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Sofarock One CD

 Sofarock Discography of CDs

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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
One Music


Detailed One Music Information



List Price $19.98 (You save $10.39)
Category Rock/Pop Albums, Rock CDs
Label ZYX
Orig Year 2007
CD Universe Part number 7484361
Catalog number 20807
Discs 1
Release Date Aug 14, 2007
Studio/Live Studio
Mono/Stereo Stereo
Sofarock One Songs


Sofarock One Album Track Listing



1.Imagine
2.Jumpin' Jack Flash
3.Smoke on the Water
4.With or Without You
5.Stairway to Heaven
6.End, The
7.Whole Lotta Love
8.Miss You
9.Mi Manera, A
10.Imagine
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, teaming up with R.E.M. as easily as he did with avant-queen Diamanda Galas and nu-folkster Sara Watkins; Dave Grohl, who hopped into an empty drummer's chair whenever the opportunity presented itself; and Josh Homme, who set up a mini-empire based entirely on jam sessions. If Them Crooked Vultures brings to mind Homme's projects more than Grohl's or Jones', it's largely due to his role as lead vocalist and how guitar can push a rhythm section as powerful as this to the side, dominating with its grinding riffs and solos. Homme's predilection for precision does reign supreme -- when the group stretches out, even wallowing in the murk on "Interlude with Ludes," there's the sense that, like a great improv troupe, the trio freaked out then retained the best moments, trimming away the indulgence and experiments, leaving behind intrinsically, grippingly musical hard rock, where power is secondary to interplay. And while there are melodies and hooks ...
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" ...
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Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969. Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included covers of "Carol" and "Little Queenie" alongside more blues-influenced numbers such as "Stray Cat Blues" and "Love In Vain." Having been a member of John Mayall's Bluesbreakers, new guitarist Mick Taylor parlayed his experience into some impressive slide guitar work. The pièce-de-resistance of what is arguably the best live Rolling Stones recording is the eight-minute-plus reading of "Midnight Rambler." Between Mick Jagger's unearthly harmonica playing and the tight interplay between Taylor and Keith Richards, the sinister vibe emanating from this song was eerie, foreshadowing the tragedy that would occur at Altamont less than two weeks later. Observant fans will catch the cover's subtle visual ...
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Back To The City
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Art Farmer/Benny Golson Jazztet: Art Farmer (flugelhorn); Benny Golson (tenor saxophone); Curtis Fuller (trombone); Mickey Tucker (piano); Ray Drummond (bass); Marvin "Smitty" Smith (drums). Recorded live at Sweet Basil, New York, New York on February 21 & 22, 1986. Includes liner notes by Stanley Crouch. Digitally remastered by Phil De Lancie (1995, Fantasy Studios, Berkeley, California). /Benny Golson Jazztet. Recorded at the same sessions as Real Time, this set features a reunion by the Jazztet, a classic sextet that originally broke up in 1963 due to lack of work. ...
Korgis
Korgis CD  (1979) (Import) United Kingdom

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CD debut of the U.K. power pop trio's 1979 album, digitally remastered from the original master tapes. Features the hit 'If I Had You' and all nine of the other cuts that graced the record when it was first issued. Also features the original cover art. 1999 release. All tracks have been digitally remastered. Recorded at Crescent Studios, Bath, England in 1979. Includes liner notes by Val Jennings. Personnel: Andy Davis (vocals, mandolin, keyboards, drums); Jo Pomeroy (vocals, background vocals); Jo Mulley, James Warren (vocals); Stuart Gordon (mandolin, violin, percussion); ...
Starry Eyed & Bollock Naked: A Collection of B-Sides
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Some might say that the true talent of a band is proven by the quality of their b-sides. Because while one may get the noisome wastes of time in Blur's flip-side back-catalogue, other bands like Suede can release b-side compilations (ala Sci-Fi Lullabies) that surpass most any other competing band's proper efforts. Carter: The Unstoppable Sex Machine's schizo-electro-pop-punk Starry Eyed and Bollock Naked nimbly falls into the latter category. Even when it starts off with young band jitters. From the Atari 2600-like drum machine sounds in early tracks "Is This The Only Way To Get Through To You?" or "Twin Tub With Guitar" (with a sample of lead singer Jim Bob's own washing machine), they demonstrate how Carter were still unsure of how to incorporate a "two guys and a no drummer" setup. Until years later. "Her Song," for instance, takes fist-pumping punk into such a charming crash of manufactured beats that one learns what it would sound like if The Sex Pistols, house music, and naïve genius all clashed together. Nearly every b-side improves upon the one before it too. The muted bass-engine of "Watching The Big Apple Turn Over" pushes along a melancholic song of television bibles and ambulance chases, while "Bring On The Girls" follows a three-stage ...
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Loaded with alternated takes, and previously unissued material, and rare live tracks, this reissue of this classic is a must for fans of these prog rockers both old and new. Contains 21 cuts including "Great Marsh," "Sanctuary," "Migration," and "Great Marsh." Camel's classic period started with The Snow Goose, an instrumental concept album based on a novella by Paul Gallico. Although there are no lyrics on the album -- two songs feature wordless vocals -- the music follows the emotional arc of the novella's story, which is about a lonely man named Rhayader who helps nurse a wounded snow goose back to health with the help of a young girl called Fritha he recently befriended. Once the goose is healed, it is set free, but Fritha no longer visits the man because the goose is gone. Later, Rhayader is killed in battle during the evacuation of Dunkirk. The goose returned during the battle, and it is then named La Princesse Perdue, symbolizing the hopes that can still survive even during the evils of war. With such a complex fable to tell, it is no surprise that Camel keep their improvisational tendencies reigned in, deciding to concentrate on surging, intricate soundscapes that telegraph the emotion of the piece without a single word. And even though The Snow Goose is an instrumental ...
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