| | Django Reinhardt Swing 39 CD - Import Django Reinhardt Discography of CDs
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Our Price: $10.49  CDFor Sale Usually ships in 1-2 days
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Swing 39 Music | List Price | $11.99 (You save $1.50) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7483654 | | Catalog number | 685714 | | Discs | 1 | | Release Date | Jul 31, 2007 |
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This release signals in the then 33-year old, Norwegian pianist Tord Gustavsen's debut outing for the ECM Records label. His fellow compatriots, bassist Harald Johnsen and ...
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Here is an overlooked gem from a most unlikely source, recorded in a most unlikely genre -- commercial '70s jazz/funk -- just as the disco era was gathering steam. Tom Scott controlled the production, with Severinsen overdubbing all of the brass choruses and occasionally passing his horns through a phase shifter and wah-wah pedal. The coterie of overworked sessionmen from L.A. and NYC -- Richard Tee, Eric Gale, Lee Ritenour, Anthony Jackson, Ralph MacDonald, etc. -- work this session as you would expect, with the ...
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
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| | Butt Boy Conundrum CD (2001)
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Voted "COOL COMPOSER"by Rolling Stone Magazine (2003 Cool Issue)For the past nine years, Butt Boy has been composing original music designed to set the tone for dungeon scenes, gaining a loyal cult following in the leather world. Having done his masters work in music composition, he has created his own cottage industry, marketing as well as producing seven albums. Butt Boy has come a long way from his beginnings. He started writing his music for use in his own scenes, feeling that mass-produced music being used in dungeon play was at best incidental and at worst intrusive. He set out to create music that could become a part of, even inspire, the action. As friends and "partners" heard his creations, they encouraged him to package the songs and release an album. However, there was no market for self-described "Dungeon Music." It too had to be created. Thus Butt Boy began in Houston during "Living in Leather '93," copying the cassettes of his debut album "Feel the Music" under the table as quickly as he was selling them. What began as a side business grew over the years into his sole profession. To date, he has released seven albums by Butt Boy under his own label, Thrust Recordings, and soon will add a second artist to that label, Techestral.Each album, Butt Boy says, was built around a different concept. Initially, their concepts were overtly sexual, exploring the rhythms of flogging, screwing, and oral. Later album themes have leaned more to the spiritual, exploring rituals, fantasies and the mental side of play."I was beginning to understand the leather psyche more," he tells, "beginning to realize it was about more than a specific sex act. Leather, I realized was a way of life, a ritual." His 1999 release, "Cathedral," broke through with a Gothic arc and orchestral feel that focused on the visual. By '99, his expanding fan base made experimentation not only possible, but necessary to his survival. After all, what ...
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This budget compilation was originally released on double LP in 1972, as part of a series of compilations by Prestige in the 1970s. It was issued during Sonny Rollins' second period of self-imposed exile. The first occurred between 1959 and 1962, when Rollins recorded a dizzying number of sets under his own name, and as a featured guest with other notables. The latter retirement was between 1966-1972, after East Broadway Run Down for Impulse! and Next Album for Milestone. The 13 tunes collected here are completely remastered by Joe Tarantino. They were recorded between 1951 and 1956, and are not collected in chronological order. They feature Rollins in the roles of leader and collaborator in the presence of some of the greatest performers in the history of the music. "Tenor Madness" with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones is here (Sonny with all but the leader of the Miles Davis group at the time) from 1956, but so are three tracks from his debut as a leader in 1951, accompanied by Percy Heath, Kenny Drew, and Art Blakey. Rollins' one appearance with the Thelonious Monk Quartet is represented here, and rightfully so, by "The Way You Look Tonight," with a gorgeous head and lead by Sonny. His tone -- even at this early stage of the game -- was fully developed, and given that he was playing a standard, Monk plays it straighter by far as well. Elsewhere there are tracks from the saxophonist with the Modern Jazz Quartet from 1953 ("No Moe"), a pair with the Max Roach band with Clifford Brown ("Valse Hot" and "Count Your Blessings"), with Kenny Dorham in 1954 ("Solid"), with Elmo Hope, and with Kenny Drew as well. This is a fine early representation of what Rollins was up to at the very beginning, and cuts off just before the Contemporary Records period -- whose catalog ...
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