material. Disc one simply features these 13 pieces as a whole work without gaps for 56-and-a-half minutes. Disc two contains a couple of seconds of silence between each cut. While completists may need this, not really anyone else does. The percussive-heavy effects and far more prominent aural wash ...
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